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Home is not a place…it’s a feeling. – Cecelia Ahern. Introspection on Outlander S07 episodes 3 AND 4.

Cecelia, I couldn’t put it more accurately than that, so I borrowed the quote. It certainly is a blessing that words and feelings are meant to be shared. After all, we wouldn’t be witnessing some of the most beautiful writing TV has experienced. Whether the words are lifted directly from Diana Gabaldon’s pen or new ones formed from the bones, Outlander has levelled up in a big way. My husband and I conversed about this. Many series lose steam as they wind down; it feels like Outlander is growing more into itself. Evolving, growing. It’s following the path of a well-lived life. I think the reactions in the fandom to that shines a light on society. Those who evolve go through tough times, experiencing missteps along the way. We have those in our life that choose only to focus on those things, not see the value carried. Yet, if we decide not to cater to those refusing to see any good, then we, too, lose ourselves. Outlander, I believe, has never lost itself. It may have slipped a track or two, but they always managed to find their way back to the centre – having gained something every time. That is a testament to the people involved. It is a reflection of their growth.

The acting has always been top-tier that viewers get lost in the story. That acting also has been cultivated in an environment of support and care. We can tell by authentic interactions of the cast when behind the scenes and at events. The writing and direction of *chefs kiss* and, seriously, the visual effects are second to none. That’s why so many critical Coras get twisted into pretzels when they notice something not reflecting perfection. I try my best not to look at the comments on any social media post because of people and their right to their opinion, as that seems to get muddled by being shitty to their fellow humans.

It is one of the things people have learned about me. I have never been one to tear the show to shreds, even if it is something that doesn’t resonate with me or triggers deep feelings. I actively refrain from participating in those discussions where I feel I can. My mindset is that Outlander is my entertainment, and if I chose to focus on the things I didn’t enjoy, I would be focusing on the wrong thing. Our brains and bodies function a helluva lot better when we focus on the joy…that’s not fluff…that’s neuroscience and biology.

I was almost finished my introspection on episode 3 when I watched episode 4. I couldn’t deny the common threads that were woven, it made sense for me to compile the two.

Many people saw the theme of episode 3 as “home”. Where it went down another path for me, I don’t think we can truly feel at home unless we feel safe there. Safety means many things to many people, as we saw in “Death Be Not Proud” and as we moved to “A Most Uncomfortable Woman.” The women, in that episode – were the safety and, ultimately, home.

Roger and Brianna made their way back to Scotland. Home called them. Roger’s childhood home first and then Brianna’s ancestral one. The play between the characters shows their growth, not only as individuals but also a couple. When Roger’s joking with Bree about burning down the house, she laughs with him and leads with understanding and love. Back in the early days everything would be taken with negative intent and chaos would ensue. Now it seems they do the mature and kind thing and assume positive intent, which creates a balance of compassion.

Bree has a box full of letters from her parents, 200 years old. I would have torn through them like a kid denied sugar, but Bree, she wants to extend that feeling of safety. Her parents, in her heart and soul, remain alive as long as she has this connection. Feeling as if they will disappear into the ether… um…bad choice of words there…if she ravages every letter right away. The repeated grief that Brianna goes through is difficult to watch, yet it makes me think of how grief must have helped shape her as a human. Her mother was experiencing great grief while creating Brianna. These things matter in our life whether we understand them or not.

Brianna exerts her intelligence, grit and confidence in who she is to become a safety inspector. I love the irony. The interview and Brianna’s disregard for what is supposed to be – is not considered. She refuses, she does not feel safe in that submissive role, and those who have their own insecurity about her ability – well – they get uncomfortable, and frankly, that is a good thing.

Roger feeling like he was letting her down because he wasn’t the breadwinner came from a core belief that needed a kick in the ass. The way they navigated it…no… how Bree stepped into her power with compassion for her husband was beautiful. She didn’t lash out and get angry that these insecurities bubbled up. What she chose to do was face them and detract them with love and facts. Brianna became the safety to complete their home. Both nurturing and pragmatic. Hmmm, sounds a lot like someone we’ve known a while.

Safety on the ridge was destroyed with a dumbass and a strike of a match. With their house gone, it sets the Frasers onto a new course. The beautiful thing about Jamie and Claire is they have an intense security – as long as they are together. An incredible balance of love, support and genuine respect. They have proven they will sleep in the woods and feel at home together, simply because they have a sanctuary. That sanctuary is one another. This also transmits the same feelings of refuge to those around them. Their bond, their steadfastness and their commitment draw others into their circle.

