Category Archives: Richard Rankin

It’s Not About You. My take away from the #OutlanderFinale #ManofWorth.

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Funny, the way things happen.  All season I have been happily live-tweeting our #OutlanderCAN hashtag each episode as they air on W Network, here in Canada. I then ponder over each episode to try and pull something not so obvious from it.  I have gotten decent feedback most of the time and am pretty proud of what I have done in both departments.

It so happens that during the airing of season 4’s finale, I ended up in the emergency department of my local health center and then whisked to the hospital for testing. What was I thinking about? Well…my imminent death or loss of a limb was first in my mind but I was also thinking about not being there to live tweet.  I’m not even shitting you. I was thinking about that. So I tweeted to apologize and explain why I wouldn’t be there. Like people cared like I did. I mean, come on.

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Really, not. (source)

There is where the “not so obvious” for the season finale popped up for me.  It’s not about you. The season finale wasn’t about me being there to live tweet or not, how important do I think I am anyway? 🙄 There were many instances  I could easily say that to a character during the episode.  I also find it amazing how often this happens in our every day.  We tend to personalize other peoples behaviour, internalize it and make it about ourselves.  We will get it in our heads that other people get up in the morning just to make ‘our‘ day more difficult.  A little FYI, that usually isn’t a thing. Most peoples objective is to do things “for” themselves, not “against” someone else.  This is not to say there is not collateral damage, there always is. That usually isn’t their intent.

The opening title card scene we see two young boys running around playing what they are taught to believe is an innocent child’s game of “Cowboys and Indians.” Watching is a proud Native American man that we later realize is Otter-Tooth because of the gemstone around his neck.  This is not about the children, this is not about the ignorance of the systematic racism that caused us to believe this game wasn’t hurting anyone. This is about the man on the bench, the history of his people being changed and being replaced by society.

Claire, Ian and Jamie make their way into the Mohawk village looking for Roger. They know he is there. All three are trying to wheel and deal to get him back.  Claire ends up with her scarf off and Otter-tooths gemstone exposed.  This causes many in the tribe to gasp in fright and move away. Claire and Jamie’s first reaction is to calm them down, say they mean no harm, they want to help, to trade.  Their immediate first thoughts are about what they can do for them. This isn’t about you Claire. This isn’t even about the tribe. This is about the gemstone. It is about the fear the tribe has for what that gemstone represents.

Murtagh has more than a few “this ain’t about you” buddy moments.  What I found very interesting was it was Ulysses that silently gave him a lesson. Murtagh and Jocasta are discussing Brianna’s impending marriage to LJG. Which, Murtagh is taking very personally.  There was one point when the discussion between Jocasta and Murtagh went from curt to argumentative. We could only see Ulysses’s hands- he went from gently holding them in front of him to loose fists at his side. Signalling protection. When Jocasta decides to leave Murtagh to his food, Ulysses takes her arm and offers Murtagh his assistance but with a very curt manner, the extra eyebrow added all we needed to know in this scene.  Jocasta and Ulysses were letting Murtagh know Brianna’s future…not about you dude.  Little did they know…it wasn’t about them either.

Going back to Otter-tooth for a little bit.  I know people get upset about the story here, about his message of killing all the white people, of the war he wanted to lead in order to save his people. It upsets me too but maybe for different reasons. It upsets me because it would seem like the logical thing to do if I were in his place.  If I were to be 100% honest with myself, which is not an easy task in any event, what he was saying would be the most effective way to save his people.  It’s brutal and it is ugly, so is what the Native Americans and First Nations people of North America went through because of colonization. So, for this one. It’s not about you. Or me. Or any of the people Otter-tooth wanted to save his people and his history from. It was about the Mohawk and what they ultimately went through.

We finally get to Roger. Finally. Naturally, there is this crazy “no take-backsies” going on but since trading seems to be the currency in all things, even peopley things, Jamie offers himself up.  Young Ian goes to work something out, in this, he thinks he is a better deal than the old gingersnap.  Jamie is caught off guard, assumes he will rescue Ian away or Young Ian will escape when Ian shuts him down.  This isn’t about you Uncle Jamie.  Young Ian swore to the Mohawk, he gave them his word.  He would stay with them, in return, Roger could go with Jamie and Claire, back to Brianna. Sweet Young Ian was taking responsibility for his actions as well as making a choice for his future. One that didn’t have anything to do with anyone else.  Sometimes the choices others make can hurt us but they aren’t making them ‘to‘ hurt us.  We have to be aware of that.

So, off goes Roger with Claire and Jamie.  The first opportunity he gets to put a beating on Jamie, he takes it.  I don’t blame him in the least. Apparently, neither does Jamie.  Claire tries to stop him but Jamie knows, this is what Roger needs right now.  I believe Jamie also wants Roger to let loose on him.  His form of penance so to speak.  In a way, Jamie is making Roger’s rage about him in order to rid himself of some of the guilt he feels over what he has done. Error in judgement or not, he owns it, as he should.

When Roger doesn’t go back with them to River Run right away, I don’t think it about the news that Brianna’s baby is possibly Bonnet’s.  I think it is more about staying in the past. This has never been the plan.  This is a new thing.  It not just about Roger and Bree and their future anymore. It is about being a family in a completely different time. It is about living in a family with a man that damn near beat you to death and sold you to the Mohawk.  It’s about living in a time when your wife was raped.  This is a dangerous world and making the choice to live there.  Making a choice like that without taking a moment to think would be doing a disservice to yourself and to the one you love. Not to mention all the people that will end up in your life as you move forward. This is a case of it’s not just about you.

Brianna was the one that was the victim of so much “It’s not about you” that it was painful to watch.  Only because she did personalize so much of it.  I was thankful that the birthing scene was Bree focused. It showed her strength, tenacity, ability and her dedication to doing this thing on her own when everything came down to it.  Yes, she had her aunt there, her friends but ultimately, giving birth is about a mother and her child. There is no need a secondary narrative to focus on there. When Bree held her son for the first time, this story became about him now. That was her choice. Her love for him shone through.

When Claire and Jamie arrived back at River Run without Roger, the look that came over Bree’s face when she realized he wasn’t with them was pure heartache. It wasn’t about her but we all do what Bree did. She was personalizing Roger not coming back. Very likely creating a story in her head to match the pain she was feeling. It is such a common mechanism for us humans and so often our imaginations don’t match the reality. We replay other peoples choices like we have control over them. It is this weird dance we do. If I had done a, b or c.  Only, it doesn’t work like that because they will always make the choices they want to no matter what we do. Roger does return to her though, as I knew he would. He returns to claim her as his wife and the baby as his son.  It isn’t about any one person, it becomes about them as a family.

As Red Coats come riding up to River Run everyone assumes they are after Murtagh because he is, after all, the local fugitive in hiding. Jocasta and Murtagh share a little tête-à-tête that both Claire and Jamie witness and share their WTF faces. It’s ok guys, THIS little love affair…isn’t about you, so step off.  Aunty Jo is getting herself some Silver Foxtail on the side and won’t be listening to any of your nonsense about it.

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Daactualfuq?

Last and certainly not least is the not so love letter from Governor Tryon. Jamie is expected to follow his beck and call.  In this case, that means whippin’ up a militia and hunting down and killing Murtagh.

Well, Tryon, I know he likes to think everyone is just clamouring to serve him and his brilliant red coat wearing English army but here is the thing, they aren’t. No matter what Jamie’s obligation is to him we know that Jamie’s first obligation is to his family. It always has been and will be. Gov. Tryon happens to think this whole Regulator thing is me against them. That is where he is wrong. The Regulators have said from the start, they are more than willing to pay taxes, they are not willing to pay for the elites shitty castles and corruption. Plain as day, Gov. Tryon. Not. About. You. It’s about the people he is supposed to be helping.  If he were to take the same amount of time he takes to fight them and listen to them instead, he might learn from them.  Even this shows us we often make up our minds because we feel attacked when someone disagrees with us.  Instead of listening we react. So much can be lost when all of that noise is happening.

Imagine. 13 weeks of Outlander is already gone. POOF!  I absolutely loved this season.  Every episode I enjoyed for different reasons and I was able to learn a little something in the hidden corners that helped me realize the writers, directors, cast and crew give so much to it.  Still, Outlander isn’t about me.

It’s about so many people.  Too many people to ever keep track of or make happy and that’s o.k. too. Want to know why? That is what makes life interesting. We can have animated conversations. We can discuss what we love, what we don’t and the things we missed and maybe why we think things were done the way they were.  What I think the secret might be is respecting one another’s views and opinions as just that. Personal opinions based on personal experiences. They don’t have to assume someone else’s intent or be presented as facts. We can have fun with it because when it comes down to it, this thing called Outlander is a TV show that is created for our entertainment. It is supposed to bring up emotions. All of them. That is what makes great TV.

