There is so much happening in season 5 of Outlander, it seems each episode flies by so quickly.
Last week hit a whole lot of nerves, as you might have been able to tell. I spent many years working with victims of violence. I was only a footnote in their worlds yet they all have impacted me beyond words. My ‘life lens’ focused it’s energy there.
While watching ‘The Company We Keep’ I was able to take a large step back to see it from the stands. There were so many moving parts in this episode, I found all of them interesting, entertaining and I believe we can appreciate them as story building.
My mental thread was weaving through the characters and their stories.
We are seeing clear lines of their before and after pictures. I suspect we can define our own.
For some, it is a before and after
the death of a loved one
a traumatic event
a joyful event
You get what I am saying. We have those moments in our lives that define ‘breaks’ in who we once were and who we now are. We were reminded of those moments numerous times with our Outlander family, both on the ridge and on the road.
I have this feeling that we will be looking at season 5 through the B.B and A.B eye. Before Brownsville and After Brownsville. There is a very heavy feeling around that town, owned and occupied by the Brown family. Dank murkiness doesn’t only describe the landscape but the patriarchy taking place there.
Roger became a Captain of the militia at the ridge, however, it was this trip to Brownsville where he discovered what being a Captain truly was. Its Outlander, nothing goes as planned. Roger was put in a position to test his improvisation skills. He didn’t botch the job, he went with what he knew. Whisky and song. 2 thumbs up from me.
As Brownsville is a tipping point for viewers, it is for Roger as well. Apart from the fact he was sent to escort Claire and the twins back to the ridge, it was in Brownsville that Roger became Captain MacKenzie of the Fraser militia. He was shot at, negotiated terms and announced to everyone within earshot HE was Captain MacKenzie. This was it. Remember that time in your life? When you had ‘that moment’. When you stepped up and into a position, you weren’t entirely sure about but once you said it out loud, it was finally real?
Josiah and Kezzie, those boys have obvious before and after pictures. The before was dark and filled with the pain of neglect and abuse while the after is yet to be seen. We know though, not because of the books, because any life after what they have been through will be better. Especially in the hands of those on Fraser’s Ridge. Picture having a ‘Family lottery’ and the Fraser’s are the grand prize – yup – Josiah and Kezzie won, big time. This is most assuredly a case of they deserve this win.
I will wonder out loud for you. Where do you believe Jamie and Claire’s collective ‘before and after’ is? They do have important ones in their lives, individually and together that have shaped the humans they are now. I am curious about what YOU think.
In my view, one of Claire and Jamie’s largest before/after pictures is ‘before Bree showed up in the 1700s and after Bree showed up in the 1700’s’. Their relationship shifted to a new level. They started seeing one another differently and the dynamics in their relationship varied more than we had seen previously.
I’m interested in your take. I hope you share it in the comments.
We have seen Brianna through some darkness and each week, the looming knowledge of that SunnuvaBonnet is out there. Inching closer. This version of before and after of Bree will not last forever, however, the foreseeable future we have Bree before Bonnet and after. Bree was always determined and filled with a fire that wasn’t easily put out. Those things haven’t changed. Her ‘after Bonnet’ self is turned up for lack of a better term. She is hyper-aware of her surroundings, it seems as if she wears part of her inside on the outside. Feel things sharper, sees things in higher contrast and hears in higher pitches. To those living on the outside of Bree, they seldom seem noticeable, as she is undoubtedly doing her best to keep on the inside. This task of hers is particularly painful. Essentially, the nerves are on the outside while being covered by a sheet of thin muslin that is only protected by her ability to keep it from slipping off.
Those who have suffered a trauma, such as rape, know that the assault itself is different than the post-trauma. That it goes beyond the physical and the initial emotional damage that was done. Brianna may have worked through some of hers in the time between believing SunnuvaBonnet was dead and finding out he was not. The latter would be what we call a triggering moment. Triggers are very real and can bring us immediately back to our traumatic event, sometimes causing the process to start all over again. Brianna overhearing Bonnet was still alive builds the real fear is that he will attempt to find her in order to get to Jemmy. We can only hope that Bree shares her anxiety with those who care about her. I have said it before, just because we can do it alone, doesn’t mean we should.
I can see many Outlander viewers relating to our ‘after Bree’. Living with the agony of sexual assault in any form can be overwhelming. We may be comforted while watching, being reminded we aren’t alone. There is also the possibility of being triggered, seeing our own traumas reflected back at us. The only true advice I have is, take care of that piece of who you are. Nurture them. Remind them they deserve kindness, compassion and love. And then…give it to them.
We all have our ‘before and after’ stories. For some, there are many, lives being in a state of constant change. Others have that moment that created such a shock it sent them spinning and there is no denying it changed everything. Either way, we become who we are not only as a result of what happens to us but how we process/see/react to it.
It is my hope that we all take the time to cherish who we have become. We are worth it.
Funny, the way things happen. All season I have been happily live-tweeting our #OutlanderCAN hashtag each episode as they air on W Network, here in Canada. I then ponder over each episode to try and pull something not so obvious from it. I have gotten decent feedback most of the time and am pretty proud of what I have done in both departments.
It so happens that during the airing of season 4’s finale, I ended up in the emergency department of my local health center and then whisked to the hospital for testing. What was I thinking about? Well…my imminent death or loss of a limb was first in my mind but I was also thinking about not being there to live tweet. I’m not even shitting you. I was thinking about that. So I tweeted to apologize and explain why I wouldn’t be there. Like people cared like I did. I mean, come on.
There is where the “not so obvious” for the season finale popped up for me. It’s not about you. The season finale wasn’t about me being there to live tweet or not, how important do I think I am anyway? 🙄 There were many instances I could easily say that to a character during the episode. I also find it amazing how often this happens in our every day. We tend to personalize other peoples behaviour, internalize it and make it about ourselves. We will get it in our heads that other people get up in the morning just to make ‘our‘ day more difficult. A little FYI, that usually isn’t a thing. Most peoples objective is to do things “for” themselves, not “against” someone else. This is not to say there is not collateral damage, there always is. That usually isn’t their intent.
The opening title card scene we see two young boys running around playing what they are taught to believe is an innocent child’s game of “Cowboys and Indians.” Watching is a proud Native American man that we later realize is Otter-Tooth because of the gemstone around his neck. This is not about the children, this is not about the ignorance of the systematic racism that caused us to believe this game wasn’t hurting anyone. This is about the man on the bench, the history of his people being changed and being replaced by society.