It is telling, for it also does repel some. We can always see that their solidness threatens those without substance or integrity. (read BJR, The Shitstains- um, the Brown brothers, just to name a few) It is a valuable lesson for us all. If people are living in their personal joy and harmony as a consequence, we are offended by that…that is our mirror that we need to look in to see the cracks. Those cracks are not made by the people we hate seeing happy or doing good. They come from within, buried deep but accessible.

Claire and Jamie, no matter what they lose or which turn their life might take, find their safety in one another. As wonderful and as beautiful as it is…it’s pretty hyper-dependent. The couple has spoken numerous times about their deaths, leaving a feeling of bereavement in the air. If we know anything about Outlander, oh, and we do… foreshadowing like this…so subtle but I smell it like a hound on a mission.

Tom popped back up most unexpectedly. Claire’s facial reaction to that kiss of death is something I could live on for the rest of my days. It makes me belly laugh with the underlying feeling of “Tom…your idea of what women should be subjected to is buuuuullllshite!” The facial expression was a first-rate way to break down the scene and what had been happening with Tom. Something that we may have missed, but was apparent in Tom’s love for Claire, was she made him feel intact. Which is a form of security that he was lacking. His rage and anger at loving women who challenged him seemed to have faded to acceptance. It’s regrettable that he didn’t clue in much earlier to give that feeling to his children. That is what happens in life, though; lessons come later when we are ready to face our own pain. Then, and only then, can we try to repair.

Though the kiss didn’t affect Claire in a way she felt lost to her autonomy, she did feel pulled out of her connection with Jamie…which as we know…creates that feeling of uncertainty. The beauty of their relationship is, she was able to repair that quickly. It took reconnection with Jamie in the way of discussion and then, doing what Jamie and Claire do. Love one another, completely.

Two people lost their home. The Bug’s. First they were asked to leave their literal home, due to the deception that occurred over the French gold. Then, when Mrs. Bug was accidentally shot with an arrow via Ian’s bow…Arch Bug lost his home again and any semblance of safety.

The destructive thing about feeling completely untethered to safety means we are in danger and sometimes, we are a danger. Arch Bug went from mild mannered man about the Ridge to unhinged and focused on making Ian pay for his wife’s death. We see this in our society every day. It is very much because people don’t feel safe and their home – holds none for them. Their anger and their inability to cope with difficult emotions makes them lose touch with themselves and others. Often causing everyone around them distress.

I felt bad for Arch and Ian both. That is another thing society has warped our collective vision on. That there must be a bad guy and a good guy. When in reality, most times, bad guys are made into what they are because of the lack of love, support and guidance that they desperately need as a human beings to survive. Yes, Ian did kill Mrs Bug. Any one of us had suffered the loss of a loved one, it wouldn’t come easy to accept it was just an accident. We, of course, have all the empathy in the world for him, but as soon as Arch threatened to take away someone he loved as revenge, there was no more compassion. Even though everything in his life would point in that direction with such a turn being had. We don’t have to like, agree or condone payback to understand why people feel that way. Accepting that there can be two, what appear to be opposing views that we think are both right or wrong at the same time.

Our world is not black and white even if it can be predictable.

Ian’s fear of Mr Bug following through pursues him into the next episode. And like magic, so does meeting another uncomfortable woman. Ian’s regard and deep love for his Aunty Claire seem to have more to do with how she makes him and others feel. Maybe uncomfortable, though, that discomfort very often brings on learning something about ourselves or others. Opens us to newness and growth as a human. Rachel Hunter may be a Quaker, but she does not shrink nor tremble, and we can see this is what two men, William and Ian, find incredibly attractive. Let us add that it takes a certain kind of partner to love someone that challenges them in such an innate way. We are socialised to believe being uncomfortable is bad and must be avoided when veritably, facing this kind of discomfort is necessary for our improvement of self.

What is the point of this life if we don’t seek to break through the things that hold us back from being happy and finding our true home…within ourselves.

I hope you are safely at home, until next time,

Sherry

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It is the MAGIC that begins the happily ever after.

