SunnuvaBonnet. I can’t even…

but I will try for the sake of this blog. If you have spent any time following me on Twitter, or talk to me in real life, you will know I have a pretty visceral reaction to Stephen Bonnet. I HATE him. Like HATE HATE HATE him.

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In case you didn’t hear me the first four times (source)

Yeah, I know. He is a fictional character. When he existed only on the pages of Diana Gabaldon‘s books. I hated him there too BUT I had more control over him. Diana could describe him as handsome as she wanted. For me…in my brain…in order to accept this man as the evil he was…that physical attraction couldn’t exist. That would be WRONG. So…good old Stevie BonBon had one eye on scan and one eye on lock, big ole skin tags plaguing his face and I gave him lips like a fish.  For me, that was enough to set him off the hot scale and into icksville.

Then, Ed Speleers was cast. Ed beautiful Speleers. Gorgeous, delightful, handsome in every way.  Like many others, I knew him from Downton Abbey. I saw how good he was at playing dickish but delightful…I felt this just wasn’t gonna be good for me.

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Nope. No darn good. (source)

I was right.  He WAS delicious and it tore me up. In my opinion, the worst kind of evil is the kind that seduces and charms you in one moment and destroys you in the next. It causes you to trust, makes you feel sorry for it, which makes you drop your guard.  Evil like that does it solely and completely to take advantage to get what it wants.  The end result is for their gain.  Any loss someone else may have suffered means nothing to them, in fact, they barely notice the damage they have done. They only care they’ve won.

What I found difficult about watching Season 4 unfold the way it did, was the way Stephen Bonnet just sailed through being scum. Everyone was looking to blame someone for the miscommunication, the lies and the secrets yet…the person, smack dab in the center of ALL of it…was the silver-tongued devil that committed theft, murder and rape. He sat in the corner flipping coins betwixt his scungy fingers with that slimy grin on his face while the world burned around him.

He was the piece of shit that threw the match and everyone watched him do it.  Yet, they all screamed at the person that built the house, they blamed the one who made the matches and they got mad at the hay that became the kindling. They even had the audacity to shame the person that was trapped in the fire, burned and scarred the worst.  Those in the story got mad at themselves for lending him the matchbox and some pretended the fire wasn’t even burning around them. The whole thing made my head want to explode and knowing I sound like a drama llama, made my heart hurt a little too.

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It’s pathetic, really (source)

There was ONE person who deserved the blame, anger and hostility.  The one that manipulated, murdered and raped. Full stop.

This is why I burn with the hate of a thousand suns for the likes of that sunnuvaBonnet. It is the Halo Effect. These types are everywhere. Disarming people with their smiles, leading people with fear and getting away with being the worst kind of human because they don’t look like a bad guy. Think of the Brock Turners of society, the Ted Bundys…how many “Oh, he’s too good looking, he couldn’t possibly be bad?” people in the world that keep getting free passes because they don’t fit what society thinks a bad guy looks like.

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Don’t be fooled (source)

I have written a very personal story here 3 times. Deleted it 3 times and it will stay deleted. I don’t need to share it for us to know that these people don’t just exist between the pages of books or in front of cameras on TV shows. To different extents, of course, but they are real and exist in our lives. They walk around believing they can say and do whatever they choose with no consequences simply because they want to. They see it as their right to get what they want no matter who or what gets in their way. This is why I believe this character ticks all the boxes of horrible, evil, no good sunnuvabitch for me. Watch this space for a blog comparing ‘Outlander Villians’. My brain kept going there while writing this so I figured I might as well do one. 

Every time that sunnuvaBonnet appeared on screen, my husband would side-eye me, waiting. He knew it was coming and every time I TRIED…I tried so hard not to do it but I couldn’t, I would snap and spill “Oh My GAWD! I hate THAT guy! I hate him SO SO SO SO MUCH!!!”  I had to say it, I had to let it out. Every. Damn. Time. Hubby would chuckle at me and shake his head but I found I couldn’t focus on what was happening on screen until I verbalized my hostility. I know. I know. I have issues. At least I admit it.

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Under no illusions here, folks. (source)

At first, like I said, I was concerned with the casting of Ed Speleers because he is so incredibly beautiful and that really messed with my head. I figured I would never be able to enjoy him in any other production as I would always see him as Bonnet or I would always see Bonnet as this attractive guy and it would cause me even more animosity towards him. That would be very very dark and not at all healthy.

I am happy to report that somehow Ed morphed his sweet dimpled face into a darker version of itself. I believe I will be able to watch him in other things and see him in the real world without connecting him with Bonnet’s pure evil. Screenshot (2038)

By the time the episode rolled around that Brianna confronted him, that transition was completed in my mind.  His appearance wasn’t beautiful. I realized that he looked more like I felt about him – if that makes sense. I wasn’t seeing the striking eyes or chiselled features. I was seeing the ugliness that was inside of him and again, I thank Ed Speleers for that.  Unlike my imagination having to create these traits for book Bonnet, Ed’s powerful performance with sunnuvaBonnet created that hideousness that seeped from the inside to manifest itself on the outside.  Of course, it didn’t make the character anymore tolerable for me but, it did help me.  It helped me because I didn’t have to feel that battle of being attracted to a person that was a complete piece of human garbage.

Ed, on the other hand. RAWR.

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I mean…he is very talented et al. (source) 

 

Until next time,

Sher (ABOotlander founder)

 

 

 

Talking to Sera-Lys McArthur about Johiehon, Outlander and MUCH more…

Providence, episode 12 of #Outlander is receiving praise across the fandom. Sera-Lys is the extraordinarily talented and beautiful First Nations actress who played Johiehon, the Mohawk woman who fell in love with and had a child with the priest, Father Alexandre Ferigault.  I spoke to many people about Sera-Lys‘s performance and each one was impacted in some way by her portrayal.  It made me want to know more.

 

We all know I’m a Canadian, I talk about that on the regular. The actor’s Outlander auditioned for the Mohawk and Cherokee this season were chosen from First Nation actors in Canada. I found many have familiar faces from our television landscape.  When Sera-Lys popped up on the screen I had a “Hey! I know her moment!”  Only because I had watched her on a show called Arctic Air. Not because I actually ‘know’ her. Since we are both Canadian, I felt confident enough to reach out to her.