Claire, Ian and Jamie make their way into the Mohawk village looking for Roger. They know he is there. All three are trying to wheel and deal to get him back. Claire ends up with her scarf off and Otter-tooths gemstone exposed. This causes many in the tribe to gasp in fright and move away. Claire and Jamie’s first reaction is to calm them down, say they mean no harm, they want to help, to trade. Their immediate first thoughts are about what they can do for them. This isn’t about you Claire. This isn’t even about the tribe. This is about the gemstone. It is about the fear the tribe has for what that gemstone represents.
Murtagh has more than a few “this ain’t about you” buddy moments. What I found very interesting was it was Ulysses that silently gave him a lesson. Murtagh and Jocasta are discussing Brianna’s impending marriage to LJG. Which, Murtagh is taking very personally. There was one point when the discussion between Jocasta and Murtagh went from curt to argumentative. We could only see Ulysses’s hands- he went from gently holding them in front of him to loose fists at his side. Signalling protection. When Jocasta decides to leave Murtagh to his food, Ulysses takes her arm and offers Murtagh his assistance but with a very curt manner, the extra eyebrow added all we needed to know in this scene. Jocasta and Ulysses were letting Murtagh know Brianna’s future…not about you dude. Little did they know…it wasn’t about them either.
Going back to Otter-tooth for a little bit. I know people get upset about the story here, about his message of killing all the white people, of the war he wanted to lead in order to save his people. It upsets me too but maybe for different reasons. It upsets me because it would seem like the logical thing to do if I were in his place. If I were to be 100% honest with myself, which is not an easy task in any event, what he was saying would be the most effective way to save his people. It’s brutal and it is ugly, so is what the Native Americans and First Nations people of North America went through because of colonization. So, for this one. It’s not about you. Or me. Or any of the people Otter-tooth wanted to save his people and his history from. It was about the Mohawk and what they ultimately went through.
We finally get to Roger. Finally. Naturally, there is this crazy “no take-backsies” going on but since trading seems to be the currency in all things, even peopley things, Jamie offers himself up. Young Ian goes to work something out, in this, he thinks he is a better deal than the old gingersnap. Jamie is caught off guard, assumes he will rescue Ian away or Young Ian will escape when Ian shuts him down. This isn’t about you Uncle Jamie. Young Ian swore to the Mohawk, he gave them his word. He would stay with them, in return, Roger could go with Jamie and Claire, back to Brianna. Sweet Young Ian was taking responsibility for his actions as well as making a choice for his future. One that didn’t have anything to do with anyone else. Sometimes the choices others make can hurt us but they aren’t making them ‘to‘ hurt us. We have to be aware of that.
So, off goes Roger with Claire and Jamie. The first opportunity he gets to put a beating on Jamie, he takes it. I don’t blame him in the least. Apparently, neither does Jamie. Claire tries to stop him but Jamie knows, this is what Roger needs right now. I believe Jamie also wants Roger to let loose on him. His form of penance so to speak. In a way, Jamie is making Roger’s rage about him in order to rid himself of some of the guilt he feels over what he has done. Error in judgement or not, he owns it, as he should.
When Roger doesn’t go back with them to River Run right away, I don’t think it about the news that Brianna’s baby is possibly Bonnet’s. I think it is more about staying in the past. This has never been the plan. This is a new thing. It not just about Roger and Bree and their future anymore. It is about being a family in a completely different time. It is about living in a family with a man that damn near beat you to death and sold you to the Mohawk. It’s about living in a time when your wife was raped. This is a dangerous world and making the choice to live there. Making a choice like that without taking a moment to think would be doing a disservice to yourself and to the one you love. Not to mention all the people that will end up in your life as you move forward. This is a case of it’s not just about you.
Brianna was the one that was the victim of so much “It’s not about you” that it was painful to watch. Only because she did personalize so much of it. I was thankful that the birthing scene was Bree focused. It showed her strength, tenacity, ability and her dedication to doing this thing on her own when everything came down to it. Yes, she had her aunt there, her friends but ultimately, giving birth is about a mother and her child. There is no need a secondary narrative to focus on there. When Bree held her son for the first time, this story became about him now. That was her choice. Her love for him shone through.
When Claire and Jamie arrived back at River Run without Roger, the look that came over Bree’s face when she realized he wasn’t with them was pure heartache. It wasn’t about her but we all do what Bree did. She was personalizing Roger not coming back. Very likely creating a story in her head to match the pain she was feeling. It is such a common mechanism for us humans and so often our imaginations don’t match the reality. We replay other peoples choices like we have control over them. It is this weird dance we do. If I had done a, b or c. Only, it doesn’t work like that because they will always make the choices they want to no matter what we do. Roger does return to her though, as I knew he would. He returns to claim her as his wife and the baby as his son. It isn’t about any one person, it becomes about them as a family.
As Red Coats come riding up to River Run everyone assumes they are after Murtagh because he is, after all, the local fugitive in hiding. Jocasta and Murtagh share a little tête-à-tête that both Claire and Jamie witness and share their WTF faces. It’s ok guys, THIS little love affair…isn’t about you, so step off. Aunty Jo is getting herself some Silver Foxtail on the side and won’t be listening to any of your nonsense about it.
Last and certainly not least is the not so love letter from Governor Tryon. Jamie is expected to follow his beck and call. In this case, that means whippin’ up a militia and hunting down and killing Murtagh.
Well, Tryon, I know he likes to think everyone is just clamouring to serve him and his brilliant red coat wearing English army but here is the thing, they aren’t. No matter what Jamie’s obligation is to him we know that Jamie’s first obligation is to his family. It always has been and will be. Gov. Tryon happens to think this whole Regulator thing is me against them. That is where he is wrong. The Regulators have said from the start, they are more than willing to pay taxes, they are not willing to pay for the elites shitty castles and corruption. Plain as day, Gov. Tryon. Not. About. You. It’s about the people he is supposed to be helping. If he were to take the same amount of time he takes to fight them and listen to them instead, he might learn from them. Even this shows us we often make up our minds because we feel attacked when someone disagrees with us. Instead of listening we react. So much can be lost when all of that noise is happening.
Imagine. 13 weeks of Outlander is already gone. POOF! I absolutely loved this season. Every episode I enjoyed for different reasons and I was able to learn a little something in the hidden corners that helped me realize the writers, directors, cast and crew give so much to it. Still, Outlander isn’t about me.
It’s about so many people. Too many people to ever keep track of or make happy and that’s o.k. too. Want to know why? That is what makes life interesting. We can have animated conversations. We can discuss what we love, what we don’t and the things we missed and maybe why we think things were done the way they were. What I think the secret might be is respecting one another’s views and opinions as just that. Personal opinions based on personal experiences. They don’t have to assume someone else’s intent or be presented as facts. We can have fun with it because when it comes down to it, this thing called Outlander is a TV show that is created for our entertainment. It is supposed to bring up emotions. All of them. That is what makes great TV.
