Category Archives: Lord John Grey

Content of Character- My walk through #Outlander E12 #Providence

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Though the episode itself was the most religiously symbolic of any we have seen, this blog won’t be going in that direction. Unless of course, you are like me and your spiritual belief is based on being a decent human. If that is the case, then, you might make some comparisons.

As I have attempted to do from the start of the season, I take this blog to another place.  This time it isn’t hidden, it isn’t a secret and it most assuredly is not masked.  It nearly hits us over the head with many of our beloved cast members and even some we just meet.

“Character cannot be developed in ease and quiet. Only through experience of trial and suffering can the soul be strengthened, ambition inspired, and success achieved. Helen Keller “

We are introduced to a wonderful new cast in this episode, Father Alexandre (played intensely by French actor Yan Tual), Johiehon (played by talented and stunning Canadian actress Sera-Lys McArthur),  the woman he is in love with, Kaheroton (wonderfully portrayed by Canadian actor Braeden Clarke) who is also in love with Johiehon but her heart belongs to Alexandre, the father of her child.

This trio gave us not only performances that will stick with us, well, forever but they gave us a love story that is rooted in each one’s truth and character.  Father Alexandre made a commitment to God, yet he broke that vow for this woman. Knowing he was damned for that, he accepted it. Yet he refused to damn his child for his perceived sins. He went to his death unaware his love would die with him, though I don’t believe this would have changed his mind. In my eyes, as Johiehon watched Father Alexandre, you could see not only the pain in her eyes but the desolation.  Once Roger ensured his pain had ceased, it was not only an agony but a relief that came over her. Johiehon knew Kaheroton loved her, she knew he would care for her child out of that love. My heart damn near broke in half as she gently placed her child on the ground and walked into the flames.  Knowing, she could not live in a world in which the man she loved was taken in such a way.

Depending on our perspective we can see Johiehon’s strength of character in many ways. I choose to see it in a way of grace. There are choices we feel we can live with and those we feel we can’t.  Who are we to judge what others believe to be their limits?

Kaheroton gave Alexandre many chances to redeem himself to the Mohawk and not face death, yet I believe he always knew what choice the priest would make.  I do think there was a part of him that thought once the priest was gone, he would be able to step in and care for Johiehon and her child.  When she made the choice to join Alexandre in death rather than live without him, Kaheroton saw the mistake he had made.  Instead of Johiehon only being brokenhearted as he had intended, she no longer existed.  These are the lessons we are made to learn with when we bend our character. I am sure Kaheroton never expected it was one he would face. Now, he will see it up close, each day when he looks into the eyes of the child she left behind.  This is sure to be a defining moment in Kaheroton’s life, a fork in the road of his character.

Brianna.  We certainly saw the content of her character shine in the dark dank cell facing off against the sunnuvabitch Bonnet. Understanding completely what her BioDa was saying to her about forgiveness. It wasn’t for anyone but herself, freeing her of the hold this man had on her. Forgiving him would allow her to live her life without the fear and anger that came with the hold he had on her. Not only did she forgive him, but she also had the grace to give what she thought to be a dying man knowledge of his life (possibly) going on in the form of another. All I know is Brianna has about a bonnets full more character than I do. She’s just a better person than I am, and she is pretend.

Lord John, Murtagh, Fergus and Marsali. All of them are high on the truly good people scale. They all have the best of intentions in their choice making.  They knew the consequences of living with the disappointment in themselves simply wasn’t worth it.

We watched Lord John decide his loyalty to Brianna and the Fraser family in general outweighed all other loyalties. Love, family and promises made really do mean more than business and duty.  It most certainly laid out his character for us.

Murtagh, though a leader of the Regulation, he knew leaving a guard to die wasn’t the right thing to do. His pride in being Brianna’s protector was just that, pride. He set those things aside, showing his true self, his character.

Marsali and Fergus,  those two are a true joy to watch. I believe in these two, I believe no matter what, if one wavers, the other will not nudge but push them in the direction they know they need to go. It isn’t a push of defiance, its a push of “LET’S DO THIS!” It’s the kind of push that we know we need.  We are afraid to it alone. Like something is missing and when that other person says it’s right and validates our thoughts, we feel stronger.  That is what Fergus and Marsali are. Each others Jiminy Cricket. Their character feeds one another, much like Johiehon and Father Alexandre but yes, to a much different end.