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It probably shouldn’t, but this is me. (source)

It is with no surprise that I can share with you, she is 100% delightful, 110% smarter than I am and yes, I think we are best friends (don’t tell her, she may not answer any more of my DM’s)

So without further Sherry babbling, please enjoy my “Interview with Sera-Lys”

I understand you grew up in Saskatchewan and were fairly young when you started acting. Now, many reading this might not understand my asking but how did that happen for you? (Saskatchewan isn’t really known as Canada’s Hollywood)  Haha, oh thank-you! Arctic Air was a big breakout role for me in terms of my Canadian career, it’s nice that people still remember that show. And you’re right, getting a start in acting from Saskatchewan is uncommon. I didn’t ever think that a person could even pursue acting as a career. My neighbour signed up for modelling classes when we were 11, and I wanted to join her. I really enjoyed it, so my mom supported me in signing up with a local agency in Regina. A couple of years later, when I was 13, there was a CBC miniseries coming to town called “Revenge of the Land,” directed by John N. Smith (Dangerous Minds, The Boys of St. Vincent). They were casting the role of a young Metis girl (a word that describes a mixed-blood Indigenous person) and had already cast actress Carmen Moore (She is in Outlander also, her role was introduced this week and continues in next week’s finale) to play the character’s mom. I went to the audition and the director and casting director were instantly impressed at our resemblance. Then they said, “But wait, can she act?” and I did my audition. It was my second audition in my life. I guess I didn’t suck, and they asked me if I had ever acted before. I said I was signed up for a workshop ‘next week.’ They smiled and told me to take the workshop. When I was at the workshop, they called my acting teacher and I was informed that I had got the role. It was very surreal! Needless to say, I loved the experience and was “bitten,” as they say. I continued to study Musical Theatre and Acting and audition throughout high school and later, in post-secondary education.

Where is home for you now? As a First Nations person and actor, I have the ability to “live, work and cross the border freely as [I] choose” thanks to the “J Treaty.” I really see Acting as my home, and wherever it leads me. I will always have roots in Saskatchewan and that is still where my family lives. Lately, I split my time between New York City and Toronto.

As a young Canadian woman, what would you say has been the biggest challenge in your career thus far? Historically, there are not a lot of substantial roles for women in general, less for women of Colour, even less for Indigenous women, and even then, we often lose these roles to non-Indigenous actors. This is because it’s a catch 22 in the industry: An actor has to have proven their ability to green light an X-million dollar production, but no Indigenous actors have ever done this, so investors find us to be too risky to cast. Sometimes they rewrite Indigenous roles and change their ethnicity to suit an A-lister that will attract more investors. It can be very frustrating. But I am happy to confirm reports that this is finally changing in our industry. The amount of opportunities for everyone seems to be growing, and so those of us who have been waiting and working on our skills all these years are finally getting a chance to show what we can do. Outlander 412 “Providence” was definitely one of those opportunities!

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Sera-Lys on the Outlander set with her costars

I see you have worked on a few projects with women at the helm, as we are in a (much needed) time of change in the industry, how do you find this is impacting you? For one thing, it has been the status quo for so long, that it was an important dynamic for me to learn how to negotiate. I get along with most men, I have many platonic male friends. I choose to connect with human beings, not genders. Now, of course, I have noticed an inequity and it does bother me. But it is important to create allies, not otherness. I have had excellent experiences working with male directors, and equally as wonderful experiences with female directors. I feel blessed to be able to collaborate with all of them and I am hopeful that more and more women and minorities will be given a chance to helm large-scale projects. 

Did you audition for the role of Johiehon specifically and what was the process like for you?  Yes, I did audition for her specifically. I knew the character was supposed to speak Mohawk and French, but the sides were given in English. Like most Canadians, I studied French in school growing up, so that was the easier part. Mohawk is another story! There’s no google translate option for Mohawk! While the casting director said that it wasn’t necessary to translate for the audition, I know from experience that producers almost never cast Indigenous actors for period-dramas from a tape where they speak English. They want to cast someone they know can handle the language challenges that the role demands. So I reached out to my friend Devery Jacobs (Sam in STARZ’s American Gods) who is Mohawk and also was auditioning for the role. She passed along recordings, translations & phonetic transcriptions of the Mohawk lines. I went in for my audition a few days later, and I guess I kinda “nailed it:” one take and done. Then I was “On hold” for over a month. During this time I auditioned for another role on Outlander, the Cherokee translator played by Crystle Lightning. When I got the call from my agent that I had booked Outlander, I had to ask, “which one?” 

I am very grateful to belong to a community of supportive First Nations actors. It’s a rarity in this industry and even this day and age that someone would aid their “competitor.” But I would have done the same. We really want each other to succeed, and we know the best way for us all to experience success is to support one another. 

I know I shouldn’t feel personal pride in the fact the First Nations actors from my home country behave in this manner as the only real thing we have in common is we are from the same country, but damn, this makes me proud.  To know there is such a cohesive unit of actors, working with one another to assure each other’s success knowing it will make the whole stronger in the end.  That’s probably the most empowering thing I have heard in a long time. It makes this screenshot mean a lot more to me.screenshot (2083) (1)

How did you find out you earned the role of Johiehon? My agent Rich Caplan called me while I was on a lunch break from a theatre workshop I was doing with Oregon Shakespeare Festival (in Manhattan). He had called me earlier that day to say that I had booked a role in a Canadian independent feature called Robbery, which is currently doing the festival circuit. It was a pretty awesome day!!

When you read the script for Johiehon’s introduction and demise, what were your thoughts? The introduction I knew from the audition, but the demise was a big surprise! They kept it under wraps from even me until about 2 weeks before my contract in Scotland began. She had a different name than in the books. It definitely explained why it was only a one-episode contract! I was shocked and excited. The second-to-last episode is often the climax of the season in today’s television market. A big fiery, epic ending in this episode was very exciting! I actually portrayed a young Nakota woman who died by fire in another CBC miniseries called The Englishman’s Boy about 11 years ago. So I knew I could perform it well. Still, I had never seen anything quite like the fire and stunt work that I witnessed on Outlander. It was truly amazing!

Truthfully, you had such a little amount of time to endear yourself to the audience, allowing us to feel you had this deep love with Father Alexandre and that Kaheroton was deeply in love with you, and…you did it. More than did it. I was sobbing when you (well, your stunt double) walked into the flames.  What was your reaction when you saw it all put together for the first time? Honestly, I cried too! It was so beautiful. It was so sad and visually stunning. Mairzee Almas, the director, did an amazing job with this scene and episode. It was her idea to put the Adagio For Strings music over the silent slow-motion sequence. In my mind, I compared the epic, emotional moment to The Last of the Mohicans, and it definitely delivered. In today’s industry, an actor rarely gets the opportunity to act in something this grandiose! I feel truly blessed to have been a part of it. I am proud of my work and of the entire team. It’s tremendous.

I have to admit, Providence stands in my top 3 episodes of the whole Series thus far. From start to finish, every extra and every effect, every performance held my attention. 

Richard Rankin is the regular cast member you had scenes with.  He is known as being a very light-hearted guy. How was working with him? It was great! He is very friendly and easy to be around and work with. Poor guy had to be in constant “pain” during our scenes. It also was a very demanding season for him, so I am very impressed with his stamina and commitment. His scenes with Father Alexandre in the “Idiot hut” are truly remarkable and were rewritten right up until filming. He brings an amazing sense of humour to his portrayal. A true professional and a warm-hearted person. I feel lucky to have worked with him. 