I’m not going to stop blogging over #Droughtlander, granted, I probably won’t do one once a week. I hope that we can keep each other company, stay engaged and not lose focus of what brought us together in the first place. A great story.
Sher (Founder of the #ABOotlanders)
Providence, episode 12 of #Outlander is receiving praise across the fandom. Sera-Lys is the extraordinarily talented and beautiful First Nations actress who played Johiehon, the Mohawk woman who fell in love with and had a child with the priest, Father Alexandre Ferigault. I spoke to many people about Sera-Lys‘s performance and each one was impacted in some way by her portrayal. It made me want to know more.
We all know I’m a Canadian, I talk about that on the regular. The actor’s Outlander auditioned for the Mohawk and Cherokee this season were chosen from First Nation actors in Canada. I found many have familiar faces from our television landscape. When Sera-Lys popped up on the screen I had a “Hey! I know her moment!” Only because I had watched her on a show called Arctic Air. Not because I actually ‘know’ her. Since we are both Canadian, I felt confident enough to reach out to her.
It is with no surprise that I can share with you, she is 100% delightful, 110% smarter than I am and yes, I think we are best friends (don’t tell her, she may not answer any more of my DM’s)
So without further Sherry babbling, please enjoy my “Interview with Sera-Lys”
I understand you grew up in Saskatchewan and were fairly young when you started acting. Now, many reading this might not understand my asking but how did that happen for you? (Saskatchewan isn’t really known as Canada’s Hollywood) Haha, oh thank-you! Arctic Air was a big breakout role for me in terms of my Canadian career, it’s nice that people still remember that show. And you’re right, getting a start in acting from Saskatchewan is uncommon. I didn’t ever think that a person could even pursue acting as a career. My neighbour signed up for modelling classes when we were 11, and I wanted to join her. I really enjoyed it, so my mom supported me in signing up with a local agency in Regina. A couple of years later, when I was 13, there was a CBC miniseries coming to town called “Revenge of the Land,” directed by John N. Smith (Dangerous Minds, The Boys of St. Vincent). They were casting the role of a young Metis girl (a word that describes a mixed-blood Indigenous person) and had already cast actress Carmen Moore (She is in Outlander also, her role was introduced this week and continues in next week’s finale) to play the character’s mom. I went to the audition and the director and casting director were instantly impressed at our resemblance. Then they said, “But wait, can she act?” and I did my audition. It was my second audition in my life. I guess I didn’t suck, and they asked me if I had ever acted before. I said I was signed up for a workshop ‘next week.’ They smiled and told me to take the workshop. When I was at the workshop, they called my acting teacher and I was informed that I had got the role. It was very surreal! Needless to say, I loved the experience and was “bitten,” as they say. I continued to study Musical Theatre and Acting and audition throughout high school and later, in post-secondary education.
Where is home for you now? As a First Nations person and actor, I have the ability to “live, work and cross the border freely as [I] choose” thanks to the “J Treaty.” I really see Acting as my home, and wherever it leads me. I will always have roots in Saskatchewan and that is still where my family lives. Lately, I split my time between New York City and Toronto.
As a young Canadian woman, what would you say has been the biggest challenge in your career thus far? Historically, there are not a lot of substantial roles for women in general, less for women of Colour, even less for Indigenous women, and even then, we often lose these roles to non-Indigenous actors. This is because it’s a catch 22 in the industry: An actor has to have proven their ability to green light an X-million dollar production, but no Indigenous actors have ever done this, so investors find us to be too risky to cast. Sometimes they rewrite Indigenous roles and change their ethnicity to suit an A-lister that will attract more investors. It can be very frustrating. But I am happy to confirm reports that this is finally changing in our industry. The amount of opportunities for everyone seems to be growing, and so those of us who have been waiting and working on our skills all these years are finally getting a chance to show what we can do. Outlander 412 “Providence” was definitely one of those opportunities!
I see you have worked on a few projects with women at the helm, as we are in a (much needed) time of change in the industry, how do you find this is impacting you? For one thing, it has been the status quo for so long, that it was an important dynamic for me to learn how to negotiate. I get along with most men, I have many platonic male friends. I choose to connect with human beings, not genders. Now, of course, I have noticed an inequity and it does bother me. But it is important to create allies, not otherness. I have had excellent experiences working with male directors, and equally as wonderful experiences with female directors. I feel blessed to be able to collaborate with all of them and I am hopeful that more and more women and minorities will be given a chance to helm large-scale projects.
Did you audition for the role of Johiehon specifically and what was the process like for you? Yes, I did audition for her specifically. I knew the character was supposed to speak Mohawk and French, but the sides were given in English. Like most Canadians, I studied French in school growing up, so that was the easier part. Mohawk is another story! There’s no google translate option for Mohawk! While the casting director said that it wasn’t necessary to translate for the audition, I know from experience that producers almost never cast Indigenous actors for period-dramas from a tape where they speak English. They want to cast someone they know can handle the language challenges that the role demands. So I reached out to my friend Devery Jacobs (Sam in STARZ’s American Gods) who is Mohawk and also was auditioning for the role. She passed along recordings, translations & phonetic transcriptions of the Mohawk lines. I went in for my audition a few days later, and I guess I kinda “nailed it:” one take and done. Then I was “On hold” for over a month. During this time I auditioned for another role on Outlander, the Cherokee translator played by Crystle Lightning. When I got the call from my agent that I had booked Outlander, I had to ask, “which one?”
I am very grateful to belong to a community of supportive First Nations actors. It’s a rarity in this industry and even this day and age that someone would aid their “competitor.” But I would have done the same. We really want each other to succeed, and we know the best way for us all to experience success is to support one another.
I know I shouldn’t feel personal pride in the fact the First Nations actors from my home country behave in this manner as the only real thing we have in common is we are from the same country, but damn, this makes me proud. To know there is such a cohesive unit of actors, working with one another to assure each other’s success knowing it will make the whole stronger in the end. That’s probably the most empowering thing I have heard in a long time. It makes this screenshot mean a lot more to me.
How did you find out you earned the role of Johiehon? My agent Rich Caplan called me while I was on a lunch break from a theatre workshop I was doing with Oregon Shakespeare Festival (in Manhattan). He had called me earlier that day to say that I had booked a role in a Canadian independent feature called Robbery, which is currently doing the festival circuit. It was a pretty awesome day!!