I don’t want to but I am going to. I am going to talk a little about that sunnuvabitch Bonnet. Here, I discuss lack of character. Psychopaths tend to be without it and he is no different.  Some might be swayed to think that when he hands Brianna the gemstone, that is a glimpse of something deep within him. To that, I say, bullshit. When we show character, it isn’t for ourselves. It is because we can not possibly live with the other decision. Sunnuvabitch Bonnet is all but positive he is going to die. He doesn’t know where this gem will end up so why not have control over that too, right? This man’s lack of character is as obvious as his lack of shampoo.

I think the following quote fits both the man I just finished speaking about and the one I am about to…

“The best index to a person’s character is how he treats people who can’t do him any good, and how he treats people who can’t fight back.” –Abigail Van Buren

One person this season whose has been back and forth quite literally has been Roger.  We have seen him grapple repeatedly with the desire to keep Brianna safe and to be honest with her because sometimes telling people the truth ultimately hurts them.  We have seen him risk his own life to try and save hers.  We have seen him risk his life for the chance she might accept him.  We have seen him beaten, sold, beaten, escape, tortured with the thought of going home to safety, not going home to safety because there was a chance to be with the woman he loved again, to being beaten and captured AGAIN. In all of this, Roger changes.  Or does he? I think Roger, in this episode, tries to convince himself and his new companion, Father Alexandre, that he has changed into someone that needs to care only about himself. Believing caring about others has only has gotten him into this mess in the first place.

Where the truth lies is, Roger has always been this man.  The man that cares, loves and wants to be loved. His character is goodness.  Does it hurt him? Yes. In every way it does.  Would it hurt him more to defy that goodness? Absolutely. It would hurt his soul. When you hurt your soul, you break something that can’t be mended until it is made right.

We saw this struggle for Roger numerous times but none so obvious as when he was at the stones, the physical pain on his face when he thought about going home and leaving Brianna.  He knew he would never be able to live with that agony.  It wasn’t simply about loving her. It was about his character. His right from wrong. Who he truly is.  We saw it and heard it again, in technicolour, as he was running away from his captors and the tortured cry of Father Alexandre.  He was verbally trying to convince himself he was doing the right thing by leaving Father Alexandre to the fate he had chosen for himself. The priest knew what he was doing, was a grown man, making an adult choice. Still, Roger being Roger, could not live with the knowledge that this man would possibly live for days in agony.  Not knowing if or what he could do to help him, only that he must try. He turned around and went back. Roger was aware he would likely face the same fate.  To Roger, this was more bearable than living with the knowledge that he turned his back and did nothing.

The truth is an inherently good person makes these choices every day, or they live with the pain of making the wrong choice. That voice in our ear, that pit in our stomach, that feeling we get that we should have made another choice – that is the pain I’m talking about.

The bigger the choice the louder the voice, the deeper the pit, the stronger the feeling. We always have the power to reverse the effects of those bad feelings but of course, it is always wise to try and make the right decision in the first place, but you know, life.

“Out of suffering have emerged the strongest souls; the most massive characters are seared with scars.”- Kahlil Gibran

There is no doubt in my mind that if we really wanted to use this season as a barometer for our behaviours, the way we treat others and ourselves, we could truly learn a lot.  What it takes is being open and to think critically.  It certainly isn’t easy, especially in real life but it is worth it. Even when it hurts.  Hmmm, maybe especially when it hurts.

Sher (founder of the @ABOotlanders)

Please join us as we livetweet the FINALE while we watch on W Network Sunday, Jan 27th, use the hshtag #OutlanderCAN so we can find you!  Man, I can’t believe it’s over already.

 

 

Get naked. Stripping down #Outlander Ep11

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That got your attention huh?  Just like the cold but hot open of this episode probably got you. I know my attention was captured, but a naked Roger will do that.

Now, this may be very obvious to everyone out there and you may say to me that this blog is the worst of the season because I haven’t dug deep enough and that’s fair. I don’t think I really did. This just stuck with me through the 3 times I watched.  It became more and more obvious and the reality is, I wanted to talk about it, so I am.