That is the thing about feelings though? Isn’t it? We don’t always expect them, they can tap us on the shoulder and smack us in the face, when they are so visceral, they really pack a wallop. They are supposed to. That is what I am going to focus on this time…emotions. Not because this episode made *me* feel so many but due to how our Outlander family was expressing them…or not.

The scene we open with is cataclysmic. I assure you; Malva is going to get her own blog, she deserves it. Claires face was a perfect representation of the horror and disgust most of us would be feeling…(some of us…more than others) against the depravity of Alan Christie’s characters admissions.

Those who have never experienced trauma like this, first, I am so glad you haven’t. Coming back from it is a long and gruelling process. All of that trauma, until it is processed in a healthy way, stays stored as a warning in our subconscious, long after the danger has passed and it grows with us. Causing a variety of mental challenges and physical illness.

Let me swing back to how we experience the emotion of episode two. It is intense, resistant, and consuming but the most important thing that Outlander showed us was – the ones who were able to take a deep breath and move to the next place – FELT the emotion. It is important that we saw this and even more important than we implement it in our own lives.

The *community* that we choose in the healing of conflict/trauma of any kind is a vital piece of the puzzle. There is no repair or resolution in doing the emotional work on our own, if we try, it leaves us lacking and often, lost. Like Fergus, last season…the longer he isolated himself with his sorrow and shame, the worse his mental state became…the moment he allowed someone to console him…repair began.

The moments we needed the most consolation watching Outlander during THPOE were plentiful. It started straight off the top. Hearing and seeing the terror that was Malva’s life was brutal yet, as someone who experienced childhood sexual assault, this show once again highlighted the inner world of the victim not the act itself. This is meaningful, for those who suffered at the hands of another. It says “We see you.” That is likely why those who haven’t faced the healing or those who have no idea what it is like to go through something like that, are always so angered by the presence of sexual assault in this show. It is a way to ignore that it happens far more frequently than we want to face. It is in these ways, with shows like this that help give victims a voice beyond their own. “We aren’t going to gloss over your experience for the comfort of those who don’t want to see the reality of your world.”

I shed those tears in empathy and particularly gratitude.

We moved straight into hope filled tears, didn’t we? Brianna giving birth to wee Mandy was incredibly portrayed. I am so glad to see the truth of childbirth depicted. It’s not about the comfort of anyone but the Mamma, midwives know this but modern (I use the term loosely) medical practices have shifted to focus on efficiency and the comfort of those in attendance. Backward af. The tears we shared during that moment would depend on our own life experiences. A portion will have cried because they have never had the experience portrayed on screen, others cried because they have and they can no longer hold that child and those who are brought back to a moment or something they desire or miss. There will be a number who have no idea why it impacted them, those secrets are locked deep in their subconscious. One day, perhaps be unlocked with conscious intention.

When we see Jamie whispering to wee Mandy in the barn…this is another emotional moment. We feel for Jamie, that he missed doing this with his own daughter, those emotions stir something that is longing for that connection, in us. Feeling those emotions is necessary. The scene changes to Claire, also connecting with Mandy and then, we see it. Something is wrong with the baby causing fear and worry to bubble up. This is something most of us can identify with. Worry about a loved one? Feeling helpless because we are not all doing and or all knowing. The expectation we place on ourselves and others becomes unreachable due to our fear.

We have those moments in time, that come to life…both the things we long for and those we fear. The meeting between Brianna and William was surely one of those. Each character bringing with them something personal and private. William, as much as he adores the only father he has ever known is itching to grow into his own person. Brianna, likely believing she would never meet her brother face to face, searched his face. It harkened back to the “can’t you tell?” line she used when meeting Jamie. Everyone believing it’s best to supress the knowledge that would surely bring overwhelming emotions from William finding out his bloodline. Lord John, the consummate pragmatist, knows the goal is to keep up the pretence of the 9th Earl of Ellesmere. We often believe we are doing something for the good of another, yet, it’s the very thing that harms them the most. Another note on how we can never know someone’s inner world unless they share it with us.

The scene between long time best friends, Jamie and LJG was intense and intimate. Can I say how brilliantly these two men held the space for one another? Showing us that love and sadness come in all shapes, sizes and gender. There was one thing I heard across the fandom and it was “I wish they had hugged!” Yes…that is the repair we would love to get in on, at this time here are two men stretched FAR beyond what their era usually allows. Sharing their regard for one another, helping and ultimately protecting one another. That, to these men…was a hug. It didn’t supply the feel-good hormones a real hug does, but it certainly allowed them to feel what it is to be cared for. It is an important thing, love, no matter who you share it with.