I often worry about the portrayal of first nations and indigenous peoples in television and movies. We want the portrayal to be true, respectful and not a caricature. I understand you are a modern woman, not a historian but am interested in knowing, how do you feel Outlander did, as a whole, in regards to portraying the Mohawk/Native culture? They really did a very good job. They went all out in their research. The costumes, hair, make-up and wardrobe were all very specific. And that set! It really transported us there in our minds. They worked with two Mohawk elders from Akwesasne and had them answer questions and do translations and coachings with us. They also gave us a document about Mohawk customs and culture, especially pertaining to what was happening in the scene. For me, the biggest departure from reality is that a Mohawk woman would ever abandon her child and commit suicide to be with her loved one. But it is a fantasy after all. It’s a beautiful story.

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Sera-Lys McArthur with director Mairzee Almas and costars BTS

 It was most certainly a part of the story I always struggled with, but yes, fantasy, love stories, tragedy. They tend to go hand in hand. Speaking of fantasy – I am envious you travelled to Scotland. How long were you there? Tell us a bit about your experiences if you could. I was there for 3 weeks. I was happily able to explore quite a bit. I went to Edinburgh, stayed in Glasgow and near Pitlochry. I went with fellow actress and friend Carmen Moore to Loch Lomond. That was a special experience. After my role was completed, I went on a horse ride in the countryside or a “hack,” as they say in Scotland, with Tannoch Stables. We stayed in a beautiful castle hotel during filming. It was breathtaking. Scottish people, on the whole, are lovely, friendly and have a great sense of humour. I highly recommend going and I hope to return someday soon!

You were surrounded by many other Canadian actors/esses while on set, which must have been interesting. Being in another country but still with people from home. What was that like? It was a surreal and pride-filled experience. There were other people from the Prairies and even an elder who spoke Nakota (my Native ancestral dialect). There were multiple other actors that I had worked with before who reunited there for this production. One of them, Gregory Odjig, looked at me at one moment and said, “We’re at work right now. Halfway around the world, in Scotland. That’s friggin awesome!” And I couldn’t have agreed with the sentiment more. Very special and unique.

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Sera-Lys  with costars and friends Carmen Moore and Tom Jackson Fonab Castle Hotel

What was your biggest take away from your time with the Outlander production?That all the years of struggling and career ups-and-downs were worth it so that I could experience something this amazing. 

I see you have some projects that include writing and producing. Besides acting, what field do you see yourself pursuing more in the future? Acting is my true love. But acting leads me to producing and writing. I want to do them all, but most of the behind-the-scenes work I do is so that I can act in the production myself. I am sure this will continue to evolve. Acting and storytelling are my “Buffalo,” they provide my soul with sustenance, similar to the traditional life of my ancestors when they followed the herds of bison. I will follow them wherever they lead me. 

That is so beautiful. Our First Nation culture carries with it such a powerful spirit. We have so much we can learn.

The issue of MMIWG (Missing and Murdered Indigenous Women and Girls) in our country is one that was long ignored. The more the loudest voices speak, the more the silenced can be heard.  Can you please tell me more about the project ‘In Spirit’?In Spirit is a very special project. It was written and directed by Tara Beagan and designed by Andy Moro. While we changed the character to a fictitious girl, the original play was based on the murder of Monica Jack. You can look up all of the details available on CBC’s website. 40 years later, they have finally arrested, tried and found a man guilty of kidnapping, assaulting and violently killing this young girl who was days away from celebrating her 13th birthday. It is very emotional and speaks to the core of our community. It illuminates the bigger problem with our society today. I hope we remount it and many more will get to see it. It’s truly riveting. I hope that the conversation continues and we work together to stop this senseless violence. Native women have been too easy to prey upon. Native people are victim to systemic violence, racism and erasure by historical and modern society. This has to change. We have to talk about it more and more. And if we could please stop objectifying our women in so-called “sexy Indian” costumes, that would be a great place to start.

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If there was a mic- I’d get her to drop it (source)

Do you have any other upcoming projects that you are excited about that we can watch for?  You can currently catch me in Season 2 episode 3 of Friends From College, I have a really fun soccer scene about 8 minutes in. I will be doing a play at Portland Center Stage in Oregon called Crossing Mnisose by Cherokee playwright Mary Kathryn Nagle. That opens in April. Other than that, stay tuned to my social media @seralysmcarthur for announcements.

Once again, your performance in Providence was captivating.  You managed to create a heartbreaking love story within an episode of television that left a fandom bereft. If there is anything else about your experience with this role you would like to share, we would love to hear it. Well, while Yan Tual and I were busy working and dying on pyres and crying for literally days, the other actors and supporting artists were often on break, if it was only filming our close-ups. As I mentioned, the set was impeccable and while much of it was natural, we would randomly find “set dec” hidden amongst the natural world: fake rocks, sticks, mounds, grass, etc.

Richard Rankin, Carmen Moore, Greg Odjig and some of the Mohawk warriors/ stunt actors made hilarious behind-the-scenes videos of knocking Greg over the head and body with these set pieces. The resulting videos were HILARIOUS!! What a fun group of people to work with!

Outlander BTS video Credit goes to Gregory Odjig

Thank you so much for sharing that hilarity with us. It is the perfect way to lead into my the typical ABOotlander closing question for our guests – since you are Canadian, you have an advantage.  The ABOotlanders have invited you to dinner and being the guest of honour, you get to choose the main course, tell us which one catches your fancy?
A)Moose Droppings B) Beaver Tails C) Prairie Oysters D) Taber Corn

Prairie Oysters. I def gotta try one someday to be truly Canadian! (I do know what they are, lol!)

It truly was a pleasure to have Sera-Lys take the time to invite us into a few corners of her world.  I hope you enjoyed reading this as much as I enjoyed putting it together for you because I enjoyed it A LOT!

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Sera-Lys ROCKS (source)

Sher (Founder of the ABOotlanders) 

Be sure to live tweet the Finale of Outlander with us while watching on W Network on Jan 27th.

 

 

 

Content of Character- My walk through #Outlander E12 #Providence

Though the episode itself was the most religiously symbolic of any we have seen, this blog won’t be going in that direction. Unless of course, you are like me and your spiritual belief is based on being a decent human. If that is the case, then, you might make some comparisons.

As I have attempted to do from the start of the season, I take this blog to another place.  This time it isn’t hidden, it isn’t a secret and it most assuredly is not masked.  It nearly hits us over the head with many of our beloved cast members and even some we just meet.

“Character cannot be developed in ease and quiet. Only through experience of trial and suffering can the soul be strengthened, ambition inspired, and success achieved. Helen Keller “

We are introduced to a wonderful new cast in this episode, Father Alexandre (played intensely by French actor Yan Tual), Johiehon (played by talented and stunning Canadian actress Sera-Lys McArthur),  the woman he is in love with, Kaheroton (wonderfully portrayed by Canadian actor Braeden Clarke) who is also in love with Johiehon but her heart belongs to Alexandre, the father of her child.