I’m not going to stop blogging over #Droughtlander, granted, I probably won’t do one once a week. I hope that we can keep each other company, stay engaged and not lose focus of what brought us together in the first place. A great story.

Sher (Founder of the #ABOotlanders)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Talking to Sera-Lys McArthur about Johiehon, Outlander and MUCH more…

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Providence, episode 12 of #Outlander is receiving praise across the fandom. Sera-Lys is the extraordinarily talented and beautiful First Nations actress who played Johiehon, the Mohawk woman who fell in love with and had a child with the priest, Father Alexandre Ferigault.  I spoke to many people about Sera-Lys‘s performance and each one was impacted in some way by her portrayal.  It made me want to know more.

 

We all know I’m a Canadian, I talk about that on the regular. The actor’s Outlander auditioned for the Mohawk and Cherokee this season were chosen from First Nation actors in Canada. I found many have familiar faces from our television landscape.  When Sera-Lys popped up on the screen I had a “Hey! I know her moment!”  Only because I had watched her on a show called Arctic Air. Not because I actually ‘know’ her. Since we are both Canadian, I felt confident enough to reach out to her.

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It probably shouldn’t, but this is me. (source)

It is with no surprise that I can share with you, she is 100% delightful, 110% smarter than I am and yes, I think we are best friends (don’t tell her, she may not answer any more of my DM’s)

So without further Sherry babbling, please enjoy my “Interview with Sera-Lys”

I understand you grew up in Saskatchewan and were fairly young when you started acting. Now, many reading this might not understand my asking but how did that happen for you? (Saskatchewan isn’t really known as Canada’s Hollywood)  Haha, oh thank-you! Arctic Air was a big breakout role for me in terms of my Canadian career, it’s nice that people still remember that show. And you’re right, getting a start in acting from Saskatchewan is uncommon. I didn’t ever think that a person could even pursue acting as a career. My neighbour signed up for modelling classes when we were 11, and I wanted to join her. I really enjoyed it, so my mom supported me in signing up with a local agency in Regina. A couple of years later, when I was 13, there was a CBC miniseries coming to town called “Revenge of the Land,” directed by John N. Smith (Dangerous Minds, The Boys of St. Vincent). They were casting the role of a young Metis girl (a word that describes a mixed-blood Indigenous person) and had already cast actress Carmen Moore (She is in Outlander also, her role was introduced this week and continues in next week’s finale) to play the character’s mom. I went to the audition and the director and casting director were instantly impressed at our resemblance. Then they said, “But wait, can she act?” and I did my audition. It was my second audition in my life. I guess I didn’t suck, and they asked me if I had ever acted before. I said I was signed up for a workshop ‘next week.’ They smiled and told me to take the workshop. When I was at the workshop, they called my acting teacher and I was informed that I had got the role. It was very surreal! Needless to say, I loved the experience and was “bitten,” as they say. I continued to study Musical Theatre and Acting and audition throughout high school and later, in post-secondary education.

Where is home for you now? As a First Nations person and actor, I have the ability to “live, work and cross the border freely as [I] choose” thanks to the “J Treaty.” I really see Acting as my home, and wherever it leads me. I will always have roots in Saskatchewan and that is still where my family lives. Lately, I split my time between New York City and Toronto.

As a young Canadian woman, what would you say has been the biggest challenge in your career thus far? Historically, there are not a lot of substantial roles for women in general, less for women of Colour, even less for Indigenous women, and even then, we often lose these roles to non-Indigenous actors. This is because it’s a catch 22 in the industry: An actor has to have proven their ability to green light an X-million dollar production, but no Indigenous actors have ever done this, so investors find us to be too risky to cast. Sometimes they rewrite Indigenous roles and change their ethnicity to suit an A-lister that will attract more investors. It can be very frustrating. But I am happy to confirm reports that this is finally changing in our industry. The amount of opportunities for everyone seems to be growing, and so those of us who have been waiting and working on our skills all these years are finally getting a chance to show what we can do. Outlander 412 “Providence” was definitely one of those opportunities!

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Sera-Lys on the Outlander set with her costars

I see you have worked on a few projects with women at the helm, as we are in a (much needed) time of change in the industry, how do you find this is impacting you? For one thing, it has been the status quo for so long, that it was an important dynamic for me to learn how to negotiate. I get along with most men, I have many platonic male friends. I choose to connect with human beings, not genders. Now, of course, I have noticed an inequity and it does bother me. But it is important to create allies, not otherness. I have had excellent experiences working with male directors, and equally as wonderful experiences with female directors. I feel blessed to be able to collaborate with all of them and I am hopeful that more and more women and minorities will be given a chance to helm large-scale projects. 

Did you audition for the role of Johiehon specifically and what was the process like for you?  Yes, I did audition for her specifically. I knew the character was supposed to speak Mohawk and French, but the sides were given in English. Like most Canadians, I studied French in school growing up, so that was the easier part. Mohawk is another story! There’s no google translate option for Mohawk! While the casting director said that it wasn’t necessary to translate for the audition, I know from experience that producers almost never cast Indigenous actors for period-dramas from a tape where they speak English. They want to cast someone they know can handle the language challenges that the role demands. So I reached out to my friend Devery Jacobs (Sam in STARZ’s American Gods) who is Mohawk and also was auditioning for the role. She passed along recordings, translations & phonetic transcriptions of the Mohawk lines. I went in for my audition a few days later, and I guess I kinda “nailed it:” one take and done. Then I was “On hold” for over a month. During this time I auditioned for another role on Outlander, the Cherokee translator played by Crystle Lightning. When I got the call from my agent that I had booked Outlander, I had to ask, “which one?” 

I am very grateful to belong to a community of supportive First Nations actors. It’s a rarity in this industry and even this day and age that someone would aid their “competitor.” But I would have done the same. We really want each other to succeed, and we know the best way for us all to experience success is to support one another. 

I know I shouldn’t feel personal pride in the fact the First Nations actors from my home country behave in this manner as the only real thing we have in common is we are from the same country, but damn, this makes me proud.  To know there is such a cohesive unit of actors, working with one another to assure each other’s success knowing it will make the whole stronger in the end.  That’s probably the most empowering thing I have heard in a long time. It makes this screenshot mean a lot more to me.screenshot (2083) (1)

How did you find out you earned the role of Johiehon? My agent Rich Caplan called me while I was on a lunch break from a theatre workshop I was doing with Oregon Shakespeare Festival (in Manhattan). He had called me earlier that day to say that I had booked a role in a Canadian independent feature called Robbery, which is currently doing the festival circuit. It was a pretty awesome day!!

When you read the script for Johiehon’s introduction and demise, what were your thoughts? The introduction I knew from the audition, but the demise was a big surprise! They kept it under wraps from even me until about 2 weeks before my contract in Scotland began. She had a different name than in the books. It definitely explained why it was only a one-episode contract! I was shocked and excited. The second-to-last episode is often the climax of the season in today’s television market. A big fiery, epic ending in this episode was very exciting! I actually portrayed a young Nakota woman who died by fire in another CBC miniseries called The Englishman’s Boy about 11 years ago. So I knew I could perform it well. Still, I had never seen anything quite like the fire and stunt work that I witnessed on Outlander. It was truly amazing!

Truthfully, you had such a little amount of time to endear yourself to the audience, allowing us to feel you had this deep love with Father Alexandre and that Kaheroton was deeply in love with you, and…you did it. More than did it. I was sobbing when you (well, your stunt double) walked into the flames.  What was your reaction when you saw it all put together for the first time? Honestly, I cried too! It was so beautiful. It was so sad and visually stunning. Mairzee Almas, the director, did an amazing job with this scene and episode. It was her idea to put the Adagio For Strings music over the silent slow-motion sequence. In my mind, I compared the epic, emotional moment to The Last of the Mohicans, and it definitely delivered. In today’s industry, an actor rarely gets the opportunity to act in something this grandiose! I feel truly blessed to have been a part of it. I am proud of my work and of the entire team. It’s tremendous.

I have to admit, Providence stands in my top 3 episodes of the whole Series thus far. From start to finish, every extra and every effect, every performance held my attention. 

Richard Rankin is the regular cast member you had scenes with.  He is known as being a very light-hearted guy. How was working with him? It was great! He is very friendly and easy to be around and work with. Poor guy had to be in constant “pain” during our scenes. It also was a very demanding season for him, so I am very impressed with his stamina and commitment. His scenes with Father Alexandre in the “Idiot hut” are truly remarkable and were rewritten right up until filming. He brings an amazing sense of humour to his portrayal. A true professional and a warm-hearted person. I feel lucky to have worked with him. 