The fireflies and Disneyland introduced us to the kind of emotion we reserve for those closest to us but perhaps should look further afield for connections like this. Jamie didn’t get to form any memories of his daughter as a little girl. All he has are moments like this, sharing stories of the way life was for her. Bree didn’t just tell Jamie about the things they had in Disneyland, she explained how it made her feel. The emotion and the magic. It is why Jamie asked if his time was disappointing. It makes a great deal of sense to presume this after hearing the delight and wonder in Bree’s recapturing of the childhood she recalled. He had only her account to go on, so hearing her tell him “You are magical to me.” This let him know, those feelings of warmth, comfort and happiness, she had for him, now, and would always. Just as she has those perfect childhood moments, her life since meeting him has been enriched. The knowing of such things, brings more love and happiness.

It makes me believe even more in the human capacity to accept such gifts. Opening ourselves not only to share the things we feel but to hear, accept and feel what others are saying to us.

We have dealt with many goodbyes on Outlander. I will say, this was the mother of all goodbyes. When I say mother, I mean it. If it were not for a mother’s love, this vehemence of love, protection and determination, the emotion we witnessed simply wouldn’t exist. Claire, knows who she is, and she is not a doctor or mother or wife as much as she is a human doing the very best she can. She understands her place in the world and because of that confidence and ability, she is able to make those difficult choices. Knowing telling Bree about Mandy’s heart condition and that someone in the future could fix it, but not her, not now…was selfless. Not something everyone would do. Some mothers would rather hold onto their control and try to manipulate the situation for their benefit, to avoid more hurt in their soul. It is when we see Brianna, following in her mother’s shoes that brings us to our knees. There are many parents who talk about how hard parenting children is, and yes, it can be trying, yet there are few who speak about parenting adults. They often still expect you to fix the things that you know are not in your control while wanting with everything you are to be sure they are happy. Though Brianna is now a mother, she is also Claire’s daughter, that attachment never goes away for a mother. It may change to a more secure and understood attachment, if we are lucky. It is having the ability to see that our adult children are their own person, with their own experiences and life while still being their safe space to come back to for love and support.

The thing about our mothers though, whether we like it or not they created us. Literally from nothing, to a living human person. It isn’t only what they ate and drank that made us who we are. It was their hopes, dreams, worries and stress. All of those pieces of them are interwoven into our neurology and genetics. Even considering Brianna is 200 years away, she carries her mother within her cells.

The moment where Claire is searching for comfort was powerful. What is so important about this scene is she was searching for connection. With Jamie and Claire, that connection often is shown in the form of sexual intimacy. What we saw this time, was so much more real and raw. There was a life/love lesson in this moment. The connection Claire needed was repair. As much as Bree is a part of her mother, having Bree changed Claire. It changes all of us, on a cellular level. As we are creating this whole new human, our blood, our bones and ligaments and most importantly, our brain changes. When it comes to saying goodbye, we feel this physically and emotionally. The best way to heal from hurt like this is with love. For ourselves, for those around us. Crying is our body’s autonomic reaction to emotional pain, doing that alone, leaves us feeling isolated and bereft. What Jamie did was exactly what all of us need, someone to open their arms, tell us to feel all those feelings. We shouldn’t stuff them down or ignore them because they take root in our bodies, feeling them is the only way we feel whole. Our emotions that go unprocessed or processed in an unhealthy way…always come back to haunt us.

I used to watch Faith if I needed a cry – well – Episode 2 of Season 7 has taken over that spot. The catharsis of a well-placed sobfest is highly underrated.

I am going to end this now, and deal with the tragic ending of “The Happiest Place on Earth” next time. Maybe.

SoSo much love to you all, Feel your feels,

Sherry

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Sacrifice > / = Love

Outlander season 7 open hit me like a ROCK. Be it a quartz one, the one that is known for transparency and clarity. I am always pleased to see the Outlander writers weaving themes throughout an episode. This one was loud in many regards, but we also had the subtle whispers but the golden vein through it all was …sacrifice.

Sorry, I saw that GIF and I had to use it. Just laugh, get it out.