This trio gave us not only performances that will stick with us, well, forever but they gave us a love story that is rooted in each one’s truth and character.  Father Alexandre made a commitment to God, yet he broke that vow for this woman. Knowing he was damned for that, he accepted it. Yet he refused to damn his child for his perceived sins. He went to his death unaware his love would die with him, though I don’t believe this would have changed his mind. In my eyes, as Johiehon watched Father Alexandre, you could see not only the pain in her eyes but the desolation.  Once Roger ensured his pain had ceased, it was not only an agony but a relief that came over her. Johiehon knew Kaheroton loved her, she knew he would care for her child out of that love. My heart damn near broke in half as she gently placed her child on the ground and walked into the flames.  Knowing, she could not live in a world in which the man she loved was taken in such a way.

Depending on our perspective we can see Johiehon’s strength of character in many ways. I choose to see it in a way of grace. There are choices we feel we can live with and those we feel we can’t.  Who are we to judge what others believe to be their limits?

Kaheroton gave Alexandre many chances to redeem himself to the Mohawk and not face death, yet I believe he always knew what choice the priest would make.  I do think there was a part of him that thought once the priest was gone, he would be able to step in and care for Johiehon and her child.  When she made the choice to join Alexandre in death rather than live without him, Kaheroton saw the mistake he had made.  Instead of Johiehon only being brokenhearted as he had intended, she no longer existed.  These are the lessons we are made to learn with when we bend our character. I am sure Kaheroton never expected it was one he would face. Now, he will see it up close, each day when he looks into the eyes of the child she left behind.  This is sure to be a defining moment in Kaheroton’s life, a fork in the road of his character.

Brianna.  We certainly saw the content of her character shine in the dark dank cell facing off against the sunnuvabitch Bonnet. Understanding completely what her BioDa was saying to her about forgiveness. It wasn’t for anyone but herself, freeing her of the hold this man had on her. Forgiving him would allow her to live her life without the fear and anger that came with the hold he had on her. Not only did she forgive him, but she also had the grace to give what she thought to be a dying man knowledge of his life (possibly) going on in the form of another. All I know is Brianna has about a bonnets full more character than I do. She’s just a better person than I am, and she is pretend.

Lord John, Murtagh, Fergus and Marsali. All of them are high on the truly good people scale. They all have the best of intentions in their choice making.  They knew the consequences of living with the disappointment in themselves simply wasn’t worth it.

We watched Lord John decide his loyalty to Brianna and the Fraser family in general outweighed all other loyalties. Love, family and promises made really do mean more than business and duty.  It most certainly laid out his character for us.

Murtagh, though a leader of the Regulation, he knew leaving a guard to die wasn’t the right thing to do. His pride in being Brianna’s protector was just that, pride. He set those things aside, showing his true self, his character.

Marsali and Fergus,  those two are a true joy to watch. I believe in these two, I believe no matter what, if one wavers, the other will not nudge but push them in the direction they know they need to go. It isn’t a push of defiance, its a push of “LET’S DO THIS!” It’s the kind of push that we know we need.  We are afraid to it alone. Like something is missing and when that other person says it’s right and validates our thoughts, we feel stronger.  That is what Fergus and Marsali are. Each others Jiminy Cricket. Their character feeds one another, much like Johiehon and Father Alexandre but yes, to a much different end.

I don’t want to but I am going to. I am going to talk a little about that sunnuvabitch Bonnet. Here, I discuss lack of character. Psychopaths tend to be without it and he is no different.  Some might be swayed to think that when he hands Brianna the gemstone, that is a glimpse of something deep within him. To that, I say, bullshit. When we show character, it isn’t for ourselves. It is because we can not possibly live with the other decision. Sunnuvabitch Bonnet is all but positive he is going to die. He doesn’t know where this gem will end up so why not have control over that too, right? This man’s lack of character is as obvious as his lack of shampoo.

I think the following quote fits both the man I just finished speaking about and the one I am about to…

“The best index to a person’s character is how he treats people who can’t do him any good, and how he treats people who can’t fight back.” Abigail Van Buren

One person this season whose has been back and forth quite literally has been Roger.  We have seen him grapple repeatedly with the desire to keep Brianna safe and to be honest with her because sometimes telling people the truth ultimately hurts them.  We have seen him risk his own life to try and save hers.  We have seen him risk his life for the chance she might accept him.  We have seen him beaten, sold, beaten, escape, tortured with the thought of going home to safety, not going home to safety because there was a chance to be with the woman he loved again, to being beaten and captured AGAIN. In all of this, Roger changes.  Or does he? I think Roger, in this episode, tries to convince himself and his new companion, Father Alexandre, that he has changed into someone that needs to care only about himself. Believing caring about others has only has gotten him into this mess in the first place.

Where the truth lies is, Roger has always been this man.  The man that cares, loves and wants to be loved. His character is goodness.  Does it hurt him? Yes. In every way it does.  Would it hurt him more to defy that goodness? Absolutely. It would hurt his soul. When you hurt your soul, you break something that can’t be mended until it is made right.

We saw this struggle for Roger numerous times but none so obvious as when he was at the stones, the physical pain on his face when he thought about going home and leaving Brianna.  He knew he would never be able to live with that agony.  It wasn’t simply about loving her. It was about his character. His right from wrong. Who he truly is.  We saw it and heard it again, in technicolour, as he was running away from his captors and the tortured cry of Father Alexandre.  He was verbally trying to convince himself he was doing the right thing by leaving Father Alexandre to the fate he had chosen for himself. The priest knew what he was doing, was a grown man, making an adult choice. Still, Roger being Roger, could not live with the knowledge that this man would possibly live for days in agony.  Not knowing if or what he could do to help him, only that he must try. He turned around and went back. Roger was aware he would likely face the same fate.  To Roger, this was more bearable than living with the knowledge that he turned his back and did nothing.

The truth is an inherently good person makes these choices every day, or they live with the pain of making the wrong choice. That voice in our ear, that pit in our stomach, that feeling we get that we should have made another choice – that is the pain I’m talking about.

The bigger the choice the louder the voice, the deeper the pit, the stronger the feeling. We always have the power to reverse the effects of those bad feelings but of course, it is always wise to try and make the right decision in the first place, but you know, life.

“Out of suffering have emerged the strongest souls; the most massive characters are seared with scars.”- Kahlil Gibran

There is no doubt in my mind that if we really wanted to use this season as a barometer for our behaviours, the way we treat others and ourselves, we could truly learn a lot.  What it takes is being open and to think critically.  It certainly isn’t easy, especially in real life but it is worth it. Even when it hurts.  Hmmm, maybe especially when it hurts.