I often worry about the portrayal of first nations and indigenous peoples in television and movies. We want the portrayal to be true, respectful and not a caricature. I understand you are a modern woman, not a historian but am interested in knowing, how do you feel Outlander did, as a whole, in regards to portraying the Mohawk/Native culture? They really did a very good job. They went all out in their research. The costumes, hair, make-up and wardrobe were all very specific. And that set! It really transported us there in our minds. They worked with two Mohawk elders from Akwesasne and had them answer questions and do translations and coachings with us. They also gave us a document about Mohawk customs and culture, especially pertaining to what was happening in the scene. For me, the biggest departure from reality is that a Mohawk woman would ever abandon her child and commit suicide to be with her loved one. But it is a fantasy after all. It’s a beautiful story.

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Sera-Lys McArthur with director Mairzee Almas and costars BTS

 It was most certainly a part of the story I always struggled with, but yes, fantasy, love stories, tragedy. They tend to go hand in hand. Speaking of fantasy – I am envious you travelled to Scotland. How long were you there? Tell us a bit about your experiences if you could. I was there for 3 weeks. I was happily able to explore quite a bit. I went to Edinburgh, stayed in Glasgow and near Pitlochry. I went with fellow actress and friend Carmen Moore to Loch Lomond. That was a special experience. After my role was completed, I went on a horse ride in the countryside or a “hack,” as they say in Scotland, with Tannoch Stables. We stayed in a beautiful castle hotel during filming. It was breathtaking. Scottish people, on the whole, are lovely, friendly and have a great sense of humour. I highly recommend going and I hope to return someday soon!

You were surrounded by many other Canadian actors/esses while on set, which must have been interesting. Being in another country but still with people from home. What was that like? It was a surreal and pride-filled experience. There were other people from the Prairies and even an elder who spoke Nakota (my Native ancestral dialect). There were multiple other actors that I had worked with before who reunited there for this production. One of them, Gregory Odjig, looked at me at one moment and said, “We’re at work right now. Halfway around the world, in Scotland. That’s friggin awesome!” And I couldn’t have agreed with the sentiment more. Very special and unique.

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Sera-Lys  with costars and friends Carmen Moore and Tom Jackson Fonab Castle Hotel

What was your biggest take away from your time with the Outlander production?That all the years of struggling and career ups-and-downs were worth it so that I could experience something this amazing. 

I see you have some projects that include writing and producing. Besides acting, what field do you see yourself pursuing more in the future? Acting is my true love. But acting leads me to producing and writing. I want to do them all, but most of the behind-the-scenes work I do is so that I can act in the production myself. I am sure this will continue to evolve. Acting and storytelling are my “Buffalo,” they provide my soul with sustenance, similar to the traditional life of my ancestors when they followed the herds of bison. I will follow them wherever they lead me. 

That is so beautiful. Our First Nation culture carries with it such a powerful spirit. We have so much we can learn.

The issue of MMIWG (Missing and Murdered Indigenous Women and Girls) in our country is one that was long ignored. The more the loudest voices speak, the more the silenced can be heard.  Can you please tell me more about the project ‘In Spirit’?In Spirit is a very special project. It was written and directed by Tara Beagan and designed by Andy Moro. While we changed the character to a fictitious girl, the original play was based on the murder of Monica Jack. You can look up all of the details available on CBC’s website. 40 years later, they have finally arrested, tried and found a man guilty of kidnapping, assaulting and violently killing this young girl who was days away from celebrating her 13th birthday. It is very emotional and speaks to the core of our community. It illuminates the bigger problem with our society today. I hope we remount it and many more will get to see it. It’s truly riveting. I hope that the conversation continues and we work together to stop this senseless violence. Native women have been too easy to prey upon. Native people are victim to systemic violence, racism and erasure by historical and modern society. This has to change. We have to talk about it more and more. And if we could please stop objectifying our women in so-called “sexy Indian” costumes, that would be a great place to start.

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If there was a mic- I’d get her to drop it (source)

Do you have any other upcoming projects that you are excited about that we can watch for?  You can currently catch me in Season 2 episode 3 of Friends From College, I have a really fun soccer scene about 8 minutes in. I will be doing a play at Portland Center Stage in Oregon called Crossing Mnisose by Cherokee playwright Mary Kathryn Nagle. That opens in April. Other than that, stay tuned to my social media @seralysmcarthur for announcements.

Once again, your performance in Providence was captivating.  You managed to create a heartbreaking love story within an episode of television that left a fandom bereft. If there is anything else about your experience with this role you would like to share, we would love to hear it. Well, while Yan Tual and I were busy working and dying on pyres and crying for literally days, the other actors and supporting artists were often on break, if it was only filming our close-ups. As I mentioned, the set was impeccable and while much of it was natural, we would randomly find “set dec” hidden amongst the natural world: fake rocks, sticks, mounds, grass, etc.

Richard Rankin, Carmen Moore, Greg Odjig and some of the Mohawk warriors/ stunt actors made hilarious behind-the-scenes videos of knocking Greg over the head and body with these set pieces. The resulting videos were HILARIOUS!! What a fun group of people to work with!

Outlander BTS video Credit goes to Gregory Odjig

Thank you so much for sharing that hilarity with us. It is the perfect way to lead into my the typical ABOotlander closing question for our guests – since you are Canadian, you have an advantage.  The ABOotlanders have invited you to dinner and being the guest of honour, you get to choose the main course, tell us which one catches your fancy?
A)Moose Droppings B) Beaver Tails C) Prairie Oysters D) Taber Corn

Prairie Oysters. I def gotta try one someday to be truly Canadian! (I do know what they are, lol!)

It truly was a pleasure to have Sera-Lys take the time to invite us into a few corners of her world.  I hope you enjoyed reading this as much as I enjoyed putting it together for you because I enjoyed it A LOT!

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Sera-Lys ROCKS (source)

Sher (Founder of the ABOotlanders) 

Be sure to live tweet the Finale of Outlander with us while watching on W Network on Jan 27th.

 

 

 

Get naked. Stripping down #Outlander Ep11

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That got your attention huh?  Just like the cold but hot open of this episode probably got you. I know my attention was captured, but a naked Roger will do that.

Now, this may be very obvious to everyone out there and you may say to me that this blog is the worst of the season because I haven’t dug deep enough and that’s fair. I don’t think I really did. This just stuck with me through the 3 times I watched.  It became more and more obvious and the reality is, I wanted to talk about it, so I am.

In this episode, our characters were on full display. They might as well have been playing their parts how Roger started the show for us.  In the raw.  That would have made the dinner party a lot less appetizing mind you.

The levels of exposure we saw in If Not For Hope went deep.  This may take me a while so you might want to pour yourself something hot or cold, grab a snack or two.

The obvious is Roger. His literal nakedness isn’t just there for our viewing pleasure. I believe it speaks to a few things. He is now stripped completely of who he was.  The buttoned-up historian of many layers. Each one tore away until he was bare and now, being recreated.  This Roger we will get to know was always beneath the layers but had no reason to be exposed. The layers have been ripped away and no longer protect him, this Roger steps forward to run the show.  Well, at least keep one foot in front of the other. Which is all we can seem to hope for.

Granted, Roger himself wasn’t physically present in the episode but make no mistake, he was there.  Through Brianna, Claire, Jamie, Ian and even Lord John, each bringing him to the surface.  They repeatedly reminded us of how perilous Roger’s situation is. How he was relying on them to save him from this situation they had a hand in placing him in (except Lord John…he’s cool).

Roger is completely on the outside of all of this.  He has no reason to believe anyone is looking for him. He has to trust that Brianna loves him as much as he loves her. That, my friends, is blind faith. Which is perhaps the most vulnerable anyone can make themselves emotionally.  This is intricately tied to the horrific moment at the end of the episode.  Roger makes himself just as vulnerable physically. He realizes what he needs to do. He stands to accept a substantial beating at the hands of his captors in a type of gauntlet, a blind faith, trusting he is strong enough to make it through.

Personally, I would have rathered another shower scene. Richard Rankin, for the lack of screen time, has most certainly given Roger a surprising amount of depth.

I will add, it would be fantastic to see either, in conversation or flashback, what happened at those damnable stones. Richard conveys so much of what Roger thinks in facial expression alone (something I think this cast is flippin’ remarkable at) I would love a peek at that moment.

Please know I do not view vulnerability as weakness. It is a state of being from which each one of us needs to be in, in order to trust or love.

In Brianna’s case, she was all over the vulnerability scale from frailty, threat, disquiet and even pliancy during this episode. She was open to her own pain, in fact, the first moment we saw her in this episode she was in the midst of drawing it. Lizzie saw this as demons. They were in a sense, Brianna’s own demons…of sadness, anger and worry.

Speaking of Brianna’s drawings, it seemed she was using them to expose her disquiet. The opening credits showed many pictures of the slaves at work. Phaedre came into her room, Brianna saw how the light caught her face, she asked Phaedre to sit so she could draw her.  To me, this showed Brianna’s discomfort with the way this world was working around her. She was able to capture that and put it to paper.  I do believe Phaedre was pleased with being seen by Brianna, yet, you could feel her unease. Even if she were safe with Brianna at that moment, she was only safe with Brianna at that moment. The second someone else came into that room that safety would disappear instantly.