There is a quote, “Sacrifice is greater than Love”. The passage suggests that the act of sacrifice holds more significance or value than love. I would argue that one cannot and likely not sacrifice anything if it were not FOR love. It is either love of someone else or love of self. I don’t mean the societal bullshit of loving yourself being selfish. I mean, when we truly love ourselves, something modern society may say, but when we do, the resentment and backlash are strong. When we love ourselves, we do so wholly and freely. We accept ourselves for who we are, where and who we came from and understand that our perceived flaws are what make us human, not make us unlovable or bad. When we truly love ourselves, we show ourselves compassion, empathy and kindness. When we make it to that place, and for many, that journey is long, gut-wrenching and exhausting, yet, when we make it there, it enlightens us to the truth. Our love of self allows us a depth beyond measure to love and have compassion for others. More than we thought we did before. That is to say, we know that each one of us started with thoughts, core beliefs and even falsehoods bestowed upon us earlier than we can physically or logically recall, and if we are not afforded the same advantages or opportunities, we may never see beyond the things instilled in us so early on.

Those who love themselves don’t judge others for perceived flaws or what our society calls failure. This is a love without excessive ego but with a true understanding of what ego is, which is consciously healthy and humble. Knowing we are not *all-knowing* and every day can learn and grow comes from having done such growing.

Very few individuals in this world have not experienced some type of trauma – this is especially true for our imaginary friends in the world of Outlander. The poor buggers can’t catch a break to catch their breath. We, in 2023, are lucky. There is now the thing called neuroscience, so we know how trauma truly affects our minds and bodies and how to heal with the right tools. The tools for our Outlander crew are a bit rusty and decrepit, but damn, it makes for good TV!

We know…we know…

The first sacrifice we see being made in the episode is straight off. The Fraser’s sacrificing their peace of mind to their fear. The opening with Claire on the gallows, looking up to see Richard “DICK” Brown, shows us that her terror is leading her thoughts. Jamie, having lost Claire again, is on the hunt, fiercely focused on nothing else but locating that woman. Which means he and Ian both are sacrificing their own safety and the wellbeing of those who count on them. Sidenote: Brianna really should invent a location device to hook her Mom up with.

These people expecting the impossible from me.

Next, Claire sacrifices what little coin she has for some booze. SHOCKER! It’s always worth it when you are in a dank jail cell. Claire really shouldn’t go too long without… withdrawal can be a nightmare! We do our best to cope.

Roger nearly sacrifices his wife’s good will toward him by wanting to help Wendigo. This is a fantastic example of two people who have solid, understandable and both equally correct standing on a subject. It’s this foolish idea that only one person can be right in a situation and one always has to lose. That simply isn’t the way life is, though so many of us refuse to understand that another person’s perspective may be just a valid and strong. The true deciding factor, I believe is Roger understanding that the cost to Brianna was too great. Though they both held trauma that was shaping their opinions on this subject, it seemed that Roger knew that he still could do something, without taking the chance that it might be the wrong thing. Prayer, over setting the man free. Knowing that Brianna would experience another trauma if she were to know this man that did nothing while her mother was brutally raped, repeatedly went free. Of course, Brianna connected to that as she too suffered a sexual assault while bystanders did nothing. To know Roger, let that man go, regardless of his intent, strikes a part of her that hasn’t yet healed. It would be like having an old scare torn open.

For those who are book readers know, in Outlander land – no good deed goes unpunished.

Yeah…they never adieu. To you or you or you.

We would be remiss if we did not look at the sacrifice of Tom Christie. This show has taken this man…made us hate him, kinda like him, hate him again and then…recognize his damage, and have empathy for him. I truly believe this was more about Mark Lewis-Jones‘ portrayal of this character than the writing…though one can’t really be had without the other. Mark Lewis-Jones, elevated that character., providing a dimension to him that I was unwilling to grant him while I read the books. I believe this represents us how our subconscious can form little walls in our inner world, we accept only what feels safe to us and reject the rest. Mark Lewis-Jones extended the character of Tom Christie by providing us with *his* inner world. It shows the power of connection and if we are willing to be open to others personal, deepest insecurities. Allowing us to know we are all fighting an internal battle of what we were unable to control in our development to the now, where we do have the control.