In this episode, our characters were on full display. They might as well have been playing their parts how Roger started the show for us.  In the raw.  That would have made the dinner party a lot less appetizing mind you.

The levels of exposure we saw in If Not For Hope went deep.  This may take me a while so you might want to pour yourself something hot or cold, grab a snack or two.

The obvious is Roger. His literal nakedness isn’t just there for our viewing pleasure. I believe it speaks to a few things. He is now stripped completely of who he was.  The buttoned-up historian of many layers. Each one tore away until he was bare and now, being recreated.  This Roger we will get to know was always beneath the layers but had no reason to be exposed. The layers have been ripped away and no longer protect him, this Roger steps forward to run the show.  Well, at least keep one foot in front of the other. Which is all we can seem to hope for.

Granted, Roger himself wasn’t physically present in the episode but make no mistake, he was there.  Through Brianna, Claire, Jamie, Ian and even Lord John, each bringing him to the surface.  They repeatedly reminded us of how perilous Roger’s situation is. How he was relying on them to save him from this situation they had a hand in placing him in (except Lord John…he’s cool).

Roger is completely on the outside of all of this.  He has no reason to believe anyone is looking for him. He has to trust that Brianna loves him as much as he loves her. That, my friends, is blind faith. Which is perhaps the most vulnerable anyone can make themselves emotionally.  This is intricately tied to the horrific moment at the end of the episode.  Roger makes himself just as vulnerable physically. He realizes what he needs to do. He stands to accept a substantial beating at the hands of his captors in a type of gauntlet, a blind faith, trusting he is strong enough to make it through.

Personally, I would have rathered another shower scene. Richard Rankin, for the lack of screen time, has most certainly given Roger a surprising amount of depth.

I will add, it would be fantastic to see either, in conversation or flashback, what happened at those damnable stones. Richard conveys so much of what Roger thinks in facial expression alone (something I think this cast is flippin’ remarkable at) I would love a peek at that moment.

Please know I do not view vulnerability as weakness. It is a state of being from which each one of us needs to be in, in order to trust or love.

In Brianna’s case, she was all over the vulnerability scale from frailty, threat, disquiet and even pliancy during this episode. She was open to her own pain, in fact, the first moment we saw her in this episode she was in the midst of drawing it. Lizzie saw this as demons. They were in a sense, Brianna’s own demons…of sadness, anger and worry.

Speaking of Brianna’s drawings, it seemed she was using them to expose her disquiet. The opening credits showed many pictures of the slaves at work. Phaedre came into her room, Brianna saw how the light caught her face, she asked Phaedre to sit so she could draw her.  To me, this showed Brianna’s discomfort with the way this world was working around her. She was able to capture that and put it to paper.  I do believe Phaedre was pleased with being seen by Brianna, yet, you could feel her unease. Even if she were safe with Brianna at that moment, she was only safe with Brianna at that moment. The second someone else came into that room that safety would disappear instantly.

Next is Brianna, exposed lamb to the slaughter, Tinder 1700’s version.  This was painful to watch with a modern eye.  I had to keep facepalming myself to reset.

Seeing Brianna have to shut down the fake compliments, the greasy ‘we should ride into town alone together after just meeting one another’ and ‘hey, my mom doesn’t know I’m gay, let’s pretend to be bff’s.’, was too much.  Brianna made the right call with the fake ‘case of the vapours’ to get the hell out of there.  I now know why so many women fainted back in those days and it wasn’t because of the tight corsets. Women are tougher than that. It was to get the hell out of the room and away from all the creeps. They literally had to pretend they were unconscious before people would let them leave the damn room.

After the delightful dinner party (she says with dripping sarcasm), Jocasta gets some alone time with Brianna and in that small amount of time Brianna pliancy grew.  At first, she started this conversation out strong but Jocasta, always cunning, knows exactly which string to pull to unravel even the most complex of patterns and she does just that. She grabbed onto the Roger and baby strings and pulled, hard. Brianna went from bold to pliant, which is a completely different variant of vulnerability.  Jocasta used the perfect words to cut Brianna down and weaken her ‘Roger’s gone…no matter dead or alive. GONE.’ ‘If your baby is born out of wedlock, their life is RUINED.’  Brianna is brought to the point of being forced to look at her situation as the condition it is being referred to.