Next is Brianna, exposed lamb to the slaughter, Tinder 1700’s version.  This was painful to watch with a modern eye.  I had to keep facepalming myself to reset.

Seeing Brianna have to shut down the fake compliments, the greasy ‘we should ride into town alone together after just meeting one another’ and ‘hey, my mom doesn’t know I’m gay, let’s pretend to be bff’s.’, was too much.  Brianna made the right call with the fake ‘case of the vapours’ to get the hell out of there.  I now know why so many women fainted back in those days and it wasn’t because of the tight corsets. Women are tougher than that. It was to get the hell out of the room and away from all the creeps. They literally had to pretend they were unconscious before people would let them leave the damn room.

After the delightful dinner party (she says with dripping sarcasm), Jocasta gets some alone time with Brianna and in that small amount of time Brianna pliancy grew.  At first, she started this conversation out strong but Jocasta, always cunning, knows exactly which string to pull to unravel even the most complex of patterns and she does just that. She grabbed onto the Roger and baby strings and pulled, hard. Brianna went from bold to pliant, which is a completely different variant of vulnerability.  Jocasta used the perfect words to cut Brianna down and weaken her ‘Roger’s gone…no matter dead or alive. GONE.’ ‘If your baby is born out of wedlock, their life is RUINED.’  Brianna is brought to the point of being forced to look at her situation as the condition it is being referred to.

 

Jumping ahead Brianna is armed with what she thinks is the blackmail of the century. Bree decided to hit LJG where it hurts, in the ‘being gay is punishable by death’ spot.  She felt this was a pretty great plan, she could coerce him into marrying her because she knew this big secret and he would never want to sleep with her because he didn’t like women. Win Win.  LJG is a great guy and all but he isn’t one to be trifled with. He clapped back, letting her know the Vaginawagon wasn’t in mint condition and she would do well to stand down.

That moment with LJG is where Bree is the most exposed.  She allowed him to know all the details of her pregnancy and her desire to protect her child even over her own happiness.  It proves it doesn’t matter if we are trying to show others how strong we are, if there are cracks in the armour, someone will get through it. Even if it ends up being us, no one can stay locked in there forever. It’s stifling.

 

Lord John Grey. That name deserves a moment. He isn’t one you would feel is in a state of vulnerability given his status. Lord John, however, is a man who happens to love men. In colonial America, this is a crime punishable by death. This instantly makes Lord John a person in jeopardy.  The moment he is introduced to Brianna you can see him soften from Lord John Grey…to John, Jamie’s friend.  Which in itself brings an openness to him.  Since he is raising Willie, Jamie’s son, it makes sense that he would have a soft spot for Brianna, Jamie’s daughter.  You would think when LJG is most vulnerable is when Bree exposes his throat and threatens to chow down on it by telling the world he is gay. The idea may be threatening but after the initial imagery passes, he knows this won’t happen. The moments he is truly most vulnerable is when he is speaking of his relationship with Jamie and Claire.  When he speaks to her of Willie. Many of LJGs vulnerabilities lay in the secrets he must keep. The more people he opens himself up to, the more likely those secrets will be exposed.

Lord John chose to keep Brianna and the child safe by becoming engaged to her. It was LJG , after all, who told Bree to trust that Jamie and Claire would bring Roger back.  By promising to marry her, he was giving her the hope she needed and saving her heart from breaking any more.

It certainly was beautiful to see Marsali and Fergus again.  Their relationship is one I wish we could get more of.  They are strong and fierce but when it comes to one another, so tender. Fergus is being attacked by a toxic mentality of not being ‘man’ enough and Marsali is requesting Murtagh fix it.  She knows very well she could tell Fergus, a million times, he is more man than anyone, it won’t make a difference. Until Fergus feels that himself, it will tear at him.

 

When we love someone, even things we are not responsible for, weigh heavily on us. We want to fix them, which will sometimes cause us to be exposed to our own vulnerabilities. Marsali is not a fan of asking for help, but she does, for her husband. It works out perfectly in the end as Fergus feels needed but also knows his place is with his family.

Marsali knew she wasn’t responsible for Fergus’s pain but she worried about it. We see Jamie worrying about Brianna’s pain, and he did cause hers.  Naturally, this is weighing very heavily on not only him but Claire.  Both are in solitary and pensive states.

 

I believe as long as Brianna feels angry, Jamie will feel guilty. That is par for the course, isn’t it? As family dynamics go, when we hurt someone, intentionally or not, most will stew about it, worry, wonder what we can do (if we can do) anything to fix it. Jamie was in his own head, as he should be.  A big part of forgiveness is beating ourselves up, I think we all know that.

Taking responsibility for our actions means owning them and feeling bad they happened.  Wrapping it all together means having apologized and trying to make things better. Sadly, when we attempt to make things better we become vulnerable to not being forgiven.  That is the scariest thing of all.  When we have created pain for someone, it is never up to us if they can move past it. I think that is why Jamie is in this space he has created.  Jamie’s future happiness as a father to Brianna is 100% out of his control. What an all together powerless feeling, but one he understands, from the things he said.

Claire knows some of this though, she is the healer. She does that for them both, physically and emotionally.  She identifies the wound, assesses the treatment and then, she does the best she can.  The same we do for those we love. In turn, we expect those who love us to accept it.  This couple is best when they share their vulnerabilities and allow the other to be the strength where they lack.  With each struggle, bump in the road, argument and disappointment – couples grow. We see Claire and Jamie settled into their life as a couple but still growing and that’s important.

Knowing we are watching Brianna and Roger in their infancy as a couple excites me because it means we still have so much more to look forward to.  There is nowhere to go but up.

 

Now that I wasted a whole hour of your day, I will wrap it up.  I could go on to mention every character and how they were vulnerable and exposed but even I get tired of myself…

 

When we get naked, let our vulnerabilities be exposed – do we do it knowing there is the possibility of getting hurt?                                                                                                                  Do we hide our nakedness all together so no one has the opportunity to hurt us but we are so lonely…it hurts?                                                                                                                      Maybe we only allow certain people to catch a glimpse here and there and still find ourselves harmed in some way.

Life is messy, isn’t it? It’s messy…but it’s beautiful. It’s chaotic…but it’s an adventure. What we focus on expands…what are we choosing to look at?

We only have 2 more episodes left before the next Droughtlander commences my friends, this had gone by so fast!

Sher (Founder of the ABOotlanders)

Please live tweet with us Canadians as we watch on W Network at 8pm MST using the hashtag #OutlanderCAN

Safety is key. Unlocking my Ep10 thoughts. #Outlander

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We experienced yet another powerful episode with The Deep Heart’s Core.  Season 4 just keeps my brain in gear which I am not sure is such a great thing cuz I think it might be getting warped from overuse. It certainly has refreshed all those years of human behaviour seminars I took back in the day.

I don’t exactly do recaps with my blog this season, I kind of pick something that stands out to me. You might be on the same wavelength I am (if that is the case, you may want to seek help because I am not sure that’s altogether healthy) and you will think to yourself…well OBVIOUSLY…in that case, I suppose I’m not as unique as my mother told me I was.

This episode was not a comfortable one. I don’t think it was written to be. In fact, I think it was meant to give you that feeling of discomfort. Of being unsettled and not feeling right in your own skin, like things were ready to fall apart at any time.

Let’s open with the conversation Bree had with her bio-Da about her rape.  That in itself shows us that Brianna feels a certain level of trust with Jamie now. She is asking for his help in processing the trauma she has experienced. She doesn’t need to give him names, dates or details to share her pain. Most victims can tell you that isn’t how it works. The things they need to let go of first are the could haves, would haves, should haves.  Shedding the blame, guilt and shame are critical to recovery. Survivors do this with people they feel safe with.

Jamie experienced these things himself.  He knows the process she has to go through. Claire took him through it.  He put himself in front of his daughter, angered her and brought forth her rage (as Claire had) in order to show her that no matter how hard she fought that sunnuvabitch Bonnet, he would have taken from her what he did and likely, she would have gotten herself killed in the process.  In the end, Bree wasn’t angry with Jamie for overpowering her, saying cruel and hurtful things to her – once she realized why he had done it. In fact, she felt safer with him. So safe that she reached further inside his heart and questioned him about his own experience with rape.

Jamie was raped by Jack Randall.  He didn’t fight either.  He didn’t fight because he gave his word in return for Claire’s life – which means at its core it was out of fear.  Fear for her.  That Jamie was able to share the truth of this with his daughter opened up a door to their relationship – in which Bree stormed through later on in the episode.