When you read the script for Johiehon’s introduction and demise, what were your thoughts? The introduction I knew from the audition, but the demise was a big surprise! They kept it under wraps from even me until about 2 weeks before my contract in Scotland began. She had a different name than in the books. It definitely explained why it was only a one-episode contract! I was shocked and excited. The second-to-last episode is often the climax of the season in today’s television market. A big fiery, epic ending in this episode was very exciting! I actually portrayed a young Nakota woman who died by fire in another CBC miniseries called The Englishman’s Boy about 11 years ago. So I knew I could perform it well. Still, I had never seen anything quite like the fire and stunt work that I witnessed on Outlander. It was truly amazing!
Truthfully, you had such a little amount of time to endear yourself to the audience, allowing us to feel you had this deep love with Father Alexandre and that Kaheroton was deeply in love with you, and…you did it. More than did it. I was sobbing when you (well, your stunt double) walked into the flames. What was your reaction when you saw it all put together for the first time? Honestly, I cried too! It was so beautiful. It was so sad and visually stunning. Mairzee Almas, the director, did an amazing job with this scene and episode. It was her idea to put the Adagio For Strings music over the silent slow-motion sequence. In my mind, I compared the epic, emotional moment to The Last of the Mohicans, and it definitely delivered. In today’s industry, an actor rarely gets the opportunity to act in something this grandiose! I feel truly blessed to have been a part of it. I am proud of my work and of the entire team. It’s tremendous.
I have to admit, Providence stands in my top 3 episodes of the whole Series thus far. From start to finish, every extra and every effect, every performance held my attention.
Richard Rankin is the regular cast member you had scenes with. He is known as being a very light-hearted guy. How was working with him? It was great! He is very friendly and easy to be around and work with. Poor guy had to be in constant “pain” during our scenes. It also was a very demanding season for him, so I am very impressed with his stamina and commitment. His scenes with Father Alexandre in the “Idiot hut” are truly remarkable and were rewritten right up until filming. He brings an amazing sense of humour to his portrayal. A true professional and a warm-hearted person. I feel lucky to have worked with him.
I often worry about the portrayal of first nations and indigenous peoples in television and movies. We want the portrayal to be true, respectful and not a caricature. I understand you are a modern woman, not a historian but am interested in knowing, how do you feel Outlander did, as a whole, in regards to portraying the Mohawk/Native culture? They really did a very good job. They went all out in their research. The costumes, hair, make-up and wardrobe were all very specific. And that set! It really transported us there in our minds. They worked with two Mohawk elders from Akwesasne and had them answer questions and do translations and coachings with us. They also gave us a document about Mohawk customs and culture, especially pertaining to what was happening in the scene. For me, the biggest departure from reality is that a Mohawk woman would ever abandon her child and commit suicide to be with her loved one. But it is a fantasy after all. It’s a beautiful story.
It was most certainly a part of the story I always struggled with, but yes, fantasy, love stories, tragedy. They tend to go hand in hand. Speaking of fantasy – I am envious you travelled to Scotland. How long were you there? Tell us a bit about your experiences if you could. I was there for 3 weeks. I was happily able to explore quite a bit. I went to Edinburgh, stayed in Glasgow and near Pitlochry. I went with fellow actress and friend Carmen Moore to Loch Lomond. That was a special experience. After my role was completed, I went on a horse ride in the countryside or a “hack,” as they say in Scotland, with Tannoch Stables. We stayed in a beautiful castle hotel during filming. It was breathtaking. Scottish people, on the whole, are lovely, friendly and have a great sense of humour. I highly recommend going and I hope to return someday soon!
You were surrounded by many other Canadian actors/esses while on set, which must have been interesting. Being in another country but still with people from home. What was that like? It was a surreal and pride-filled experience. There were other people from the Prairies and even an elder who spoke Nakota (my Native ancestral dialect). There were multiple other actors that I had worked with before who reunited there for this production. One of them, Gregory Odjig, looked at me at one moment and said, “We’re at work right now. Halfway around the world, in Scotland. That’s friggin awesome!” And I couldn’t have agreed with the sentiment more. Very special and unique.
What was your biggest take away from your time with the Outlander production?That all the years of struggling and career ups-and-downs were worth it so that I could experience something this amazing.
I see you have some projects that include writing and producing. Besides acting, what field do you see yourself pursuing more in the future? Acting is my true love. But acting leads me to producing and writing. I want to do them all, but most of the behind-the-scenes work I do is so that I can act in the production myself. I am sure this will continue to evolve. Acting and storytelling are my “Buffalo,” they provide my soul with sustenance, similar to the traditional life of my ancestors when they followed the herds of bison. I will follow them wherever they lead me.
That is so beautiful. Our First Nation culture carries with it such a powerful spirit. We have so much we can learn.
The issue of MMIWG (Missing and Murdered Indigenous Women and Girls) in our country is one that was long ignored. The more the loudest voices speak, the more the silenced can be heard. Can you please tell me more about the project ‘In Spirit’?In Spirit is a very special project. It was written and directed by Tara Beagan and designed by Andy Moro. While we changed the character to a fictitious girl, the original play was based on the murder of Monica Jack. You can look up all of the details available on CBC’s website. 40 years later, they have finally arrested, tried and found a man guilty of kidnapping, assaulting and violently killing this young girl who was days away from celebrating her 13th birthday. It is very emotional and speaks to the core of our community. It illuminates the bigger problem with our society today. I hope we remount it and many more will get to see it. It’s truly riveting. I hope that the conversation continues and we work together to stop this senseless violence. Native women have been too easy to prey upon. Native people are victim to systemic violence, racism and erasure by historical and modern society. This has to change. We have to talk about it more and more. And if we could please stop objectifying our women in so-called “sexy Indian” costumes, that would be a great place to start.
Do you have any other upcoming projects that you are excited about that we can watch for? You can currently catch me in Season 2 episode 3 of Friends From College, I have a really fun soccer scene about 8 minutes in. I will be doing a play at Portland Center Stage in Oregon called Crossing Mnisose by Cherokee playwright Mary Kathryn Nagle. That opens in April. Other than that, stay tuned to my social media @seralysmcarthur for announcements.
Once again, your performance in Providence was captivating. You managed to create a heartbreaking love story within an episode of television that left a fandom bereft. If there is anything else about your experience with this role you would like to share, we would love to hear it. Well, while Yan Tual and I were busy working and dying on pyres and crying for literally days, the other actors and supporting artists were often on break, if it was only filming our close-ups. As I mentioned, the set was impeccable and while much of it was natural, we would randomly find “set dec” hidden amongst the natural world: fake rocks, sticks, mounds, grass, etc.
