Get naked. Stripping down #Outlander Ep11

That got your attention huh?  Just like the cold but hot open of this episode probably got you. I know my attention was captured, but a naked Roger will do that.

Now, this may be very obvious to everyone out there and you may say to me that this blog is the worst of the season because I haven’t dug deep enough and that’s fair. I don’t think I really did. This just stuck with me through the 3 times I watched.  It became more and more obvious and the reality is, I wanted to talk about it, so I am.

In this episode, our characters were on full display. They might as well have been playing their parts how Roger started the show for us.  In the raw.  That would have made the dinner party a lot less appetizing mind you.

The levels of exposure we saw in If Not For Hope went deep.  This may take me a while so you might want to pour yourself something hot or cold, grab a snack or two.

The obvious is Roger. His literal nakedness isn’t just there for our viewing pleasure. I believe it speaks to a few things. He is now stripped completely of who he was.  The buttoned-up historian of many layers. Each one tore away until he was bare and now, being recreated.  This Roger we will get to know was always beneath the layers but had no reason to be exposed. The layers have been ripped away and no longer protect him, this Roger steps forward to run the show.  Well, at least keep one foot in front of the other. Which is all we can seem to hope for.

Granted, Roger himself wasn’t physically present in the episode but make no mistake, he was there.  Through Brianna, Claire, Jamie, Ian and even Lord John, each bringing him to the surface.  They repeatedly reminded us of how perilous Roger’s situation is. How he was relying on them to save him from this situation they had a hand in placing him in (except Lord John…he’s cool).

Roger is completely on the outside of all of this.  He has no reason to believe anyone is looking for him. He has to trust that Brianna loves him as much as he loves her. That, my friends, is blind faith. Which is perhaps the most vulnerable anyone can make themselves emotionally.  This is intricately tied to the horrific moment at the end of the episode.  Roger makes himself just as vulnerable physically. He realizes what he needs to do. He stands to accept a substantial beating at the hands of his captors in a type of gauntlet, a blind faith, trusting he is strong enough to make it through.

Personally, I would have rathered another shower scene. Richard Rankin, for the lack of screen time, has most certainly given Roger a surprising amount of depth.

I will add, it would be fantastic to see either, in conversation or flashback, what happened at those damnable stones. Richard conveys so much of what Roger thinks in facial expression alone (something I think this cast is flippin’ remarkable at) I would love a peek at that moment.

Please know I do not view vulnerability as weakness. It is a state of being from which each one of us needs to be in, in order to trust or love.

In Brianna’s case, she was all over the vulnerability scale from frailty, threat, disquiet and even pliancy during this episode. She was open to her own pain, in fact, the first moment we saw her in this episode she was in the midst of drawing it. Lizzie saw this as demons. They were in a sense, Brianna’s own demons…of sadness, anger and worry.

Speaking of Brianna’s drawings, it seemed she was using them to expose her disquiet. The opening credits showed many pictures of the slaves at work. Phaedre came into her room, Brianna saw how the light caught her face, she asked Phaedre to sit so she could draw her.  To me, this showed Brianna’s discomfort with the way this world was working around her. She was able to capture that and put it to paper.  I do believe Phaedre was pleased with being seen by Brianna, yet, you could feel her unease. Even if she were safe with Brianna at that moment, she was only safe with Brianna at that moment. The second someone else came into that room that safety would disappear instantly.

Next is Brianna, exposed lamb to the slaughter, Tinder 1700’s version.  This was painful to watch with a modern eye.  I had to keep facepalming myself to reset.

Seeing Brianna have to shut down the fake compliments, the greasy ‘we should ride into town alone together after just meeting one another’ and ‘hey, my mom doesn’t know I’m gay, let’s pretend to be bff’s.’, was too much.  Brianna made the right call with the fake ‘case of the vapours’ to get the hell out of there.  I now know why so many women fainted back in those days and it wasn’t because of the tight corsets. Women are tougher than that. It was to get the hell out of the room and away from all the creeps. They literally had to pretend they were unconscious before people would let them leave the damn room.

After the delightful dinner party (she says with dripping sarcasm), Jocasta gets some alone time with Brianna and in that small amount of time Brianna pliancy grew.  At first, she started this conversation out strong but Jocasta, always cunning, knows exactly which string to pull to unravel even the most complex of patterns and she does just that. She grabbed onto the Roger and baby strings and pulled, hard. Brianna went from bold to pliant, which is a completely different variant of vulnerability.  Jocasta used the perfect words to cut Brianna down and weaken her ‘Roger’s gone…no matter dead or alive. GONE.’ ‘If your baby is born out of wedlock, their life is RUINED.’  Brianna is brought to the point of being forced to look at her situation as the condition it is being referred to.

 

Jumping ahead Brianna is armed with what she thinks is the blackmail of the century. Bree decided to hit LJG where it hurts, in the ‘being gay is punishable by death’ spot.  She felt this was a pretty great plan, she could coerce him into marrying her because she knew this big secret and he would never want to sleep with her because he didn’t like women. Win Win.  LJG is a great guy and all but he isn’t one to be trifled with. He clapped back, letting her know the Vaginawagon wasn’t in mint condition and she would do well to stand down.