Sher (founder of the @ABOotlanders)

Please join us as we livetweet the FINALE while we watch on W Network Sunday, Jan 27th, use the hshtag #OutlanderCAN so we can find you!  Man, I can’t believe it’s over already.

 

 

Get naked. Stripping down #Outlander Ep11

That got your attention huh?  Just like the cold but hot open of this episode probably got you. I know my attention was captured, but a naked Roger will do that.

Now, this may be very obvious to everyone out there and you may say to me that this blog is the worst of the season because I haven’t dug deep enough and that’s fair. I don’t think I really did. This just stuck with me through the 3 times I watched.  It became more and more obvious and the reality is, I wanted to talk about it, so I am.

In this episode, our characters were on full display. They might as well have been playing their parts how Roger started the show for us.  In the raw.  That would have made the dinner party a lot less appetizing mind you.

The levels of exposure we saw in If Not For Hope went deep.  This may take me a while so you might want to pour yourself something hot or cold, grab a snack or two.

The obvious is Roger. His literal nakedness isn’t just there for our viewing pleasure. I believe it speaks to a few things. He is now stripped completely of who he was.  The buttoned-up historian of many layers. Each one tore away until he was bare and now, being recreated.  This Roger we will get to know was always beneath the layers but had no reason to be exposed. The layers have been ripped away and no longer protect him, this Roger steps forward to run the show.  Well, at least keep one foot in front of the other. Which is all we can seem to hope for.

Granted, Roger himself wasn’t physically present in the episode but make no mistake, he was there.  Through Brianna, Claire, Jamie, Ian and even Lord John, each bringing him to the surface.  They repeatedly reminded us of how perilous Roger’s situation is. How he was relying on them to save him from this situation they had a hand in placing him in (except Lord John…he’s cool).

Roger is completely on the outside of all of this.  He has no reason to believe anyone is looking for him. He has to trust that Brianna loves him as much as he loves her. That, my friends, is blind faith. Which is perhaps the most vulnerable anyone can make themselves emotionally.  This is intricately tied to the horrific moment at the end of the episode.  Roger makes himself just as vulnerable physically. He realizes what he needs to do. He stands to accept a substantial beating at the hands of his captors in a type of gauntlet, a blind faith, trusting he is strong enough to make it through.

Personally, I would have rathered another shower scene. Richard Rankin, for the lack of screen time, has most certainly given Roger a surprising amount of depth.

I will add, it would be fantastic to see either, in conversation or flashback, what happened at those damnable stones. Richard conveys so much of what Roger thinks in facial expression alone (something I think this cast is flippin’ remarkable at) I would love a peek at that moment.

Please know I do not view vulnerability as weakness. It is a state of being from which each one of us needs to be in, in order to trust or love.

In Brianna’s case, she was all over the vulnerability scale from frailty, threat, disquiet and even pliancy during this episode. She was open to her own pain, in fact, the first moment we saw her in this episode she was in the midst of drawing it. Lizzie saw this as demons. They were in a sense, Brianna’s own demons…of sadness, anger and worry.

Speaking of Brianna’s drawings, it seemed she was using them to expose her disquiet. The opening credits showed many pictures of the slaves at work. Phaedre came into her room, Brianna saw how the light caught her face, she asked Phaedre to sit so she could draw her.  To me, this showed Brianna’s discomfort with the way this world was working around her. She was able to capture that and put it to paper.  I do believe Phaedre was pleased with being seen by Brianna, yet, you could feel her unease. Even if she were safe with Brianna at that moment, she was only safe with Brianna at that moment. The second someone else came into that room that safety would disappear instantly.

Next is Brianna, exposed lamb to the slaughter, Tinder 1700’s version.  This was painful to watch with a modern eye.  I had to keep facepalming myself to reset.

Seeing Brianna have to shut down the fake compliments, the greasy ‘we should ride into town alone together after just meeting one another’ and ‘hey, my mom doesn’t know I’m gay, let’s pretend to be bff’s.’, was too much.  Brianna made the right call with the fake ‘case of the vapours’ to get the hell out of there.  I now know why so many women fainted back in those days and it wasn’t because of the tight corsets. Women are tougher than that. It was to get the hell out of the room and away from all the creeps. They literally had to pretend they were unconscious before people would let them leave the damn room.

After the delightful dinner party (she says with dripping sarcasm), Jocasta gets some alone time with Brianna and in that small amount of time Brianna pliancy grew.  At first, she started this conversation out strong but Jocasta, always cunning, knows exactly which string to pull to unravel even the most complex of patterns and she does just that. She grabbed onto the Roger and baby strings and pulled, hard. Brianna went from bold to pliant, which is a completely different variant of vulnerability.  Jocasta used the perfect words to cut Brianna down and weaken her ‘Roger’s gone…no matter dead or alive. GONE.’ ‘If your baby is born out of wedlock, their life is RUINED.’  Brianna is brought to the point of being forced to look at her situation as the condition it is being referred to.

 

Jumping ahead Brianna is armed with what she thinks is the blackmail of the century. Bree decided to hit LJG where it hurts, in the ‘being gay is punishable by death’ spot.  She felt this was a pretty great plan, she could coerce him into marrying her because she knew this big secret and he would never want to sleep with her because he didn’t like women. Win Win.  LJG is a great guy and all but he isn’t one to be trifled with. He clapped back, letting her know the Vaginawagon wasn’t in mint condition and she would do well to stand down.

That moment with LJG is where Bree is the most exposed.  She allowed him to know all the details of her pregnancy and her desire to protect her child even over her own happiness.  It proves it doesn’t matter if we are trying to show others how strong we are, if there are cracks in the armour, someone will get through it. Even if it ends up being us, no one can stay locked in there forever. It’s stifling.

 

Lord John Grey. That name deserves a moment. He isn’t one you would feel is in a state of vulnerability given his status. Lord John, however, is a man who happens to love men. In colonial America, this is a crime punishable by death. This instantly makes Lord John a person in jeopardy.  The moment he is introduced to Brianna you can see him soften from Lord John Grey…to John, Jamie’s friend.  Which in itself brings an openness to him.  Since he is raising Willie, Jamie’s son, it makes sense that he would have a soft spot for Brianna, Jamie’s daughter.  You would think when LJG is most vulnerable is when Bree exposes his throat and threatens to chow down on it by telling the world he is gay. The idea may be threatening but after the initial imagery passes, he knows this won’t happen. The moments he is truly most vulnerable is when he is speaking of his relationship with Jamie and Claire.  When he speaks to her of Willie. Many of LJGs vulnerabilities lay in the secrets he must keep. The more people he opens himself up to, the more likely those secrets will be exposed.

Lord John chose to keep Brianna and the child safe by becoming engaged to her. It was LJG , after all, who told Bree to trust that Jamie and Claire would bring Roger back.  By promising to marry her, he was giving her the hope she needed and saving her heart from breaking any more.