 

Jumping ahead Brianna is armed with what she thinks is the blackmail of the century. Bree decided to hit LJG where it hurts, in the ‘being gay is punishable by death’ spot.  She felt this was a pretty great plan, she could coerce him into marrying her because she knew this big secret and he would never want to sleep with her because he didn’t like women. Win Win.  LJG is a great guy and all but he isn’t one to be trifled with. He clapped back, letting her know the Vaginawagon wasn’t in mint condition and she would do well to stand down.

That moment with LJG is where Bree is the most exposed.  She allowed him to know all the details of her pregnancy and her desire to protect her child even over her own happiness.  It proves it doesn’t matter if we are trying to show others how strong we are, if there are cracks in the armour, someone will get through it. Even if it ends up being us, no one can stay locked in there forever. It’s stifling.

 

Lord John Grey. That name deserves a moment. He isn’t one you would feel is in a state of vulnerability given his status. Lord John, however, is a man who happens to love men. In colonial America, this is a crime punishable by death. This instantly makes Lord John a person in jeopardy.  The moment he is introduced to Brianna you can see him soften from Lord John Grey…to John, Jamie’s friend.  Which in itself brings an openness to him.  Since he is raising Willie, Jamie’s son, it makes sense that he would have a soft spot for Brianna, Jamie’s daughter.  You would think when LJG is most vulnerable is when Bree exposes his throat and threatens to chow down on it by telling the world he is gay. The idea may be threatening but after the initial imagery passes, he knows this won’t happen. The moments he is truly most vulnerable is when he is speaking of his relationship with Jamie and Claire.  When he speaks to her of Willie. Many of LJGs vulnerabilities lay in the secrets he must keep. The more people he opens himself up to, the more likely those secrets will be exposed.

Lord John chose to keep Brianna and the child safe by becoming engaged to her. It was LJG , after all, who told Bree to trust that Jamie and Claire would bring Roger back.  By promising to marry her, he was giving her the hope she needed and saving her heart from breaking any more.

It certainly was beautiful to see Marsali and Fergus again.  Their relationship is one I wish we could get more of.  They are strong and fierce but when it comes to one another, so tender. Fergus is being attacked by a toxic mentality of not being ‘man’ enough and Marsali is requesting Murtagh fix it.  She knows very well she could tell Fergus, a million times, he is more man than anyone, it won’t make a difference. Until Fergus feels that himself, it will tear at him.

 

When we love someone, even things we are not responsible for, weigh heavily on us. We want to fix them, which will sometimes cause us to be exposed to our own vulnerabilities. Marsali is not a fan of asking for help, but she does, for her husband. It works out perfectly in the end as Fergus feels needed but also knows his place is with his family.

Marsali knew she wasn’t responsible for Fergus’s pain but she worried about it. We see Jamie worrying about Brianna’s pain, and he did cause hers.  Naturally, this is weighing very heavily on not only him but Claire.  Both are in solitary and pensive states.

 

I believe as long as Brianna feels angry, Jamie will feel guilty. That is par for the course, isn’t it? As family dynamics go, when we hurt someone, intentionally or not, most will stew about it, worry, wonder what we can do (if we can do) anything to fix it. Jamie was in his own head, as he should be.  A big part of forgiveness is beating ourselves up, I think we all know that.

Taking responsibility for our actions means owning them and feeling bad they happened.  Wrapping it all together means having apologized and trying to make things better. Sadly, when we attempt to make things better we become vulnerable to not being forgiven.  That is the scariest thing of all.  When we have created pain for someone, it is never up to us if they can move past it. I think that is why Jamie is in this space he has created.  Jamie’s future happiness as a father to Brianna is 100% out of his control. What an all together powerless feeling, but one he understands, from the things he said.

Claire knows some of this though, she is the healer. She does that for them both, physically and emotionally.  She identifies the wound, assesses the treatment and then, she does the best she can.  The same we do for those we love. In turn, we expect those who love us to accept it.  This couple is best when they share their vulnerabilities and allow the other to be the strength where they lack.  With each struggle, bump in the road, argument and disappointment – couples grow. We see Claire and Jamie settled into their life as a couple but still growing and that’s important.