Let’s talk about that door now, why wait?  Bree found out Roger made his way to the ridge and subsequently, what happened to him. The Fraser Fury was unleashed like…well…a Fraser unleashes their fury.  There were a lot of words, a lot of confusion and amoung that,  Jamie misunderstood what Bree was saying and heard her say that she had sex with Roger then fought with him- he mistook those words and thought Brianna claimed she was raped by him in anger. Jamie’s Fraser Fury mixed with Brianna’s – as you can imagine, that went up like a bomb.

Bree lashed out, slapping him. Hard. He let her. Why do I believe he let her?  Jamie showed us earlier in the episode that he could stop her from hitting him if he chose to.  Do Bree’s words hurt Jamie? Of course they do but does he know they help her more by her saying them? Yes. Jamie opened that door to his daughter earlier in the episode. That she would feel safe enough to say or do anything to him and know that he would be there to love and care for her no matter what. It is also why he said nothing when she yelled at him that he wasn’t allowed to be angrier than she was.  Jamie heard her words and accepted them.  It is something many of us don’t do when we are angry because we are too busy giving that anger to others in the form of hurting them back.  Jamie had helped create that safe space for Brianna earlier in the episode, even though he screwed up when he lashed out with his words, he backed up and gave that safety net back to her instead of closing it off again.

Bree knows that Jamie loves her. She does love Jamie, otherwise, she wouldn’t even care enough to try to hurt him. She wouldn’t pull out the Frank card to make him hurt like she is hurting.  That is what many of us are guilty of, isn’t it?  When we are in so much pain that we want that person to feel it too? We try and cut them that deep. We go for the one thing we know will get them?  She points out Frank would never have said the things Jamie just said to her. Her statement is not baseless, Jamie did just accuse her of lying about being raped, it was ugly and it was hurtful.  She lashed out in her own ugly and hurtful way.  I am not saying this is the right way to fight with family, however, I see that it is the way a lot of families fight. Good, bad or ugly we can say and do things within those walls and know forgiveness is available to us.

Jamie is being a father more than ever at this moment by letting his daughter feel, process and allowing her to use him to do it. He knows what he did and what he said was hurtful. He is attempting to move forward and doing what he can to make it right. Like at the beginning of the episode, he knows it isn’t about his words, but his actions.  He isn’t begging her to forgive him because he knows forgiveness needs to be earned and she must go through the steps to get there.  All he can do is what he has promised and allow Brianna the time to meet him in the middle.

Plus, Brianna is pregnant. Here I am remembering what a shit show of emotions that was like WITHOUT adding in all of this craziness and confusion to it. My heart ached for her this episode. Stepping back and seeing it all from where she stands. Taking away all of the confusion and miscommunication and blame we can lay down. Purely the circumstance of what can be lost – Brianna – that she is still upright, is impressive.

I think the previous commentary answers the why of Brianna not telling Lizzie about that sunnuvabitch Bonnet and the rape. Why Brianna didn’t subsequently hold Lizzie responsible for Roger’s current circumstances.  Brianna feels like she is the one protecting Lizzie so it doesn’t occur to her to share that kind of pain with her.  Brianna wouldn’t feel confident Lizzie could handle that level of anger from her without it completely damaging the relationship they have.  Brianna doesn’t have the kind of relationship with Lizzie that screams: “I feel safe with you, I can be vulnerable with you.” We won’t expose our innermost thoughts to those people in our lives, we don’t see that it serves a purpose. Of course…hindsight…

The relationship between Jamie and Claire right now is something so quiet and reserved that I know I see it differently than many. I see it sitting in the “safe zone”.  Claire is being fiercely protective of Brianna in this episode which I completely understand.  She made the choice to come back to Jamie and in that, leaving her daughter. We have seen her struggle with that choice repeatedly over the last 2 seasons.  With Bree now in the past with them, Claire has been so intuned with her daughter, grief-stricken by her pain and riddled with guilt over Bree’s rape.

She and Jamie are becoming parents together for the first time. They are parenting an adult daughter that is dealing with some pretty heavy shit.  This is not a rainbows and unicorn little house on the prairie universe.  When the Fraser fury is released Claire goes to the Fraser that needs her comfort the most. Their daughter. Jamie knows it, Claire knows it.

Claire has a whole lot going on in the episode, yet she is pretty quiet. She is angry with the whole situation, you can see she is upset with herself for not telling Jamie about that sunnuvabitch Bonnet. The resignation when she places the ring on the table becomes a quiet communication between them. Jamie and Claire have been through many storms, arguments and this is yet another bump in their road. Like most committed couples, they will learn from one another and whatever circumstance they have created for themselves.  I was relieved to see Claire being fiercely protective of Brianna. This wasn’t against anyone, it was for her child. I think we can forget that sometimes, that we can be in someone’s corner and stand up for them but that doesn’t mean we are fighting or belittling others in order to do it.  The relationship Jamie and Claire have is one of mutual respect and love.  That is security, it means they have the ability to get angry, disagree and fight. All the while knowing they will come back to one another because their love and respect for one another are bigger than all the other stuff happening around them.

Roger Roger Roger.  I can’t let this one go without talking about Roger. Of course he doesn’t feel safe! Who the hell are we kidding?  The #PoorRoger hashtag is getting out of control. This guy is becoming the energizer bunny of Outlander, the punishment gets handed over to him…he takes it…puts it in his pocket…gives it a tap and says “All safe with me” and then extends his hand and says “Got anymore where that came from?”

#PoorRoger. See?  He is getting dragged around like a goat on a rope from the top of the episode. He has company though and shares a kinship with this fella, safety in companionship I suppose. He chats with him along the way, is his motivational coach and one morning, his companion – dead.  That’s uplifting.  Sure to bring Roger the glimmer of hope and keep him looking forward?

Not really but Roger brings us to the end of the episode facing the one thing that is absolutely certain to bring him back to safety. He can have a warm bath, a sane Scottish lass (I will hop on the #FIOGER ship) and you know, not getting recaptured by the Mohawk…all with one touch.

The question is will Roger feel safer in the future or in the arms of Brianna? I know what I want him to do! I guess his safety isn’t my first thought, does that make me a horrible person?

Thanks for reading, if you made it this far.

Sher ( founder of the ABOotlanders)

Please join us for our Live Tweeting as we watch on W Network at 8pm MST Sunday nights, using the hashtag #OutlanderCAN

 

 

Just because you can do it alone…doesn’t mean you should. S04E09 #Outlander

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I am going to open this #TheBirdsandTheBees blog with a huge SIGH.

There. I feel better now I suggest all of you do the same.  Deep breath in…let that sucker out.  Feels better, doesn’t it?  Episode 409 was one that made us hold our breath more than once.  I want to talk about all the things that made me tear up…the things that made me rage and the things that made me just sigh with pure joy and happiness.  That isn’t what my blog has been about this season though and I shouldn’t change that now.

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This time for me, the loudest thing was the silence.  Bree’s silence, in particular, was deafening.

Like most of us, Brianna learned from those around her.  To protect those we care about, we deny them the truth and shoulder the burden of our secrets. Her mother and father both did this for her.  It is her natural go-to whether or not she understands it, almost like a reflex.

This young woman is so protective of those around her that she carries each worry on her own. She is taking such great care of Lizzie, that she holds onto the joy and heartbreak of her time with Roger. She keeps the subsequent violent rape at the hands of that sunnuva bastard piece of Bonnet to herself. Lizzie all but begs her to share her burdens but instead, Brianna holds them even tighter. Bree shows she is strong enough to weather any storm alone and as impressive as that might be, there is no reason for her to do it alone.

Ian retells the horrid story to Brianna, of how Bonnet attacked the family on the river and stole Claire’s ring. She takes note of this and puts this in her own personal file as “Reason 132 why I should heap more onto my breaking heart to protect my mother and Jamie and not think of how it will eventually affect me”.  Yes. Brianna, you are strong, you are mighty, you can handle all of the things, but should you?

We can see the toll that the secrets are taking on Brianna as the episode goes on (I would mention the meeting with her bio-da and reunion with her mama but I would just cry again and I have Bells-Palsy and my ugly cry is a butt-ugly cry so…no).  Bree is distracted, uninterested in things that would usually thrill her, flustered and easy to anger. All normal reactions that happen when we are holding onto something toxic, they poison us from the inside and start showing on the outside.  Claire notices, not just because she is in tune with her child but because it is like looking at a mirror.  Claire does exactly the same thing when she is hiding something, the behaviour is familiar to her.

How often do we walk through life saying “I can do it on my own.” “I don’t need help.” Or “I’m fine by myself, I’m good.”?  You know what?  We probably are.  It’s also probably hard and would be easier with help, it likely would feel better if we said “Sure, here…thank you.”, and simply allowed the person who offered to help, to do that, help. We struggle and we carry the heavy stuff all for…what? Who does it help? Who does it end up protecting? If we answer this question honestly we will often find out the answer is – no one. In fact, sometimes, it ends up hurting someone in one way or another.  We become so busy protecting people we lose focus on the important things. We become so involved in hiding our hurt that we fail to see the other things going on around us.