It certainly was beautiful to see Marsali and Fergus again.  Their relationship is one I wish we could get more of.  They are strong and fierce but when it comes to one another, so tender. Fergus is being attacked by a toxic mentality of not being ‘man’ enough and Marsali is requesting Murtagh fix it.  She knows very well she could tell Fergus, a million times, he is more man than anyone, it won’t make a difference. Until Fergus feels that himself, it will tear at him.

 

When we love someone, even things we are not responsible for, weigh heavily on us. We want to fix them, which will sometimes cause us to be exposed to our own vulnerabilities. Marsali is not a fan of asking for help, but she does, for her husband. It works out perfectly in the end as Fergus feels needed but also knows his place is with his family.

Marsali knew she wasn’t responsible for Fergus’s pain but she worried about it. We see Jamie worrying about Brianna’s pain, and he did cause hers.  Naturally, this is weighing very heavily on not only him but Claire.  Both are in solitary and pensive states.

 

I believe as long as Brianna feels angry, Jamie will feel guilty. That is par for the course, isn’t it? As family dynamics go, when we hurt someone, intentionally or not, most will stew about it, worry, wonder what we can do (if we can do) anything to fix it. Jamie was in his own head, as he should be.  A big part of forgiveness is beating ourselves up, I think we all know that.

Taking responsibility for our actions means owning them and feeling bad they happened.  Wrapping it all together means having apologized and trying to make things better. Sadly, when we attempt to make things better we become vulnerable to not being forgiven.  That is the scariest thing of all.  When we have created pain for someone, it is never up to us if they can move past it. I think that is why Jamie is in this space he has created.  Jamie’s future happiness as a father to Brianna is 100% out of his control. What an all together powerless feeling, but one he understands, from the things he said.

Claire knows some of this though, she is the healer. She does that for them both, physically and emotionally.  She identifies the wound, assesses the treatment and then, she does the best she can.  The same we do for those we love. In turn, we expect those who love us to accept it.  This couple is best when they share their vulnerabilities and allow the other to be the strength where they lack.  With each struggle, bump in the road, argument and disappointment – couples grow. We see Claire and Jamie settled into their life as a couple but still growing and that’s important.

Knowing we are watching Brianna and Roger in their infancy as a couple excites me because it means we still have so much more to look forward to.  There is nowhere to go but up.

 

Now that I wasted a whole hour of your day, I will wrap it up.  I could go on to mention every character and how they were vulnerable and exposed but even I get tired of myself…

 

When we get naked, let our vulnerabilities be exposed – do we do it knowing there is the possibility of getting hurt?                                                                                                                  Do we hide our nakedness all together so no one has the opportunity to hurt us but we are so lonely…it hurts?                                                                                                                      Maybe we only allow certain people to catch a glimpse here and there and still find ourselves harmed in some way.

Life is messy, isn’t it? It’s messy…but it’s beautiful. It’s chaotic…but it’s an adventure. What we focus on expands…what are we choosing to look at?

We only have 2 more episodes left before the next Droughtlander commences my friends, this had gone by so fast!

Sher (Founder of the ABOotlanders)

Please live tweet with us Canadians as we watch on W Network at 8pm MST using the hashtag #OutlanderCAN

Safety is key. Unlocking my Ep10 thoughts. #Outlander

We experienced yet another powerful episode with The Deep Heart’s Core.  Season 4 just keeps my brain in gear which I am not sure is such a great thing cuz I think it might be getting warped from overuse. It certainly has refreshed all those years of human behaviour seminars I took back in the day.

I don’t exactly do recaps with my blog this season, I kind of pick something that stands out to me. You might be on the same wavelength I am (if that is the case, you may want to seek help because I am not sure that’s altogether healthy) and you will think to yourself…well OBVIOUSLY…in that case, I suppose I’m not as unique as my mother told me I was.

This episode was not a comfortable one. I don’t think it was written to be. In fact, I think it was meant to give you that feeling of discomfort. Of being unsettled and not feeling right in your own skin, like things were ready to fall apart at any time.

Let’s open with the conversation Bree had with her bio-Da about her rape.  That in itself shows us that Brianna feels a certain level of trust with Jamie now. She is asking for his help in processing the trauma she has experienced. She doesn’t need to give him names, dates or details to share her pain. Most victims can tell you that isn’t how it works. The things they need to let go of first are the could haves, would haves, should haves.  Shedding the blame, guilt and shame are critical to recovery. Survivors do this with people they feel safe with.

Jamie experienced these things himself.  He knows the process she has to go through. Claire took him through it.  He put himself in front of his daughter, angered her and brought forth her rage (as Claire had) in order to show her that no matter how hard she fought that sunnuvabitch Bonnet, he would have taken from her what he did and likely, she would have gotten herself killed in the process.  In the end, Bree wasn’t angry with Jamie for overpowering her, saying cruel and hurtful things to her – once she realized why he had done it. In fact, she felt safer with him. So safe that she reached further inside his heart and questioned him about his own experience with rape.

Jamie was raped by Jack Randall.  He didn’t fight either.  He didn’t fight because he gave his word in return for Claire’s life – which means at its core it was out of fear.  Fear for her.  That Jamie was able to share the truth of this with his daughter opened up a door to their relationship – in which Bree stormed through later on in the episode.

Let’s talk about that door now, why wait?  Bree found out Roger made his way to the ridge and subsequently, what happened to him. The Fraser Fury was unleashed like…well…a Fraser unleashes their fury.  There were a lot of words, a lot of confusion and amoung that,  Jamie misunderstood what Bree was saying and heard her say that she had sex with Roger then fought with him- he mistook those words and thought Brianna claimed she was raped by him in anger. Jamie’s Fraser Fury mixed with Brianna’s – as you can imagine, that went up like a bomb.

Bree lashed out, slapping him. Hard. He let her. Why do I believe he let her?  Jamie showed us earlier in the episode that he could stop her from hitting him if he chose to.  Do Bree’s words hurt Jamie? Of course they do but does he know they help her more by her saying them? Yes. Jamie opened that door to his daughter earlier in the episode. That she would feel safe enough to say or do anything to him and know that he would be there to love and care for her no matter what. It is also why he said nothing when she yelled at him that he wasn’t allowed to be angrier than she was.  Jamie heard her words and accepted them.  It is something many of us don’t do when we are angry because we are too busy giving that anger to others in the form of hurting them back.  Jamie had helped create that safe space for Brianna earlier in the episode, even though he screwed up when he lashed out with his words, he backed up and gave that safety net back to her instead of closing it off again.