Richard Rankin, Carmen Moore, Greg Odjig and some of the Mohawk warriors/ stunt actors made hilarious behind-the-scenes videos of knocking Greg over the head and body with these set pieces. The resulting videos were HILARIOUS!! What a fun group of people to work with!
Outlander BTS video Credit goes to Gregory Odjig
Prairie Oysters. I def gotta try one someday to be truly Canadian! (I do know what they are, lol!)
It truly was a pleasure to have Sera-Lys take the time to invite us into a few corners of her world. I hope you enjoyed reading this as much as I enjoyed putting it together for you because I enjoyed it A LOT!
Sher (Founder of the ABOotlanders)
Be sure to live tweet the Finale of Outlander with us while watching on W Network on Jan 27th.
Though the episode itself was the most religiously symbolic of any we have seen, this blog won’t be going in that direction. Unless of course, you are like me and your spiritual belief is based on being a decent human. If that is the case, then, you might make some comparisons.
As I have attempted to do from the start of the season, I take this blog to another place. This time it isn’t hidden, it isn’t a secret and it most assuredly is not masked. It nearly hits us over the head with many of our beloved cast members and even some we just meet.
“Character cannot be developed in ease and quiet. Only through experience of trial and suffering can the soul be strengthened, ambition inspired, and success achieved. Helen Keller “
We are introduced to a wonderful new cast in this episode, Father Alexandre (played intensely by French actor Yan Tual), Johiehon (played by talented and stunning Canadian actress Sera-Lys McArthur), the woman he is in love with, Kaheroton (wonderfully portrayed by Canadian actor Braeden Clarke) who is also in love with Johiehon but her heart belongs to Alexandre, the father of her child.
This trio gave us not only performances that will stick with us, well, forever but they gave us a love story that is rooted in each one’s truth and character. Father Alexandre made a commitment to God, yet he broke that vow for this woman. Knowing he was damned for that, he accepted it. Yet he refused to damn his child for his perceived sins. He went to his death unaware his love would die with him, though I don’t believe this would have changed his mind. In my eyes, as Johiehon watched Father Alexandre, you could see not only the pain in her eyes but the desolation. Once Roger ensured his pain had ceased, it was not only an agony but a relief that came over her. Johiehon knew Kaheroton loved her, she knew he would care for her child out of that love. My heart damn near broke in half as she gently placed her child on the ground and walked into the flames. Knowing, she could not live in a world in which the man she loved was taken in such a way.
Depending on our perspective we can see Johiehon’s strength of character in many ways. I choose to see it in a way of grace. There are choices we feel we can live with and those we feel we can’t. Who are we to judge what others believe to be their limits?
Kaheroton gave Alexandre many chances to redeem himself to the Mohawk and not face death, yet I believe he always knew what choice the priest would make. I do think there was a part of him that thought once the priest was gone, he would be able to step in and care for Johiehon and her child. When she made the choice to join Alexandre in death rather than live without him, Kaheroton saw the mistake he had made. Instead of Johiehon only being brokenhearted as he had intended, she no longer existed. These are the lessons we are made to learn with when we bend our character. I am sure Kaheroton never expected it was one he would face. Now, he will see it up close, each day when he looks into the eyes of the child she left behind. This is sure to be a defining moment in Kaheroton’s life, a fork in the road of his character.
Brianna. We certainly saw the content of her character shine in the dark dank cell facing off against the sunnuvabitch Bonnet. Understanding completely what her BioDa was saying to her about forgiveness. It wasn’t for anyone but herself, freeing her of the hold this man had on her. Forgiving him would allow her to live her life without the fear and anger that came with the hold he had on her. Not only did she forgive him, but she also had the grace to give what she thought to be a dying man knowledge of his life (possibly) going on in the form of another. All I know is Brianna has about a bonnets full more character than I do. She’s just a better person than I am, and she is pretend.
Lord John, Murtagh, Fergus and Marsali. All of them are high on the truly good people scale. They all have the best of intentions in their choice making. They knew the consequences of living with the disappointment in themselves simply wasn’t worth it.
We watched Lord John decide his loyalty to Brianna and the Fraser family in general outweighed all other loyalties. Love, family and promises made really do mean more than business and duty. It most certainly laid out his character for us.
Murtagh, though a leader of the Regulation, he knew leaving a guard to die wasn’t the right thing to do. His pride in being Brianna’s protector was just that, pride. He set those things aside, showing his true self, his character.
Marsali and Fergus, those two are a true joy to watch. I believe in these two, I believe no matter what, if one wavers, the other will not nudge but push them in the direction they know they need to go. It isn’t a push of defiance, its a push of “LET’S DO THIS!” It’s the kind of push that we know we need. We are afraid to it alone. Like something is missing and when that other person says it’s right and validates our thoughts, we feel stronger. That is what Fergus and Marsali are. Each others Jiminy Cricket. Their character feeds one another, much like Johiehon and Father Alexandre but yes, to a much different end.
I don’t want to but I am going to. I am going to talk a little about that sunnuvabitch Bonnet. Here, I discuss lack of character. Psychopaths tend to be without it and he is no different. Some might be swayed to think that when he hands Brianna the gemstone, that is a glimpse of something deep within him. To that, I say, bullshit. When we show character, it isn’t for ourselves. It is because we can not possibly live with the other decision. Sunnuvabitch Bonnet is all but positive he is going to die. He doesn’t know where this gem will end up so why not have control over that too, right? This man’s lack of character is as obvious as his lack of shampoo.
I think the following quote fits both the man I just finished speaking about and the one I am about to…
“The best index to a person’s character is how he treats people who can’t do him any good, and how he treats people who can’t fight back.” –Abigail Van Buren
One person this season whose has been back and forth quite literally has been Roger. We have seen him grapple repeatedly with the desire to keep Brianna safe and to be honest with her because sometimes telling people the truth ultimately hurts them. We have seen him risk his own life to try and save hers. We have seen him risk his life for the chance she might accept him. We have seen him beaten, sold, beaten, escape, tortured with the thought of going home to safety, not going home to safety because there was a chance to be with the woman he loved again, to being beaten and captured AGAIN. In all of this, Roger changes. Or does he? I think Roger, in this episode, tries to convince himself and his new companion, Father Alexandre, that he has changed into someone that needs to care only about himself. Believing caring about others has only has gotten him into this mess in the first place.