Brianna keeping the truth from Lizzie allowed her to create a story from the information she had. Something all of us do. We take visual cues and fill in the blanks, it is how the brain works. Brianna not telling anyone about the ring ensured no one knew who raped her. Leaving those doors open for further misunderstandings. Yes, Bree, you can do it alone – you definitely should not have. We all make mistakes, some repercussions cost more than others.

Jamie rounded out this picture for us at the end of the episode. He chose to go it alone. Demanding Lizzie not tell Claire or Brianna what was happening. Storming off to take care of who he thought was Brianna’s rapist.  Just because you CAN do it alone…doesn’t mean you SHOULD.

The proof is in the pudding with this one…the pudding being poor Rogers beautiful face.

We may be strong. We may be capable. We may be all of the things we think we should be.  We also are allowed to be tired. We are allowed to lean on people. We are allowed to accept help without shame or regret.  We never would tell a loved one they are weak for letting us help them, we would never tell a friend they couldn’t rely on us for a hug or an ear when they needed one – so someone please tell me why do we feel we are any different? Why should we be the exception?

I wish you the happiest of New Years.

 

With Love,

Sher (founder of the ABOotlanders)

Join us for Live tweeting while us Canadians watch on W Network Sunday nights at 8 pm MST.  Use the hashtag #OutlanderCAN so we can find you!

 

 

The bonds that make us. When I went Down the Rabbit Hole Ep 07 #Outlander

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Hard to believe we are over halfway through season 4.  There have been so many heated, well thought out and random discussions in the fandom and then here I am…picking something out of the blue to yammer on about.

I thoroughly enjoyed this episode. For the surprise appearances and how they made me feel. There were a lot of those…feels.

I believe, like the characters in this episode showed us, the bonds created in our life help form who we become. They are huge contributors to developing our personalities and how we relate to others.  Genetics is one thing but the influence of those we surround ourselves with and the interactions we end up having with those people is a large part of who we become.

We see a great deal of Brianna’s past in this episode. Not just in the literal past, but her past. The relationship she had with her father, Frank.  Which I think most daughters can say, good or bad, help form who they become as women.  That relationship will establish how deeply we trust, our loyalties and most important of all be a major contributor to the confidence we have (or don’t have).  The father figure etches parts of us that we can’t recarve.  It’s there.  We can sand it back down but it takes work and it whittles away at the way it was.  Brianna was blessed to have a beautiful experience and positive relationship with the father who raised her.

This episode showed us, it doesn’t matter what we may think about Frank. Our opinion, our view of him, won’t ever be a reflection of Brianna’s experience.  She was ‘Daddy’s Little Girl’ and even though that comes with its own set of challenges, Brianna has a deep love for her Daddy.  She, of course, wants to be independent and strong, but it doesn’t mean she doesn’t want his validation.  Naturally, Claire’s determination and willfulness comes out in Bree and Frank handles it with a gentle hand, more so than he did with Claire. That in itself shows the care he had for Brianna and why she saw him the way she did.

Brianna continued to seek Franks approval. Even after he died.  Apologizing for arguing with him, not telling him she loved him, wishing she agreed to go with him to England and finally by promising him to “Soldier On”.  Taking his final words to her and using them to fuel her journey to her mother.  Seeing him on the dock at the end of the episode wasn’t simply a farewell. It was a moment of this is your time and bless and release. I saw this as the moment that Brianna finally understood what her father meant when he told her one day she would understand. She got it and knew it was time to go, head held high, with purpose, determination and her father with her.

Frank will never leave Brianna because he lives in her. He helped shape who she is, what she will accept in life, how she will trust, who she will be loyal to and how she will process and form new relationships. He is a part of her every day without being a physical part of her journey. It’s something people should get used to.

I think Brianna’s grief over the loss of her parental bonds speaks very loudly in the person we see now.  She is not broken…but there are cracks in the armour. Cracks she has to build walls around in order to feel safe.  It doesn’t mean she doesn’t love or feel. It means she protects herself from pain. She puts the feelings aside, in order to meet the task ahead, it seems to me that is what is keeping her upright. For now. Kudos to Sophie Skelton this episode. She did a fantastic job spanning all those years.

There is another bond here that I found immensely interesting.  It involves Laoghaire. Brilliantly portrayed by Nell Hudson.  I know this because I really really do not like this woman, seeing her makes me make that face you make when you bite into something when you think its something else. Go ahead…take a moment to boo and hiss!

You done?

Cool.

I don’t think we were shown “another side” of Laoghaire as much as we were shown her normal every day as a mother. She picked up a stranger off the road that was in distress, she fed, kept her comfortable, shared stories of her daughter and her life with her. All very motherly stuff. However, the ultimate defect in her character was compounded by the severed bond she had with Jamie. Just as solid and tender bonds help form who we become, so do the broken ones. Very often, the broken ones are the ones that create the traits we are less proud of and likely show less often.

We ALL know people that are lovely, wonderful people. They treat most others with kindness, they love their children and would do absolutely anything for them. But. They have “that person”.  That person they despise.  If that person’s name is mentioned…that lovely wonderful human turns into someone you never would have expected. The car keying, punch throwing, gossip spreading devil! Horns, spit, fire…they go off the deep end to get an ounce of satisfaction in hurting the person that has done them wrong.

Am I sticking up for Laoghaire? Oh hell no!  Am I saying Laoghaire reminds me of Karen down the street whose ex-husband married Rita? You betcha! Karen can be a real piece of work.  Laoghaire takes shit to level 98, mostly because it’s TV and going to a level 5 just isn’t worthy of our visceral hate of her.

You know who else demonstrated a bond in this episode? Roger. Richly played by Richard Rankin.

Roger, a man who chose to leave his own time for a woman he loves. Roger, who lost his own mother as a young boy. Roger who so innocently told a child there was no such a thing as a sea monster and later on – the young girl was thrown overboard by one.

For a man like Roger, the horror of seeing suffering doesn’t break him, it does, embolden him. Roger, quickly formed a connection with a young mother aboard a ship full of strangers. Putting him in the position of protector, Roger takes risks he knows he shouldn’t but follows his morals above all else. He was determined to keep Morag and her child safe from certain death. The child’s teething rash was likely to be mistaken for smallpox and they would face the same fate as the others, tossed overboard.  Roger actions were selfless and swift.  Some may question his motives but I think it was simply Roger’s need to feel like he was doing something with all the chaos going on around him. This relationship with Morag and her son grounds him to the goodness he has inside. That goodness nearly cost him his life.

You could see when he thought Bonnet meant to gamble Morag and the child’s life with a coin toss that he was horrified. Yet when it was his own life, he was scared, but he seemed resigned to it.  As if, this was more acceptable to him.

Rogers word is his bond.  He does not give it lightly but when he does, he will stake his life on it. Which means for the next 6 episodes, we are in for a damn interesting ride.

 

Sher (ABOotlander Founder)

Don’t forget to join us ABOotlanders on Twitter while we live tweet while we watch on W Network Sundays at 8PM MST. We use the hashtag #OutlanderCAN and each weeks episode hashtag from Starz. We look forward to you joining us and our friends at Fancity, (who are also celebrating #FANMAS! Check them out)

 

 

Serendipity. In this #Outlander world.

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Today it was announced that Caitriona Balfe was once again nominated for a Golden Globe for her stellar performance of Claire Fraser.  This got me thinking of how lucky we are to have her in this role. My thoughts quickly turned into how all the pieces of this production have fallen into place at the perfect time for it to become what it is.

As far back as the ’90s, I recall talking to a friend about the idea of the Outlander book series being made into a television show. That was when there were only 3 or 4 books on the shelves.  Caitriona and Sam would have been teenagers around then, Ron D. Moore was in his Star Trek phase of life.

Diana Gabaldon, the creator of this universe we so happily devour, has spoken of the many times the books had been optioned but those offers never came to fruition.  In the end, Jim Kohlberg had the rights for over five years. It wasn’t until Ron D. Moore and his producing partner Maril Davis approached him with the idea of an epic TV drama, which started the ball rolling.  Both Ron and Maril visited Diana personally with their vision and let’s just say, the rest is now on TV screens around the globe for our viewing pleasure.

Imagine these pieces, all falling into place at the right time. Individual choices that happened to intersect by chance.

I sit back and think about this puzzle. I have a hard time wiggling my brain into believing they could have found a Tobias, Sophie, Caitriona, Sam, Richard, Duncan, Lotte, Nell, John, Graham, Cesar, Roman, Lauren…the list just goes on and on., at any other juncture at any other time. The secondary characters have also been absolute magic and it seems if one were off – the show may have tumbled like a Jenga tower. (Or more likely it would look absolutely nothing like it looks like now and maybe I have a pathetic imagination but I simply can’t picture it looking any better.) 