That moment with LJG is where Bree is the most exposed.  She allowed him to know all the details of her pregnancy and her desire to protect her child even over her own happiness.  It proves it doesn’t matter if we are trying to show others how strong we are, if there are cracks in the armour, someone will get through it. Even if it ends up being us, no one can stay locked in there forever. It’s stifling.

 

Lord John Grey. That name deserves a moment. He isn’t one you would feel is in a state of vulnerability given his status. Lord John, however, is a man who happens to love men. In colonial America, this is a crime punishable by death. This instantly makes Lord John a person in jeopardy.  The moment he is introduced to Brianna you can see him soften from Lord John Grey…to John, Jamie’s friend.  Which in itself brings an openness to him.  Since he is raising Willie, Jamie’s son, it makes sense that he would have a soft spot for Brianna, Jamie’s daughter.  You would think when LJG is most vulnerable is when Bree exposes his throat and threatens to chow down on it by telling the world he is gay. The idea may be threatening but after the initial imagery passes, he knows this won’t happen. The moments he is truly most vulnerable is when he is speaking of his relationship with Jamie and Claire.  When he speaks to her of Willie. Many of LJGs vulnerabilities lay in the secrets he must keep. The more people he opens himself up to, the more likely those secrets will be exposed.

Lord John chose to keep Brianna and the child safe by becoming engaged to her. It was LJG , after all, who told Bree to trust that Jamie and Claire would bring Roger back.  By promising to marry her, he was giving her the hope she needed and saving her heart from breaking any more.

It certainly was beautiful to see Marsali and Fergus again.  Their relationship is one I wish we could get more of.  They are strong and fierce but when it comes to one another, so tender. Fergus is being attacked by a toxic mentality of not being ‘man’ enough and Marsali is requesting Murtagh fix it.  She knows very well she could tell Fergus, a million times, he is more man than anyone, it won’t make a difference. Until Fergus feels that himself, it will tear at him.

 

When we love someone, even things we are not responsible for, weigh heavily on us. We want to fix them, which will sometimes cause us to be exposed to our own vulnerabilities. Marsali is not a fan of asking for help, but she does, for her husband. It works out perfectly in the end as Fergus feels needed but also knows his place is with his family.

Marsali knew she wasn’t responsible for Fergus’s pain but she worried about it. We see Jamie worrying about Brianna’s pain, and he did cause hers.  Naturally, this is weighing very heavily on not only him but Claire.  Both are in solitary and pensive states.

 

I believe as long as Brianna feels angry, Jamie will feel guilty. That is par for the course, isn’t it? As family dynamics go, when we hurt someone, intentionally or not, most will stew about it, worry, wonder what we can do (if we can do) anything to fix it. Jamie was in his own head, as he should be.  A big part of forgiveness is beating ourselves up, I think we all know that.

Taking responsibility for our actions means owning them and feeling bad they happened.  Wrapping it all together means having apologized and trying to make things better. Sadly, when we attempt to make things better we become vulnerable to not being forgiven.  That is the scariest thing of all.  When we have created pain for someone, it is never up to us if they can move past it. I think that is why Jamie is in this space he has created.  Jamie’s future happiness as a father to Brianna is 100% out of his control. What an all together powerless feeling, but one he understands, from the things he said.

Claire knows some of this though, she is the healer. She does that for them both, physically and emotionally.  She identifies the wound, assesses the treatment and then, she does the best she can.  The same we do for those we love. In turn, we expect those who love us to accept it.  This couple is best when they share their vulnerabilities and allow the other to be the strength where they lack.  With each struggle, bump in the road, argument and disappointment – couples grow. We see Claire and Jamie settled into their life as a couple but still growing and that’s important.

Knowing we are watching Brianna and Roger in their infancy as a couple excites me because it means we still have so much more to look forward to.  There is nowhere to go but up.

 

Now that I wasted a whole hour of your day, I will wrap it up.  I could go on to mention every character and how they were vulnerable and exposed but even I get tired of myself…

 

When we get naked, let our vulnerabilities be exposed – do we do it knowing there is the possibility of getting hurt?                                                                                                                  Do we hide our nakedness all together so no one has the opportunity to hurt us but we are so lonely…it hurts?                                                                                                                      Maybe we only allow certain people to catch a glimpse here and there and still find ourselves harmed in some way.

Life is messy, isn’t it? It’s messy…but it’s beautiful. It’s chaotic…but it’s an adventure. What we focus on expands…what are we choosing to look at?

We only have 2 more episodes left before the next Droughtlander commences my friends, this had gone by so fast!

Sher (Founder of the ABOotlanders)

Please live tweet with us Canadians as we watch on W Network at 8pm MST using the hashtag #OutlanderCAN

My take on Outlander’s E02, Do No Harm. The lies we tell ourselves.