Where the truth lies is, Roger has always been this man. The man that cares, loves and wants to be loved. His character is goodness. Does it hurt him? Yes. In every way it does. Would it hurt him more to defy that goodness? Absolutely. It would hurt his soul. When you hurt your soul, you break something that can’t be mended until it is made right.
We saw this struggle for Roger numerous times but none so obvious as when he was at the stones, the physical pain on his face when he thought about going home and leaving Brianna. He knew he would never be able to live with that agony. It wasn’t simply about loving her. It was about his character. His right from wrong. Who he truly is. We saw it and heard it again, in technicolour, as he was running away from his captors and the tortured cry of Father Alexandre. He was verbally trying to convince himself he was doing the right thing by leaving Father Alexandre to the fate he had chosen for himself. The priest knew what he was doing, was a grown man, making an adult choice. Still, Roger being Roger, could not live with the knowledge that this man would possibly live for days in agony. Not knowing if or what he could do to help him, only that he must try. He turned around and went back. Roger was aware he would likely face the same fate. To Roger, this was more bearable than living with the knowledge that he turned his back and did nothing.
The truth is an inherently good person makes these choices every day, or they live with the pain of making the wrong choice. That voice in our ear, that pit in our stomach, that feeling we get that we should have made another choice – that is the pain I’m talking about.
The bigger the choice the louder the voice, the deeper the pit, the stronger the feeling. We always have the power to reverse the effects of those bad feelings but of course, it is always wise to try and make the right decision in the first place, but you know, life.
“Out of suffering have emerged the strongest souls; the most massive characters are seared with scars.”- Kahlil Gibran
There is no doubt in my mind that if we really wanted to use this season as a barometer for our behaviours, the way we treat others and ourselves, we could truly learn a lot. What it takes is being open and to think critically. It certainly isn’t easy, especially in real life but it is worth it. Even when it hurts. Hmmm, maybe especially when it hurts.
Sher (founder of the @ABOotlanders)
Please join us as we livetweet the FINALE while we watch on W Network Sunday, Jan 27th, use the hshtag #OutlanderCAN so we can find you! Man, I can’t believe it’s over already.
That got your attention huh? Just like the cold but hot open of this episode probably got you. I know my attention was captured, but a naked Roger will do that.
Now, this may be very obvious to everyone out there and you may say to me that this blog is the worst of the season because I haven’t dug deep enough and that’s fair. I don’t think I really did. This just stuck with me through the 3 times I watched. It became more and more obvious and the reality is, I wanted to talk about it, so I am.
In this episode, our characters were on full display. They might as well have been playing their parts how Roger started the show for us. In the raw. That would have made the dinner party a lot less appetizing mind you.
The levels of exposure we saw in If Not For Hope went deep. This may take me a while so you might want to pour yourself something hot or cold, grab a snack or two.
The obvious is Roger. His literal nakedness isn’t just there for our viewing pleasure. I believe it speaks to a few things. He is now stripped completely of who he was. The buttoned-up historian of many layers. Each one tore away until he was bare and now, being recreated. This Roger we will get to know was always beneath the layers but had no reason to be exposed. The layers have been ripped away and no longer protect him, this Roger steps forward to run the show. Well, at least keep one foot in front of the other. Which is all we can seem to hope for.
Granted, Roger himself wasn’t physically present in the episode but make no mistake, he was there. Through Brianna, Claire, Jamie, Ian and even Lord John, each bringing him to the surface. They repeatedly reminded us of how perilous Roger’s situation is. How he was relying on them to save him from this situation they had a hand in placing him in (except Lord John…he’s cool).
Roger is completely on the outside of all of this. He has no reason to believe anyone is looking for him. He has to trust that Brianna loves him as much as he loves her. That, my friends, is blind faith. Which is perhaps the most vulnerable anyone can make themselves emotionally. This is intricately tied to the horrific moment at the end of the episode. Roger makes himself just as vulnerable physically. He realizes what he needs to do. He stands to accept a substantial beating at the hands of his captors in a type of gauntlet, a blind faith, trusting he is strong enough to make it through.
Personally, I would have rathered another shower scene. Richard Rankin, for the lack of screen time, has most certainly given Roger a surprising amount of depth.
I will add, it would be fantastic to see either, in conversation or flashback, what happened at those damnable stones. Richard conveys so much of what Roger thinks in facial expression alone (something I think this cast is flippin’ remarkable at) I would love a peek at that moment.
Please know I do not view vulnerability as weakness. It is a state of being from which each one of us needs to be in, in order to trust or love.
In Brianna’s case, she was all over the vulnerability scale from frailty, threat, disquiet and even pliancy during this episode. She was open to her own pain, in fact, the first moment we saw her in this episode she was in the midst of drawing it. Lizzie saw this as demons. They were in a sense, Brianna’s own demons…of sadness, anger and worry.
Speaking of Brianna’s drawings, it seemed she was using them to expose her disquiet. The opening credits showed many pictures of the slaves at work. Phaedre came into her room, Brianna saw how the light caught her face, she asked Phaedre to sit so she could draw her. To me, this showed Brianna’s discomfort with the way this world was working around her. She was able to capture that and put it to paper. I do believe Phaedre was pleased with being seen by Brianna, yet, you could feel her unease. Even if she were safe with Brianna at that moment, she was only safe with Brianna at that moment. The second someone else came into that room that safety would disappear instantly.
Next is Brianna, exposed lamb to the slaughter, Tinder 1700’s version. This was painful to watch with a modern eye. I had to keep facepalming myself to reset.
Seeing Brianna have to shut down the fake compliments, the greasy ‘we should ride into town alone together after just meeting one another’ and ‘hey, my mom doesn’t know I’m gay, let’s pretend to be bff’s.’, was too much. Brianna made the right call with the fake ‘case of the vapours’ to get the hell out of there. I now know why so many women fainted back in those days and it wasn’t because of the tight corsets. Women are tougher than that. It was to get the hell out of the room and away from all the creeps. They literally had to pretend they were unconscious before people would let them leave the damn room.
After the delightful dinner party (she says with dripping sarcasm), Jocasta gets some alone time with Brianna and in that small amount of time Brianna pliancy grew. At first, she started this conversation out strong but Jocasta, always cunning, knows exactly which string to pull to unravel even the most complex of patterns and she does just that. She grabbed onto the Roger and baby strings and pulled, hard. Brianna went from bold to pliant, which is a completely different variant of vulnerability. Jocasta used the perfect words to cut Brianna down and weaken her ‘Roger’s gone…no matter dead or alive. GONE.’ ‘If your baby is born out of wedlock, their life is RUINED.’ Brianna is brought to the point of being forced to look at her situation as the condition it is being referred to.