The writers, crew, sets, costumes and all of those involved in this production seem to have such a passion for this project it shows deep into the guts of it. When viewing the behind the scenes photos or videos, even when they are standing in the cold and gloom, there are smiles and laughter. The crew and production staff that take part in online chatter with fans do so with such a joyful heart, it is a nice reminder that when those creating something enjoy doing it, it makes it a worthwhile thing.dkrccftvaaavlpo

The cast seems to genuinely enjoy one another’s company. They do a lot of press, conventions, interviews and interactions on social media.  The truth is, they don’t have to.  Some media is expected from the studio, sure, authentic interaction is an entirely different thing. We have all seen cardboard interviews between costars before and the cast of Outlander is so far outside of that sphere. They truly make it fun to watch them together. The trust they have for one another is a pleasure to see.                                                      2b42001989373025b267d9028377fe12 tumblr_nb8ocdzp8p1tj014jo1_500

I mean, really…think about it. If Caitriona hadn’t decided she had her run with modelling and not gone back to her first love of acting, we wouldn’t have our Claire. How could that be a thing? Had Sam gotten any of those Game of Thrones roles he had tried for…he wouldn’t be our Jamie Fraser. It doesn’t make sense to me how we could have anyone else in these parts now.

It all leads to that one, beautiful thing my friends…serendipity.

May we have the honour of enjoying it for many more years.

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Sherry (ABOotlander Founder)

 

 

 

 

Emotional bridges. Looking back on Episode 5 of Outlander.

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I need to start by saying my heart was overjoyed to see the rabbit. Just yeah, bring on the Bree-bunnies, I will have them all. That was an emotional bridge over all of the seasons that I was both surprised and thrilled by.

This episode of  Outlander gave me whiplash. That sensation of running back and forth across an emotional bridge.  One moment I was giddy with happiness and love the next, I hoofed it to the other end and was brought to tears.  Now look, I am, in fact, bipolar…this episode made me need a therapy session cuz I wasn’t sure if I forgot my meds or what!

The despondency of Roger in his poop toque (yes, I had to) walking away from Ms. Bairds is heartbreaking, yet in the next breath, we were given a wee bit of hope when hearing her call him back.  Then the letter brought us back down to earth – flat on our asses.

Claire as a healer, handing a new baby to her mother with kind and gentle hands was then switched to a mediator, showing incredible bravery in the face of ignorance. Ignorance which nearly caused bloodshed on a doorstep because a man refused to see the truth of a situation out of fear.

We felt the anticipation and pure joy of hearing Murtagh’s voice and again when he turned to face Jamie. We had to witness the confusion/pride and ultimately the heartbreak Jamie felt watching his godfather wax poetic about the injustices served, in the name of Tryon.

We became an audience to the magic Claire and Adawehi shared speaking of Bree being with her mother.  Only then to suffer the horror of Adawehi’s murder.

Brianna, though we didn’t see her much in this episode, tends to do the same as her mother.  Act first, think later. She found out about her mother and Jamie dying in the fire and boom…off she goes, caring about Roger but not truly thinking about how this might affect him. Maybe not really thinking how it might affect her in the long run.  Her heart leads her.  Honestly, I don’t blame her. It isn’t a fate I would leave my mother to either, though I think I would have had a conversation with the man I loved first. Granted, Brianna doesn’t seem to want to admit that she does love him yet.  I’m anxious to get to that part of the story – bring me some more #MacnCheese, please!

Personally, I think Roger has been putting his logic before his emotions. That’s what makes our world a cool place. People are different.  He thought it through quite thoroughly and came to the conclusion that Brianna was better off not knowing the whole truth. He just didn’t take into account, if the information was out there, she would be able to find it too.  I have this suspicious feeling, all of those emotions we see all over Roger’s face (damn, Richard Rankin is GOOD at that), are going to start leading him by the nose hairs and shit is going to go down. And go down hard.

Murtagh’s story is one I am so looking forward to because I have no fricken idea what it will look like.  I am convinced he had more dialogue in this one episode than he did in the entire 3 seasons prior. I adore his voice.  O.K., I’m distracted by the silver foxiness of Duncan Lacroix, it gets me stuck in this crazy circle of hummina hummina.  His emotions were at an all-time high this episode. Naturally.  He was reunited and it felt so good. He had a fire in his belly that had been re-ignited from injustice done in his past which are resurfacing in his present. He always was a protector of Jamie, now I believe he adjusted that to being the protector of a people. Of justice itself.  He did end up on Fraser’s Ridge after some thought, so I am very anxious to hear what that thought process was and what the plan will be.

 

This episode was filled with our characters joy and pain, such as life is.  Each time led by emotion, as we often are.  That isn’t a bad thing, however, if we took the time to truly think about things before we reacted to them, we can admit we would often do things differently.  I know I can think back to many times in my life that I wish I could stuff words back in my mouth…delete something I did. There are even those times I don’t say or do something and after I have time to think about it, I want to kick myself because I come up with all these brilliant things I COULD have said or done.

Until next time,

Sherry (Founder of the ABOotlanders)

P.S’s -Join us in live tweeting on Sundays while we watch Outlander on W Network using the hashtag #OutlanderCAN

Don’t forget to follow FanCity on Twitter and on YouTube… #FANMAS is running right now and there are tonnes of prizes from all your favourite fandoms – Yes, of course, Outlander is on the list!

 

 

 

More than meets the eye. My takeaway from Ep4 of Outlander, Common Ground.

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Here I am again, trying to not just pick through the obvious or delve into the dramedy of the week for each episode of Outlander.

Truth be told,  I am doing it more to challenge myself, tear off a couple of layers and see something a bit different. It helps me stretch my brain basket out.

 

The plentiful nuggets of common ground between characters and the land are both unmistakable and subtlely scattered throughout the episode. It gives the title of the episode a lot of meaning.  I am going to nudge that aside so we can experience the remnants of all the things that aren’t and how they showed up numerous times in Common Ground.

We all do it.  Take one glance at someone or thing, get our first impression, assume we know the story and continue on with that notion in our head. We may tend to block all the other stuff out because it doesn’t suit what we have already convinced ourselves is real.

Starting instantly with the Governor Tryon scene. This guy. Him and his “I want the best people to settle the land” and “I’m noble and wonderful and everything good about the British.”

We know that there is a dash of dastardly tucked underneath that powdered wig and tighty whities (stockings) of his.  Certainly not all noble nor wonderful. In fact, here we have a couple of duplicitous characters.  Jamie has been a traitor before. That is where I was going with the “not everything is what it seems” with this particular scene. I believe Jamie eluded to this in his comments to Claire about making this a great country for Brianna earlier in the season.  It certainly isn’t just in building Fraser’s Ridge but the impact he might have in the coming revolution.

Oh, then we have Marsali.  Remember when we first met her? Our initial impression? Wow. What a snide wee thing she was.

But why? Outwardly, she most certainly hated Claire and wasn’t afraid to show it. In return, many instantly thought her a mean-spirited brat.  Marsali, let us not forget, is a teenager. Her only knowledge of this Claire woman is the image she had painted by her very bitter mother (whom she loves dearly, she should, she IS her mom).  Any daughter would take her mother’s side and react accordingly. Claire, being the adult, totally understood this and didn’t take it personally. She let it ride.

What we saw at the beginning of the episode is the growth of both of these characters. How many stepdaughter/mother relationships never heal?  You can have two fantastic human beings who will hate one another forever because of the completely separate relationship of two other people they both love. It is a real head-scratcher. ( Yes I know…some people ARE just horrible, I’m not talking about them😉) Marsali and Claire have chosen to look at one another as individuals. Apart from those relationships and are better for it. Imagine both of them taking their first impressions and holding onto them?  How ugly would that be to watch, week after week?

Leaving Marsali and Fergus, of course, reminds Claire of leaving Brianna. Jamie opens his mouth and the word version of cotton candy, unicorns, rainbows and butterflies escape his lips. It seems such a special moment, between Jamie and Claire.  If we were to step upon that moment we would see the love and the connection.

What we wouldn’t see is the pain. Claire being torn up on the inside. How many times has this happened to us? In public, surrounded by people and able to look to the person in front of us and manage a grin – all the while, inside, we’re screaming in pain?  Yet, there we were, fooling nearly every person in the room because they only see what we allow them to.

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My own socks tell us this story. 

It doesn’t always have to be people, it can be nature.  It was present throughout this episode.  Frasers Ridge itself, visually captivating, has a dream-like quality to it.  When that happens, the brain does funny things. When we think something is beautiful, we tend to feel better when we are around it, when we feel better, we feel safer, when we feel safer, we may let our guard down.  Letting our guard down isn’t always a horrible thing but when there is something else out there that is looking to harm us, it uses that vulnerability to its advantage.  Nature itself is like this, whether it be the creatures that make it their home or the weather itself.  Both of these can dispell the wonderful first impression of beauty such places give. It reminds us just because it’s pretty, doesn’t mean it’s kind.