Knowing we are watching Brianna and Roger in their infancy as a couple excites me because it means we still have so much more to look forward to.  There is nowhere to go but up.

 

Now that I wasted a whole hour of your day, I will wrap it up.  I could go on to mention every character and how they were vulnerable and exposed but even I get tired of myself…

 

When we get naked, let our vulnerabilities be exposed – do we do it knowing there is the possibility of getting hurt?                                                                                                                  Do we hide our nakedness all together so no one has the opportunity to hurt us but we are so lonely…it hurts?                                                                                                                      Maybe we only allow certain people to catch a glimpse here and there and still find ourselves harmed in some way.

Life is messy, isn’t it? It’s messy…but it’s beautiful. It’s chaotic…but it’s an adventure. What we focus on expands…what are we choosing to look at?

We only have 2 more episodes left before the next Droughtlander commences my friends, this had gone by so fast!

Sher (Founder of the ABOotlanders)

Please live tweet with us Canadians as we watch on W Network at 8pm MST using the hashtag #OutlanderCAN

Hidden messages. Blood Of My Blood S04E06 #Outlander thoughts and stuff.

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We have experienced yet another powerful episode of Outlander. There are discussions abounding all over social media about changes, wigs, performances and what is to come. I love reading about them all (mostly). I thought about what I would write this week and had a few different things run through the old jellified grey matter.

There were many times in this episode where our characters would say one thing and mean another. There would be a different intention behind the actions they were demonstrating. It really is something we all do though. Sometimes, we do it intentionally, to prove a point. Often we do it subtly, that way we can claim it isn’t what we meant if someone calls us out. Maybe it is just a way to protect the feelings of someone we are with.

In Blood Of My Blood, we can observe many instances of hidden messages being sent our characters way.

Claire’s moments are so well hidden, we barely see them. Mostly because they aren’t present in front of the person they are for. The conflict she has in this episode is 100% focused on Lord John. We have jealousy and annoyance for sure and she doesn’t hide it from John, at all. However, around Jamie, she holds onto it tightly. In fact, she encourages Jamie to spend time with LJG, she actively listens while he shares memories of Willie. She wants him to tell her the stories of the time they spent together. Her love for Jamie has reached a point that his happiness is paramount yet there is that streak of jealousy of knowing someone else is in love with her partner. I don’t think that is a fault either, not many people would take that lightly.

Speaking of that someone else – the super handsome, dignified and yumtastic specimen, Lord John Grey.  The way he watches Jamie cutting wood (sounds suggestive but alas, it’s just wood- hmmm still suggestive) shows that he still has that glow of admiration, in his heart. No, it’s love…he loves him and it shows.  Yet, when Jamie asks what he is doing there, the answer is because Jamie painted such a beautiful picture of his land, LJG just had to see it for himself. Uh-huh.

LJG feeds another story to Claire about why he has come to the Ridge. Naturally, Claire is pretty perceptive and she called him out on it. She knows he came to see Jamie, full stop.  He admits that it is true, sometime later. He says he wanted to know if he could still “feel”.  I think we all know John was quite sure he could feel. He likely wanted to be reminded of how much he could feel. To be reassured of the depth of his emotions. It is my guess that Isobel’s death reminded him of how disconnected he was.  There was likely guilt there and yes, as he admitted, shame.  What better way to drown all of that away than to flood it with love?

LJG tells Claire she is devastatingly straightforward and she claims she can’t help it, she was born that way.  As she turns her back, he whispers with a tear streaming down his cheek “So was I.”  He isn’t speaking of being straightforward, he is speaking of being born loving who he loves.  This scene defies centuries. It is before its time and it is beautiful. It contains that hidden message that people today still need to hear.                                                 Capture3

Lord John gives Jamie his chess set as he leaves. Claiming it would please him to think of Jamie having a game now and then.  I believe this is a very pointed way for John to be sure that Jamie is reminded of him each time he takes the chess set out.