Jumping ahead Brianna is armed with what she thinks is the blackmail of the century. Bree decided to hit LJG where it hurts, in the ‘being gay is punishable by death’ spot. She felt this was a pretty great plan, she could coerce him into marrying her because she knew this big secret and he would never want to sleep with her because he didn’t like women. Win Win. LJG is a great guy and all but he isn’t one to be trifled with. He clapped back, letting her know the Vaginawagon wasn’t in mint condition and she would do well to stand down.
That moment with LJG is where Bree is the most exposed. She allowed him to know all the details of her pregnancy and her desire to protect her child even over her own happiness. It proves it doesn’t matter if we are trying to show others how strong we are, if there are cracks in the armour, someone will get through it. Even if it ends up being us, no one can stay locked in there forever. It’s stifling.
Lord John Grey. That name deserves a moment. He isn’t one you would feel is in a state of vulnerability given his status. Lord John, however, is a man who happens to love men. In colonial America, this is a crime punishable by death. This instantly makes Lord John a person in jeopardy. The moment he is introduced to Brianna you can see him soften from Lord John Grey…to John, Jamie’s friend. Which in itself brings an openness to him. Since he is raising Willie, Jamie’s son, it makes sense that he would have a soft spot for Brianna, Jamie’s daughter. You would think when LJG is most vulnerable is when Bree exposes his throat and threatens to chow down on it by telling the world he is gay. The idea may be threatening but after the initial imagery passes, he knows this won’t happen. The moments he is truly most vulnerable is when he is speaking of his relationship with Jamie and Claire. When he speaks to her of Willie. Many of LJGs vulnerabilities lay in the secrets he must keep. The more people he opens himself up to, the more likely those secrets will be exposed.
Lord John chose to keep Brianna and the child safe by becoming engaged to her. It was LJG , after all, who told Bree to trust that Jamie and Claire would bring Roger back. By promising to marry her, he was giving her the hope she needed and saving her heart from breaking any more.
It certainly was beautiful to see Marsali and Fergus again. Their relationship is one I wish we could get more of. They are strong and fierce but when it comes to one another, so tender. Fergus is being attacked by a toxic mentality of not being ‘man’ enough and Marsali is requesting Murtagh fix it. She knows very well she could tell Fergus, a million times, he is more man than anyone, it won’t make a difference. Until Fergus feels that himself, it will tear at him.
When we love someone, even things we are not responsible for, weigh heavily on us. We want to fix them, which will sometimes cause us to be exposed to our own vulnerabilities. Marsali is not a fan of asking for help, but she does, for her husband. It works out perfectly in the end as Fergus feels needed but also knows his place is with his family.
Marsali knew she wasn’t responsible for Fergus’s pain but she worried about it. We see Jamie worrying about Brianna’s pain, and he did cause hers. Naturally, this is weighing very heavily on not only him but Claire. Both are in solitary and pensive states.
I believe as long as Brianna feels angry, Jamie will feel guilty. That is par for the course, isn’t it? As family dynamics go, when we hurt someone, intentionally or not, most will stew about it, worry, wonder what we can do (if we can do) anything to fix it. Jamie was in his own head, as he should be. A big part of forgiveness is beating ourselves up, I think we all know that.
Taking responsibility for our actions means owning them and feeling bad they happened. Wrapping it all together means having apologized and trying to make things better. Sadly, when we attempt to make things better we become vulnerable to not being forgiven. That is the scariest thing of all. When we have created pain for someone, it is never up to us if they can move past it. I think that is why Jamie is in this space he has created. Jamie’s future happiness as a father to Brianna is 100% out of his control. What an all together powerless feeling, but one he understands, from the things he said.
Claire knows some of this though, she is the healer. She does that for them both, physically and emotionally. She identifies the wound, assesses the treatment and then, she does the best she can. The same we do for those we love. In turn, we expect those who love us to accept it. This couple is best when they share their vulnerabilities and allow the other to be the strength where they lack. With each struggle, bump in the road, argument and disappointment – couples grow. We see Claire and Jamie settled into their life as a couple but still growing and that’s important.
Knowing we are watching Brianna and Roger in their infancy as a couple excites me because it means we still have so much more to look forward to. There is nowhere to go but up.
Now that I wasted a whole hour of your day, I will wrap it up. I could go on to mention every character and how they were vulnerable and exposed but even I get tired of myself…
When we get naked, let our vulnerabilities be exposed – do we do it knowing there is the possibility of getting hurt? Do we hide our nakedness all together so no one has the opportunity to hurt us but we are so lonely…it hurts? Maybe we only allow certain people to catch a glimpse here and there and still find ourselves harmed in some way.
Life is messy, isn’t it? It’s messy…but it’s beautiful. It’s chaotic…but it’s an adventure. What we focus on expands…what are we choosing to look at?
We only have 2 more episodes left before the next Droughtlander commences my friends, this had gone by so fast!
Sher (Founder of the ABOotlanders)
Please live tweet with us Canadians as we watch on W Network at 8pm MST using the hashtag #OutlanderCAN
We experienced yet another powerful episode with The Deep Heart’s Core. Season 4 just keeps my brain in gear which I am not sure is such a great thing cuz I think it might be getting warped from overuse. It certainly has refreshed all those years of human behaviour seminars I took back in the day.
I don’t exactly do recaps with my blog this season, I kind of pick something that stands out to me. You might be on the same wavelength I am (if that is the case, you may want to seek help because I am not sure that’s altogether healthy) and you will think to yourself…well OBVIOUSLY…in that case, I suppose I’m not as unique as my mother told me I was.
This episode was not a comfortable one. I don’t think it was written to be. In fact, I think it was meant to give you that feeling of discomfort. Of being unsettled and not feeling right in your own skin, like things were ready to fall apart at any time.
Let’s open with the conversation Bree had with her bio-Da about her rape. That in itself shows us that Brianna feels a certain level of trust with Jamie now. She is asking for his help in processing the trauma she has experienced. She doesn’t need to give him names, dates or details to share her pain. Most victims can tell you that isn’t how it works. The things they need to let go of first are the could haves, would haves, should haves. Shedding the blame, guilt and shame are critical to recovery. Survivors do this with people they feel safe with.
Jamie experienced these things himself. He knows the process she has to go through. Claire took him through it. He put himself in front of his daughter, angered her and brought forth her rage (as Claire had) in order to show her that no matter how hard she fought that sunnuvabitch Bonnet, he would have taken from her what he did and likely, she would have gotten herself killed in the process. In the end, Bree wasn’t angry with Jamie for overpowering her, saying cruel and hurtful things to her – once she realized why he had done it. In fact, she felt safer with him. So safe that she reached further inside his heart and questioned him about his own experience with rape.