Let’s get comfy and talk about Roger and Bree. After last weeks dumpster fire of miscommunication, what do we have to look forward to? By all appearances, not a fricken thing.  After Brianna left Roger at the festival to find a TapCar back to Boston we don’t have much hope.

Roger has returned to his various shades of brown existence at Oxford.  He seems to be going by exactly what Brianna has given him during his call to her and vice-versa.  There are no questioning things deeper on either part and yet, if one of them had, so much of the miscommunication could have been remedied at least a little bit.  Settling for what is on the surface can sometimes be our way of taking the easy way out. Let’s face it if we simply take the generic “I have to go grade papers”, it excuses us from taking a chance and asking “Do you miss me?” Sure, we avoid the possibility of them saying the very thing we fear but it also prevents them from saying the one thing we hope they would.

Fiona looks quiet and innocent but that girl has got all the people figured out and just so happens, she serves it with grace.  Everyone should have a girlfriend like her.  The kind that people sadly mistake for a piece of the furniture. She sees and hears everything. They are the ones that will be able to tell you what’s what and where you can find it.  We would be better humans if we paid more attention to what women like Fiona have to say instead of keeping them a silent witness to everything around us. I bet if we all thought about it, we could think of a few of those women throughout our lives and be surprised at how we allowed them to stay in the shadows. How we still utilized their gifts and input when they shared them but rarely asked them for it. Hell, you may be one of those people yourself.  So let me just say…you are valued…in case you haven’t heard it lately.

Now, to the glaringly obvious “it is not what it appears to be” is our bear.  First, the menace and destruction were thought to be the Cherokee neighbours. Then, the monster bear. There were pretty clear signs pointing toward that. It likes meat, pooped like nobodies business, left a pretty serious claw slashing down the shoulder of Findlay, Fraser’s trusty steed. Had the Fraser’s been aware of the Cherokee’s dealings with the cracked but not broken bear-man, they would have known what they were truly dealing with, rather than go by what their eyes were telling them.  This just proves the whole “working together” gets better results theory. Pretty simple stuff, this one.

I must mention the fact that Brianna went to Scotland WEEKS ago to visit her MOTHER! I don’t think this was a simple case of Brianna just missing her Momma.  Roger thinking Brianna would only know the information he was giving her, seems to have been a case of underestimation. This is something many of us do as well, which is why I love how these characters are written. They are relatable.  We often predict what others will do based on what we would do. We interpret others actions as a reflection of our own intent. Sometimes we are accurate but not always and it is the ‘not always’ that tends to cause us to stumble.  It pays to look deeper, or step back to see the big picture. It may be uncomfortable but the outcome will often be a positive one.

First impressions should be just that. An impression. They are developed in an instant but given time, they can be remoulded, reshaped and in some cases, shattered and recreated. The more we discuss, observe and listen, the better we get at understanding the whole picture.  The whole picture tells a story one word never could.

RTs would be cool if you feel others might enjoy a piece of this. Come live tweet with us Canadian folk, we watch Outlander on W Network  at 8 PM MST Sundays. We use the hashtag #OutlanderCAN to keep track of one another and help others gauge where the commercials are. Yeah…we have phones with cords AND commercials.  It’s ok though. We are a hearty people.

Until next time…and I already CAN. NOT. WAIT!

Sher (ABOotlander founder)

 

 

 

 

Ghosts are everywhere. My Take on “The False Bride”. Outlander S04E03.

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There is no shortage of drama this season is there?  The cool thing about having a blog in this fandom is I get to decide what I talk about. I have decided to challenge myself to NOT write about the obvious this season.

I want to look past the topic du jour and move to the things that made me go hmmm and maybe they will make you go hey…meh…or OH! Either way, I will have said it and hopefully, feel good about it when I am done.  That’s the point of my watching Outlander in the first place. It makes me feel good. I like it. My Mom used to say “If it doesn’t feel good…don’t do it.” I live by that.

So…ghosts. I’m not talking about Casper, the bent neck lady or the very obvious Native gentleman caller from the episode we are talking about.  I am referring to the ghosts in our life that either guide our decisions or keep us from moving forward out of fear of facing them.  They were ever present in The False Bride, whether we noticed them or not.

Right at the very start, Roger sitting in the old empty manse and Fiona coming through the doors to take up residence reminded us of Reverend Wakefield and Mrs. Graham. Both now, just memories, shadows in the halls but very much a part of who Fiona and Roger are today.  As we see later with Roger when he has his meltdown with Brianna.  He was raised by a Reverand. It makes more than a little sense that ghost still sits in his mind and when that is the case, it affects his heart as well. Those are the ghosts that often speak the loudest.

Claire sees her fair share of ghosts in this episode. Both literally and figuratively. To start, there is no doubt she is thinking of the ghost of her friend, Joe Abernathy. Black, free, a doctor…her dear friend. Someone she may have been judged for being friends with but still “allowed” to be friends with.  She watches as the slaves walk by and you can see it pains her because she has seen the other side of this story.  She knows the truth of the people she sees being treated ‘less than’. The pure inhumanity of it bubbles to the surface.

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Going from this kind of friendship…to where she is – is not something any of us should reconcile.

As they ride away from River Run, they leave the ghost of Rufus behind them. Their troubled time there.  They also leave the people they couldn’t help.  This is something that I am sure will continue to haunt Claire.

Claire confronts Franks ghost as well.  He will be ever present when she speaks of Brianna.  He was the only father her daughter had. He raised her and owns that space in her world.  As she speaks of Bree to Jamie, you can see both of them feel Franks ghost pass through the moment. Claire as a reserved embrace, and Jamie with a grateful chill.

Then, we have Claire’s literal ghost.  Good ole Claire takes off after Clarence the mule in a storm and ends up lost, alone and in the dark.

It’s ok though, she has company.  She finds a little head, ok, it’s a skull. One that has been cracked down the middle and removed from the rest of its body.  This particularly unlucky fellow decides to pay Claire a visit, in a jarring and pretty cool way.  He makes his way toward her during lightning strikes. Then what does he do? Dude steals her shoes.  He makes up for it by wearing them and leads her to Jamie and Jamie to her. Awwwwwwwwww.

This particular ghost is filled with more questions because his mouth is filled with silver fillings. Which clearly means he is a time traveller too.

Young Ian had a different group of ghosts he faced in this episode. The pirates not once, but twice. Geillis. The hurricane. That was a lot of trauma for a young kid.  He grew up PDQ (pretty damn quick). Those experiences formed who he’s now become, a young man who knows his mind.  Thankfully, the ghost of the child he was, will always be there for us. His smile and pure cheekiness each episode gives me hope anyway.

Jamie had his own ghosts, didn’t he?  When speaking to his aunt Jocasta, the ghost of the laird he would have been in Scotland lingered there. He knew what she didn’t though. River Run could never be that for him, some things cannot be recreated.

The ghost of Jamie’s mother was real and alive when his aunt gifted him Ellen’s silver candlesticks. Something tangible, he could touch and take with him to his new place, where ever that may be.

While visiting the ghosts of Scotland in his memories, he was able to see his future.  Looking out over the vista, Jamie fell in love with the land he saw before him because of the echoes of his past. The strawberries and the mountains all familiar to him yet, this new world made him feel hope.

I want to finish up with Brianna.  The Scottish festival was the first shiver of her ghosts coming to the forefront. Bree seemed to want to deny she was thinking about her mother but Roger knew it had to be there, raw and real.  The memory of her and the ramifications of her travelling through time to find Jamie. Those ghosts came to visit the festival that day, who could blame them? The music was bangin’.Screenshot (531)Bree is a young woman that knows what she doesn’t want.  That is very much because of her ghosts. One ghost is the father she grew up with. She now knows he lived in a marriage of convenience with her mother. Another is the ghost of a father that she never knew, he was the recipient of her mother’s love and devotion. Given the choice she was faced with in the episode tonight, those ghosts would have sat upon each shoulder like the good choice and bad choice. Each in her ear.

We all have our ghosts.  Whether we see them, hear them or feel them. They are there, influencing us and the choices we make. We should really trust our own voice rather than rely on the ghosts, but you know…to each their own.

Sometimes, those ghosts…they just make us run up the basement stairs really quick or check behind the shower curtain before peeing.  Either way…do you.

Remember to live tweet with us. Canadians watch along with W Network and use the hashtag #OutlanderCAN. We look forward to having you play along! If you love to win stuff and love to fan please follow our friends at FANCITY. They have a great worldwide Outlander giveaway coming up soon!

Sher

Founder of the ABOotlanders