Murtagh had his own moments in this episode but he really isn’t one to shrug away from the truth is he?  His comments are much more angled towards getting his point across without saying exactly what he wants to say.  Not passive aggressive but cuttingly contentiousness. Even with his direct comments about Gov. Tryon and eating rats, it was obvious that Murtagh was still holding back.  It certainly makes you wonder just what he would say if he wasn’t. Say…not do. We have seen he will chop off your damn head if he wanted to. I am talking about if he were to put that particular energy into actual words.

Murtagh is not one to be trifled with and LJG got his dander up and hard. He doesn’t have the benefit of the, let’s face it, unlikely friendship between LJG and Jamie. He can’t quite figure out what the hell is happening here until he gets Jamie alone for a moment.  His sleuthing pays off quickly when he deciphers the clue of pain in Jamie’s eyes at the question “And how does that make the lad YOUR responsibility?”  Murtagh knew at that moment Willie was Jamie’s son. Which spoke to something else. Jamie had a son he didn’t know about. A son in which he trusted this English red coat to raise as his own. A very big bitter pill for his godfather to swallow. Some secrets cause us to grow closer, others, not so much.

I am surprised Jamie’s tongue didn’t split straight down the middle during this episode. He said SO many things while clearly feeling otherwise. To start, “Best he doesna remember” in regards to Willie not remembering the groom he knew as Mac.  You can see in his eyes and his stance he wants nothing more than to be remembered by him.

When LJG introduced William to Jamie you can feel the emotions running through him. The tension as he steels himself in the hope the boy will run to him and when he doesn’t – a Claire quote from Dragonfly in Amber comes to my mind – “I stood still, vision blurring, and in that moment, I heard my heart break. It was a small, clean sound, like the snapping of a flower’s stem.”

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However, a simple moment of Jamie calling to the horses in Gaelic does trigger Willie’s memory of the groom, Mac.  Which leads to the boy questioning him as to why he didn’t say they knew one another.  Jamie replied with an anticlimactic “I dinna ken”.  That was cool because William served him a dish of the same back when he told him he was too old for toys in regard to the wooden snake.  You don’t want to give it to me straight old man, well, let me tell you something. Chew on that.

It’s funny, not haha funny but hmmm funny.  When Willie and Jamie return to the cabin after their adventure, Lord John asks “I trust he was well behaved for you?”  Jamie completely omits the part where the little turd nearly got them both killed and plays the OH he was GREAT! Awesome time…you’re a great dad card.  That hidden message was for William. It was praising him for his bravery, it was giving them their own private moment to share.  Jamie did it for himself. A moment to be just theirs. Reminds me of all the times I babysat for little hellions and told the parents the same thing. I did it so I had something to hold over the little buggers heads for next time though.

William is a boy in pain. The loss of his mother, the fear for his father and the recently ripped off band-aid from when he was a small, Mac leaving him. He repeatedly uses his words to hide behind.  From the fly fishing moments to wanting to go home after having enough of rough living. William has a need to protect himself from further heartache and he uses the most useful tool he has in his arsenal. His words. Whether they are effective or not makes little difference, as long as he says them, it makes him feel some control and relief.

Willie asked Jamie quite plainly why he didn’t look back at him when he left Hellwater. This obviously is a very important moment in the child’s life. It is very likely the boy made up a few reasons why in his own head, not all of them good. Jamie let him know it wasn’t because he didn’t care but because he cared so much. Not wanting to give him a false hope that he would see him again because he truly thought they never would. You could see on Willie’s face this was the answer he hoped for.  In return, when Lord John and Willie leave Frasers Ridge we are gifted with a turn of a head. A message to Jamie that they will see one another again.

I won’t leave out the ring. The hidden message really isn’t so hidden I suppose. Although, I believe the deeper meaning was beautiful.  The ring is fashioned from a candlestick that belonged to Ellen, Jamie’s mother. Designed by Murtagh, Jamies godfather and someone who also cares deeply for Claire. As we know, a ring is something that is endless, just as love should be.

Jamie seems to have an affinity for giving Claire jewelry that has to do with his mother, while Claire is naked – so I am going to let YOU decide what that one means. *I’m laughing right now…you can’t see me or hear me but it’s really loud and snorty like*

On that note, I will leave you with a kiss. Or a thousand.

Sher (ABOotlander person)

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