Jamie was raped by Jack Randall. He didn’t fight either. He didn’t fight because he gave his word in return for Claire’s life – which means at its core it was out of fear. Fear for her. That Jamie was able to share the truth of this with his daughter opened up a door to their relationship – in which Bree stormed through later on in the episode.
Let’s talk about that door now, why wait? Bree found out Roger made his way to the ridge and subsequently, what happened to him. The Fraser Fury was unleashed like…well…a Fraser unleashes their fury. There were a lot of words, a lot of confusion and amoung that, Jamie misunderstood what Bree was saying and heard her say that she had sex with Roger then fought with him- he mistook those words and thought Brianna claimed she was raped by him in anger. Jamie’s Fraser Fury mixed with Brianna’s – as you can imagine, that went up like a bomb.
Bree lashed out, slapping him. Hard. He let her. Why do I believe he let her? Jamie showed us earlier in the episode that he could stop her from hitting him if he chose to. Do Bree’s words hurt Jamie? Of course they do but does he know they help her more by her saying them? Yes. Jamie opened that door to his daughter earlier in the episode. That she would feel safe enough to say or do anything to him and know that he would be there to love and care for her no matter what. It is also why he said nothing when she yelled at him that he wasn’t allowed to be angrier than she was. Jamie heard her words and accepted them. It is something many of us don’t do when we are angry because we are too busy giving that anger to others in the form of hurting them back. Jamie had helped create that safe space for Brianna earlier in the episode, even though he screwed up when he lashed out with his words, he backed up and gave that safety net back to her instead of closing it off again.
Bree knows that Jamie loves her. She does love Jamie, otherwise, she wouldn’t even care enough to try to hurt him. She wouldn’t pull out the Frank card to make him hurt like she is hurting. That is what many of us are guilty of, isn’t it? When we are in so much pain that we want that person to feel it too? We try and cut them that deep. We go for the one thing we know will get them? She points out Frank would never have said the things Jamie just said to her. Her statement is not baseless, Jamie did just accuse her of lying about being raped, it was ugly and it was hurtful. She lashed out in her own ugly and hurtful way. I am not saying this is the right way to fight with family, however, I see that it is the way a lot of families fight. Good, bad or ugly we can say and do things within those walls and know forgiveness is available to us.
Jamie is being a father more than ever at this moment by letting his daughter feel, process and allowing her to use him to do it. He knows what he did and what he said was hurtful. He is attempting to move forward and doing what he can to make it right. Like at the beginning of the episode, he knows it isn’t about his words, but his actions. He isn’t begging her to forgive him because he knows forgiveness needs to be earned and she must go through the steps to get there. All he can do is what he has promised and allow Brianna the time to meet him in the middle.
Plus, Brianna is pregnant. Here I am remembering what a shit show of emotions that was like WITHOUT adding in all of this craziness and confusion to it. My heart ached for her this episode. Stepping back and seeing it all from where she stands. Taking away all of the confusion and miscommunication and blame we can lay down. Purely the circumstance of what can be lost – Brianna – that she is still upright, is impressive.
I think the previous commentary answers the why of Brianna not telling Lizzie about that sunnuvabitch Bonnet and the rape. Why Brianna didn’t subsequently hold Lizzie responsible for Roger’s current circumstances. Brianna feels like she is the one protecting Lizzie so it doesn’t occur to her to share that kind of pain with her. Brianna wouldn’t feel confident Lizzie could handle that level of anger from her without it completely damaging the relationship they have. Brianna doesn’t have the kind of relationship with Lizzie that screams: “I feel safe with you, I can be vulnerable with you.” We won’t expose our innermost thoughts to those people in our lives, we don’t see that it serves a purpose. Of course…hindsight…
The relationship between Jamie and Claire right now is something so quiet and reserved that I know I see it differently than many. I see it sitting in the “safe zone”. Claire is being fiercely protective of Brianna in this episode which I completely understand. She made the choice to come back to Jamie and in that, leaving her daughter. We have seen her struggle with that choice repeatedly over the last 2 seasons. With Bree now in the past with them, Claire has been so intuned with her daughter, grief-stricken by her pain and riddled with guilt over Bree’s rape.
She and Jamie are becoming parents together for the first time. They are parenting an adult daughter that is dealing with some pretty heavy shit. This is not a rainbows and unicorn little house on the prairie universe. When the Fraser fury is released Claire goes to the Fraser that needs her comfort the most. Their daughter. Jamie knows it, Claire knows it.
Claire has a whole lot going on in the episode, yet she is pretty quiet. She is angry with the whole situation, you can see she is upset with herself for not telling Jamie about that sunnuvabitch Bonnet. The resignation when she places the ring on the table becomes a quiet communication between them. Jamie and Claire have been through many storms, arguments and this is yet another bump in their road. Like most committed couples, they will learn from one another and whatever circumstance they have created for themselves. I was relieved to see Claire being fiercely protective of Brianna. This wasn’t against anyone, it was for her child. I think we can forget that sometimes, that we can be in someone’s corner and stand up for them but that doesn’t mean we are fighting or belittling others in order to do it. The relationship Jamie and Claire have is one of mutual respect and love. That is security, it means they have the ability to get angry, disagree and fight. All the while knowing they will come back to one another because their love and respect for one another are bigger than all the other stuff happening around them.
Roger Roger Roger. I can’t let this one go without talking about Roger. Of course he doesn’t feel safe! Who the hell are we kidding? The #PoorRoger hashtag is getting out of control. This guy is becoming the energizer bunny of Outlander, the punishment gets handed over to him…he takes it…puts it in his pocket…gives it a tap and says “All safe with me” and then extends his hand and says “Got anymore where that came from?”
#PoorRoger. See? He is getting dragged around like a goat on a rope from the top of the episode. He has company though and shares a kinship with this fella, safety in companionship I suppose. He chats with him along the way, is his motivational coach and one morning, his companion – dead. That’s uplifting. Sure to bring Roger the glimmer of hope and keep him looking forward?
Not really but Roger brings us to the end of the episode facing the one thing that is absolutely certain to bring him back to safety. He can have a warm bath, a sane Scottish lass (I will hop on the #FIOGER ship) and you know, not getting recaptured by the Mohawk…all with one touch.
The question is will Roger feel safer in the future or in the arms of Brianna? I know what I want him to do! I guess his safety isn’t my first thought, does that make me a horrible person?
Thanks for reading, if you made it this far.
Sher ( founder of the ABOotlanders)