Bree knows that Jamie loves her. She does love Jamie, otherwise, she wouldn’t even care enough to try to hurt him. She wouldn’t pull out the Frank card to make him hurt like she is hurting.  That is what many of us are guilty of, isn’t it?  When we are in so much pain that we want that person to feel it too? We try and cut them that deep. We go for the one thing we know will get them?  She points out Frank would never have said the things Jamie just said to her. Her statement is not baseless, Jamie did just accuse her of lying about being raped, it was ugly and it was hurtful.  She lashed out in her own ugly and hurtful way.  I am not saying this is the right way to fight with family, however, I see that it is the way a lot of families fight. Good, bad or ugly we can say and do things within those walls and know forgiveness is available to us.

Jamie is being a father more than ever at this moment by letting his daughter feel, process and allowing her to use him to do it. He knows what he did and what he said was hurtful. He is attempting to move forward and doing what he can to make it right. Like at the beginning of the episode, he knows it isn’t about his words, but his actions.  He isn’t begging her to forgive him because he knows forgiveness needs to be earned and she must go through the steps to get there.  All he can do is what he has promised and allow Brianna the time to meet him in the middle.

Plus, Brianna is pregnant. Here I am remembering what a shit show of emotions that was like WITHOUT adding in all of this craziness and confusion to it. My heart ached for her this episode. Stepping back and seeing it all from where she stands. Taking away all of the confusion and miscommunication and blame we can lay down. Purely the circumstance of what can be lost – Brianna – that she is still upright, is impressive.

I think the previous commentary answers the why of Brianna not telling Lizzie about that sunnuvabitch Bonnet and the rape. Why Brianna didn’t subsequently hold Lizzie responsible for Roger’s current circumstances.  Brianna feels like she is the one protecting Lizzie so it doesn’t occur to her to share that kind of pain with her.  Brianna wouldn’t feel confident Lizzie could handle that level of anger from her without it completely damaging the relationship they have.  Brianna doesn’t have the kind of relationship with Lizzie that screams: “I feel safe with you, I can be vulnerable with you.” We won’t expose our innermost thoughts to those people in our lives, we don’t see that it serves a purpose. Of course…hindsight…

The relationship between Jamie and Claire right now is something so quiet and reserved that I know I see it differently than many. I see it sitting in the “safe zone”.  Claire is being fiercely protective of Brianna in this episode which I completely understand.  She made the choice to come back to Jamie and in that, leaving her daughter. We have seen her struggle with that choice repeatedly over the last 2 seasons.  With Bree now in the past with them, Claire has been so intuned with her daughter, grief-stricken by her pain and riddled with guilt over Bree’s rape.

She and Jamie are becoming parents together for the first time. They are parenting an adult daughter that is dealing with some pretty heavy shit.  This is not a rainbows and unicorn little house on the prairie universe.  When the Fraser fury is released Claire goes to the Fraser that needs her comfort the most. Their daughter. Jamie knows it, Claire knows it.

Claire has a whole lot going on in the episode, yet she is pretty quiet. She is angry with the whole situation, you can see she is upset with herself for not telling Jamie about that sunnuvabitch Bonnet. The resignation when she places the ring on the table becomes a quiet communication between them. Jamie and Claire have been through many storms, arguments and this is yet another bump in their road. Like most committed couples, they will learn from one another and whatever circumstance they have created for themselves.  I was relieved to see Claire being fiercely protective of Brianna. This wasn’t against anyone, it was for her child. I think we can forget that sometimes, that we can be in someone’s corner and stand up for them but that doesn’t mean we are fighting or belittling others in order to do it.  The relationship Jamie and Claire have is one of mutual respect and love.  That is security, it means they have the ability to get angry, disagree and fight. All the while knowing they will come back to one another because their love and respect for one another are bigger than all the other stuff happening around them.

Roger Roger Roger.  I can’t let this one go without talking about Roger. Of course he doesn’t feel safe! Who the hell are we kidding?  The #PoorRoger hashtag is getting out of control. This guy is becoming the energizer bunny of Outlander, the punishment gets handed over to him…he takes it…puts it in his pocket…gives it a tap and says “All safe with me” and then extends his hand and says “Got anymore where that came from?”

#PoorRoger. See?  He is getting dragged around like a goat on a rope from the top of the episode. He has company though and shares a kinship with this fella, safety in companionship I suppose. He chats with him along the way, is his motivational coach and one morning, his companion – dead.  That’s uplifting.  Sure to bring Roger the glimmer of hope and keep him looking forward?

Not really but Roger brings us to the end of the episode facing the one thing that is absolutely certain to bring him back to safety. He can have a warm bath, a sane Scottish lass (I will hop on the #FIOGER ship) and you know, not getting recaptured by the Mohawk…all with one touch.

The question is will Roger feel safer in the future or in the arms of Brianna? I know what I want him to do! I guess his safety isn’t my first thought, does that make me a horrible person?

Thanks for reading, if you made it this far.

Sher ( founder of the ABOotlanders)

Please join us for our Live Tweeting as we watch on W Network at 8pm MST Sunday nights, using the hashtag #OutlanderCAN

 

 

Just because you can do it alone…doesn’t mean you should. S04E09 #Outlander

I am going to open this #TheBirdsandTheBees blog with a huge SIGH.

There. I feel better now I suggest all of you do the same.  Deep breath in…let that sucker out.  Feels better, doesn’t it?  Episode 409 was one that made us hold our breath more than once.  I want to talk about all the things that made me tear up…the things that made me rage and the things that made me just sigh with pure joy and happiness.  That isn’t what my blog has been about this season though and I shouldn’t change that now.

tenor-6

This time for me, the loudest thing was the silence.  Bree’s silence, in particular, was deafening.

Like most of us, Brianna learned from those around her.  To protect those we care about, we deny them the truth and shoulder the burden of our secrets. Her mother and father both did this for her.  It is her natural go-to whether or not she understands it, almost like a reflex.

This young woman is so protective of those around her that she carries each worry on her own. She is taking such great care of Lizzie, that she holds onto the joy and heartbreak of her time with Roger. She keeps the subsequent violent rape at the hands of that sunnuva bastard piece of Bonnet to herself. Lizzie all but begs her to share her burdens but instead, Brianna holds them even tighter. Bree shows she is strong enough to weather any storm alone and as impressive as that might be, there is no reason for her to do it alone.

Ian retells the horrid story to Brianna, of how Bonnet attacked the family on the river and stole Claire’s ring. She takes note of this and puts this in her own personal file as “Reason 132 why I should heap more onto my breaking heart to protect my mother and Jamie and not think of how it will eventually affect me”.  Yes. Brianna, you are strong, you are mighty, you can handle all of the things, but should you?

We can see the toll that the secrets are taking on Brianna as the episode goes on (I would mention the meeting with her bio-da and reunion with her mama but I would just cry again and I have Bells-Palsy and my ugly cry is a butt-ugly cry so…no).  Bree is distracted, uninterested in things that would usually thrill her, flustered and easy to anger. All normal reactions that happen when we are holding onto something toxic, they poison us from the inside and start showing on the outside.  Claire notices, not just because she is in tune with her child but because it is like looking at a mirror.  Claire does exactly the same thing when she is hiding something, the behaviour is familiar to her.