The level of grace and dignity he showed, due to his love for this woman that he could never have, was equal to Jamie’s. The difference, I believe, is Jamie knows he deserves Claire; they are one and the same…connected. He is acutely aware that he has earned her love in return. Where in the eyes of Tom, he is getting a grip on that piousness after meeting and falling in love with Claire. It seems he has began to understand, in bits, that is likely what has created him ending up alone. I feel like Tom wants this act to be his absolution, along with, of course, being sure Claire lives. Sacrificing one’s life for another is by far the ultimate sacrifice. Those who make it miss one important detail, though. The person we sacrifice ourselves for will need to live with that weight. Knowing they are the reason someone chose death rather than the knowledge of spending a life without them.

There was a life sacrificed, as far as we know, at the end of this episode. Bad, bad Richard Brown, baddest dude in the whole damn town… If you didn’t go back and sing that, our brains are very different. be grateful, this one is full of chaos not everyone can handle.

Back to ole Dicky boy…who seemingly was sacrificed for the greater good of humanity. That is a very basic representation, however. Jamie, noted by the dude who shat his pantaloons when he was told, “Yeah, not worried about your men, bruv…my nephew…the guy who is super pissed at you along with his Cherokee friends are tying up those loose ends.”, is indeed a good man.

Another ridiculous social narrative that to be a good person you must only do good things is ludicrous. Especially if that good thing is for a horrible human with no redeeming qualities. That is not to say I think we should go around killing people who are assholes and filled with hate, though we really need to stop tolerating them. Turning the other cheek and being the bigger person, what the hell is that? We already are the bigger person when someone else is a hate filled, rage charged fool. When they refuse to meet us where we are, if we don’t want them to believe silence in consent, in context, then we meet them where they are, with the language they understand. Their language is usually loud and only ends when they succumb.

The issue with people who mistreat others, harm them or instigate harm to be done believe our silence is not only consent, it’s encouragement. “Go ahead. Spread your vileness all over me, then my home – then work – then town – then country- then continent – then…globe.” It’s permission. They need to be denied. Denied a space and a platform. We do that not only by ignoring the individual but by actively speaking up against their unacceptable behaviour until they stop and or apologise for doing it. It will then be up to us to allow them back into our lives with forgiveness or choose our own path in life, with the lesson and the memories in store.

Jamie seems to have chosen the sacrifice of Dick’s life over the hundreds or thousands he has and will harm. Of course, Jamie didn’t have the benefit of suggesting to Dick he was a narcissistic sociopath that needs intense cognitive and developmental therapy. In the 1700s, the thing was…kill ém! We, as humanity, have come a long way. Unfortunately, society takes far longer to catch up and get on board.

The road that Dick paved with manipulation, deceit and a false sense of revenge… has appeared to be ended. Jamie believes he can live with this particular sacrifice as it most certainly did save his family and who knows how many other families from a danger that was unpredictable and had a false sense of calm about him. These are the most incipit threats as they bide their time and pounce when the most damage can be incurred. Society would do well to pay more attention to how/when, and why evil starts, and where it came from and rather than eradicate the behaviours after they have started. Changing the course before it begins. That is when LOVE, SUPPORT and UNDERSTANDING come into the picture again. Rather than have us create humans filled with shame, hatred and vitriol – we create them to be confident and kind. The results would be revolutionary.

We, fans, will always watch Outlander with one eye firmly fixed on ourselves.

It is not a conscious behaviour unless we analyse our reactions to the events and characters. I, personally, have gone through a sizable and transformative shift in my life since watching Season 6. I only participate in open and positive dialogue concerning the show. That isn’t copium; that is a choice to not allow something I view for enjoyable entertainment (created by my fellow humans with complex inner lives) to become something that I resent or bring me any level of annoyance. In my circle, that only serves to bring me unwarranted stress. I will however, speak my boundaries and call out those hurting others simply for their *right to an opinion*. As a dear friend pointed out to me years ago, we can say what we mean without being mean. I wish that was a lesson I took to heart earlier in my life.

I have been away from the fandom for a beat… only participating with the local @ABOotlanders group, hyperPT on IG and the blogs/and the SIssues Outlander podcast .(featuring my sister and I. Currently we have seasons 1-5 and will be producing 6-7 soonish. All the other stuff I put aside for my own well-being. There is only one of me; after all, I have recently learned I need to take care of her first, or she runs out of gas/gets lost or lays on the side of a road in the foetal position. And those things suck, so I care for myself. I can’t express how that makes it easier to be there for those we love and the things we love.

What kind of trip will episode 2 take us on? Follow me to get notified when I write about it.

Sherry – that ABOotlander/beaver person.