There are many conversations that can and surely will be taking place about this powerful episode.  I thought, and probably over thought the direction, I would go in my take away.

What I kept coming back to was the self-talk of the characters in our story.  As in life, we tell ourselves lies in order to live with our actions, the situations we create and the circumstances we find ourselves in.  Sometimes those lies are harmless small ones, intended to take the sting away and sometimes they are brutally large because facing the truth would be admitting how incredibly horrible we truly can be.

When people hear the word LIE, they think ‘bad’. They think ‘evil’. That isn’t quite what I mean here. Yes, a lie is an intended falsehood, however, when we are telling those lies to ourselves to help cope with something ~ that becomes the crux of the situation.

We start with that, Jamie and Claire. He is beating himself up over helping Bonnet escape. Claire turns to him and explains he shouldn’t take the blame for the robbery and Lesley’s death, it’s not his fault, they both trusted the bastard.  Truth is, had they given him up to the authorities, they would have made it safely to River Run, gemstones in hand and their friend alive. This is a way to help them cope with their loss.  Of course, we don’t want them to blame themselves. In fact, if someone we loved were in a similar position, we would tell them the same in order to make them feel better.  I ask myself sometimes – Do I want the truth or a comforting lie? Lots of the time…a comforting lie hits the spot quite nicely, thanks.

Now, those fools at the dinner party! Believing if it wasn’t for them coming to America and making it a ‘civilized’ world it would be nothing but a wasteland. This a perfect example of lies we tell ourselves to justify our uninvited and or all around crappy behaviours. Not bothering to see there could be another way, ignoring the logic around us. Even when it is clearly pointed out.  Ian took a moment to do that and was met with a condescending reply. Those reactions are often the biggest clue that we know we are full of rocks and bananas.

Jocasta shared with Jamie and Claire how she saw some of her slaves as friends.  This is a deeply seeded version of the example I just gave. Though there may be hints of truth in her statement, the reality is, the slaves are not her friends, she will not truly treat them as such because it would harm her place in society.  She spoke of her struggle as a woman, not being able to speak her mind or run her business with men as an equal. If she was to open her mind, just a little further, including others being treated even worse than that, by her…that is where change can start, no? Simply with the acknowledgment.

Then, you know, Jocasta outright lies. In the sense that she would rather ask forgiveness than permission.  She knew damn well that she was going to make Jamie heir of River Run. It was the main purpose for her party, “introducing you to society” was a ruse created to foist this grand plan upon him.  It sure makes it hard to say “HELL NO!” In front of people congratulating you eh?

Now keep in mind, lying to oneself is also a means of self-preservation in difficult circumstances. This is Claire’s running commentary throughout the episode.  There is not one moment that she relaxes. She is in obvious perma-clench mode. For good reason.  She is having a visceral reaction to slavery and not only being surrounded by it, but by it being forced upon her. It certainly is easy, from the relative comfort of our living rooms to tell her to smarten the hell up because ultimately she IS making shit WAY more difficult. However, Claire…part of what makes her Claire is she feels before she thinks. In this case, it’s not only her “do no harm” oath, but it is also her hate of a system that she KNOWS is wrong on every level of wrongness that was ever created, and being a part of that in any way, makes her wrong too. So, she lies to herself.  Tells herself, because of her interference, she can help Rufus. There will be something she can do to make sure he lives. When the real truth is…there is nothing.  Deep down, she knows it…and that only infuriates her further.

giphy12

 

source

 

We now have Rufus (played impeccably by Jerome Holder). Imagine, putting one foot in front of another, day after day having been taken from the life he knew and loved, forced into this, of all lives?  You would most certainly have to lie to yourself. He was telling himself, one day…one day I might see those I love again.  There has been nothing to show him this might happen, to give him this hope. Yet, he tells himself so he may have the strength to see another day.  We have the power to convince ourselves because we have no other choice…we need to hold onto something in order to survive.

If we sat and examined the stories we tell ourselves on the daily, we would see the lies, the half-truths for what they are.  Coping mechanisms…both good and bad. Human and inhumane. They often define our character.  If we find ourselves angry when someone points them out to us, that may be an indication we need to take a self-appointed time out and do some critical thinking.  It is most definitely not a painless process. That is how change happens.

It’s tough, but someone’s gotta do it!

Thanks for stopping by and if you like what you read, or even thought it was kinda o.k., please give it a share, leave a comment or send me cuddles (pickles and cheese knows I can use ’em after THAT episode!)  We livetweet with the W Networks airing of Outlander in Canada, every Sunday, using the hashtag #OutlanderCAN. We look forward to all of our Outlander friends joining us!

For a more in-depth conversation about Do No Harm and the way the show handled the aspects of slavery and the continued effects it has on today’s society, I suggest you hop on over to our friends at Blacklanderz. Their twitter feed has a great deal of the discussions we need to be having.

Until next time,

Sher                                                                                                                                                          Founder of the ABOotlanders