How often do we walk through life saying “I can do it on my own.” “I don’t need help.” Or “I’m fine by myself, I’m good.”?  You know what?  We probably are.  It’s also probably hard and would be easier with help, it likely would feel better if we said “Sure, here…thank you.”, and simply allowed the person who offered to help, to do that, help. We struggle and we carry the heavy stuff all for…what? Who does it help? Who does it end up protecting? If we answer this question honestly we will often find out the answer is – no one. In fact, sometimes, it ends up hurting someone in one way or another.  We become so busy protecting people we lose focus on the important things. We become so involved in hiding our hurt that we fail to see the other things going on around us.

Brianna keeping the truth from Lizzie allowed her to create a story from the information she had. Something all of us do. We take visual cues and fill in the blanks, it is how the brain works. Brianna not telling anyone about the ring ensured no one knew who raped her. Leaving those doors open for further misunderstandings. Yes, Bree, you can do it alone – you definitely should not have. We all make mistakes, some repercussions cost more than others.

Jamie rounded out this picture for us at the end of the episode. He chose to go it alone. Demanding Lizzie not tell Claire or Brianna what was happening. Storming off to take care of who he thought was Brianna’s rapist.  Just because you CAN do it alone…doesn’t mean you SHOULD.

The proof is in the pudding with this one…the pudding being poor Rogers beautiful face.

We may be strong. We may be capable. We may be all of the things we think we should be.  We also are allowed to be tired. We are allowed to lean on people. We are allowed to accept help without shame or regret.  We never would tell a loved one they are weak for letting us help them, we would never tell a friend they couldn’t rely on us for a hug or an ear when they needed one – so someone please tell me why do we feel we are any different? Why should we be the exception?

I wish you the happiest of New Years.

 

With Love,

Sher (founder of the ABOotlanders)

Join us for Live tweeting while us Canadians watch on W Network Sunday nights at 8 pm MST.  Use the hashtag #OutlanderCAN so we can find you!

 

 

#Outlander- How invested are we?

My son is in the financial industry and this Christmas, he put together a portfolio for his dear ole Mom n Dad’s retirement, with short-term and long-term goals.

It was a sweet thing to do and it got me thinking about the fandom. I know…I have a problem. Everything in my peabrain circles back around to Outlander somehow – I am pretty sure there is a pill for that some doctor will recommend. I will google it later.

Going back to the first season and right up till now, we can categorize the fandom pretty accurately, in no particular order and without judgement.

Long-term planners-  These are the fans that are safe players, they accept things as they come and don’t really have a lot of expectations. Of course, they have opinions. However, they often come to the conclusion that their opinions are better off sitting in their account collecting interest as opposed to risking sharing it with others.

Our planners do this so they can enjoy without worry.  They go down this road so they don’t have to sweat the small things.  They are personally invested in the show as a whole, long-term.

What I am really saying is…watch out.  The last day Outlander airs…

You may have heard our planners misidentified in the wild as suck-ups or sheeple because they tend to rise up in defence of the show, cast, crew and/or production when they perceive an attack taking place.  Since they choose not to air grievances, this is a great way for them to express themselves.

This is not to say some long termers will not hop into a personal investment along the way when they’ve connected with a particular character. It has been known to happen.  Exhibit A:  Long time fan Cathy AKA @CatsandKilts – a decades-long Outlander fan who slipped into a personal investment with Roger. 

cat

Who could blame her? I mean…LOOK AT HIM

Personal Investments– I think the fandom has far more of these fans than any of us had originally thought.  These fans are invested in certain characters or storylines more than the show as a whole.  This, I find fascinating.  In seasons 1 and 2, I thought it was a story thing but it turns out it was completely a character thing. Jamie, Claire or them as a couple have legit groups of personally invested fans. They want to see their vision of the characters alive and in colour all of the time.  Which of course, is difficult, given there are hundreds of thousands with different visions of what that is.

As we move along through seasons, other characters appear in and people become connected. See Exhibit A. Lord John, Young Ian, Roger and Brianna also have dedicated and passionate fanbases. Where many were sitting in the long-term role in the first few seasons, some jumped into the personal investment because they now have that connection to the story and all the moving pieces.

It becomes easy to see how those personal investments start playing against one another. If one person is invested in something, of course, they want to see it do well. They expect that investment to double, they want profits. That is how success is rated. When the other person’s investment gets a windfall, they know theirs isn’t doing as well. It is all very ‘in the moment’ and ‘instant gratification’ when we are in the personal investment. It can be exhausting.

When we really think about it, it makes so much sense to see that passion.  When we put our own money into something- we are going to pay a helluva lot more attention to it than someone that has zero pennies in the coffers.

Those with a personal investment help those with long-term plans see the stories within the stories. ONLY if they are willing to see. They may get shut down because some long-termers are happy in their bubble of safety and don’t want to take the chance of anything popping it. I identify as a long-termer, however, I like to hear the excitement of those who are personally invested. It gives the story an added depth.  I don’t believe it means those who are invested are dramatic or expecting too much. IMO it means they have invested something and they enjoy discussing their desired return on that investment.

Those who are personally invested do know that sometimes, the market doesn’t always work out for them.  They won’t end up with a winner every time.  Their investment is a gamble because they aren’t in control of it. There are a lot of fingers in those pots but the positive is, they are in good company.  They are surrounded by an equal amount of investors just like them. They aren’t alone and that is definitely worth something.

High-Risk Doubling down– These are our high-risk players. They bet on every episode, hot outta the gate. Each episode stands alone. Against the one before it. Against the books. Against what they wanted. Against what they expected. They put all their money on it and they will rage or praise as they see fit. They don’t care who they take down in order to pay for the next bet and they don’t care whose mother they bet against. It is their right to bet and it will be their right to bet again.  It’s a ‘me me me’ game and anyone else be damned.  They usually despise everything the show does and also, in turn, don’t have great things to say about the fans either.

The truth in this kind of fan is, they are still a fan. They watch, they engage and they speak their mind. I don’t personally get it, but is it my job to get it? Probably not.  There are risk takers that are funny, there are some that are toxic. Ultimately, we choose who we engage with. That’s the beauty of the interwebs and all fandoms.

It is so simple really. It comes down to us being a group of people, the way we fan is like anything else, it is about personality, perception and processing.  All are very individual – and none of them are wrong.  As long as the intentions are unicorns n rainbows- it’s all good. Mostly.

Maybe we need to pay closer attention to how we express ourselves.  On the most part, if it is done with open dialogue, in a fun and you know, respectfulish way – that will make it better for everyone.

We know once Droughtlander’19 hits it is gonna be a doozy – let’s prepare ourselves and not get too tangled into knots before it hits.

Sher (ABOotlander Founder)